Wu Ma inherited his family education from a young age and has been studying calligraphy and painting for more than thirty years. He started writing books at the age of 9, "Biography of Mustard Seed Garden Paintings" at the age of 12, and learned seal cutting at the age of 17. Inspired by his father, he studied Liu Gongquan's "Diamond Sutra Carved Stones", "Mysterious Pagoda Stele" and "Shence Army Stele" since the age of 9, and developed a solid foundation of knotting. Later, he studied Wang Xizhi's "Lanting Preface" and understood the right The essence of military calligraphy and the enlightenment of calligraphy. After the masters of the Han, Wei, Jin, and Tang dynasties, they studied Zhang Xu, Huai Su, and Yan Zhenqing, and took advantage of the strengths of all the masters to understand the fate of calligraphy.
After years of cultural practice, legal practice and the guidance of many mentors, I have formed relatively independent artistic values ??and aesthetics of Chinese painting and calligraphy. The calligraphy style is upright, with both form and spirit; the painting style is profound and rich in connotation.