The palm technique created by Zuo Lengchan, the head of Songshan Sect, the ice palm, can send out the true qi from yin to cold. When Zuo Lengchan competed with Ren Woxing, he used this merit to deal with the star-sucking solution, so that his whole body was frozen and the Tianchi point was blocked. Compared with, Zuo once again used his ice palm, no matter whether he won or lost, it was equal to his magic. (See Jin Yong's the legendary swordsman)
Dazed ecstasy palm Yang Guo's own palm method, * * * has 17 strokes. Since Yang Guo broke up with Little Dragon Girl in Despair Valley, his martial arts have been increasing day by day. After a few years, there is nothing to practice except gradual internal work. He missed the little dragon girl in his heart and gradually became invisible. One day, I stood quietly by the sea for a long time, punching and kicking at will in boredom, and broke a chinemys reevesii's back shell with my palm. From this, he thought carefully and created a whole set of palm methods. His hands are very different from ordinary martial arts, and his strength lies in his internal force. He legally named this set of palms "Forget Me Palm", taking the meaning of "Forget Me, Only Farewell" in Jiang Yan's house. The names of this 17 trick are various, such as fright, alarmism, out of thin air, procrastination, wandering in an empty valley, incompetence, walking dead, making much ado about nothing, behaving perversely, forgetting to eat and sleep, going its own way, swallowing its voice, fidgeting, being at the end of the road, looking pale, dreaming and being in a daze. However, this move is very powerful. For example, people who rarely hurt chest muscles and abdominal muscles. "Out of nothing" When the enemy attacked an inch close, his hands and feet suddenly moved together, and his left palm, right sleeve and feet were hammered, even his chest, back, waist and abdomen were not enough to hurt the enemy; There is no line in the palm force of "dragging mud and water" The right sleeve is the home of Guishui in the north, and the left palm is the home of Wuyu in the middle, which is both light and fierce. "Pale face" is a change from the coring method in Nine Yin Zhen Classics. Rich facial expressions and strange shapes. When the enemy sees it, it is difficult to control his own thoughts. I like the enemy, I worry about the enemy and finally obey me. This is a silent and invisible way to defeat the enemy.
Hong Qigong's posture of the Eighteen Palm Dragons was lost, half of which was taught by the teacher and half by himself. Although there are only 18 palms, every move is extremely powerful. In these eighteen palms, there are Kang Long who regrets dragons, and the flying dragons who ride on six dragons in the sky, which are amazing for hundreds of miles. When there is no rain in dense clouds, they are blessed when they are damaged. Seeing dragons in the fields, fighting dragons in the wild, taking water from Ssangyong, climbing first frost ice and wagging their tails are famous for their strength and ferocity. For example, if a flying dragon is in the sky, it will leap in the air, hit high and be extremely powerful. The dragon wagging its tail is a life-saving trick. This move comes from the hexagram of "stepping on the tiger's tail" in the Book of Changes. Originally called "stepping on the tiger's tail", it is like attacking the tiger's back, but stepping on the tiger's tail makes the tiger turn around and bite back, which is naturally fierce. This action must be reversed from behind. If you are cornered by the enemy and can't turn around, your strength will be greatly reduced. The eighteen palms of the dragon is a martial art of pure yang to rigidity, but when it comes to perfection, it naturally gives birth to softness. For example, Kang Long regrets walking on the cool ice, which is hard and soft. Hong Qigong tells that Kang Long has regrets, that is to say, the essence of this palm is not the word "Kang", but the word "regret". He doesn't have enough strength when he slaps his hands. When he hit it, he had a lot of strength, but he still had 20 minutes of strength left on him, just like old wine, catchy and not spicy, but his stamina was very mellow. As for walking on the ice, you can lift your palm slightly, hit your right hand with your left palm, push it straight and horizontally, and hit it quickly and slowly. One stroke can be both rigid and flexible, with complementary advantages and disadvantages, which is infinitely useful. This kind of palm method, which combines rigidity with softness, makes the enemy hard to prevent.
The essence of the eighteen palms of dragon-fighting is practicing, but the change of palm technique is very simple. On that day, Guo Jing played against Ouyang Ke with the remaining 18 palms of the dragon, and finally fell out of the water. Hong Qigong taught the remaining three palms to Guo Jing in front of Ouyang Ke, but Guo Jing didn't understand, but the clever Ouyang Ke did. But when it comes to confrontation, the palm that Ouyang Ke learned from Guo Jing is actually difficult to cope with, which shows that the power of this palm method lies in "work" rather than "change". (See Jin Yong's Legend of the Condor Heroes)
Zhou was trapped in Peach Blossom Island by Huang for fifteen years, and he invented this technique out of boredom. As the saying goes, "the heart is useless." He added, "If you draw a square with your left hand and a circle with your right hand, you can't make a rule." This skill of fighting with both hands makes people's hearts serve two purposes, one is to hide their hearts inside, the other is to wander, and the two hands use different martial arts tricks. In the face of the enemy, if you use this set of kung fu and divide it into converging attacks, it is equal to two against one. (See Jin Yong's Legend of the Condor Heroes)
In the second half of Jiuyin Zhen Jing, there are ways to tighten the bones and muscles. This method is originally the lowest level of kung fu, and it is the technique of rat thieves digging holes. But if you practice to the extreme, you can shrink your whole body into a tiny ball, just like a hedgehog and a porcupine crouching under the enemy. Guo Jing was framed by bandits and bound to the Beggars' Sect, thus freeing his hands and feet and surviving. Later, Zhang Wuji was trapped in a cave by the traitor Zhu Changling. After practicing this skill (learned from Jiuyang Shengong), you got out of trouble safely. (See Jin Yong's Legend of the Condor Heroes and the Legend of the Dragon Slayer)
Tiebanqiao's life-saving trick to avoid the enemy hidden weapons. Usually, the hidden weapon comes too fast, so he can't jump or avoid to one side. He had to be stiff and suddenly leaned back to let the hidden weapon pass, but his feet were still firmly nailed to the ground. The higher the kung fu, the closer the vest can be to the ground. It pays attention to the ups and downs, and the figure is straight. The so-called "feet are like cast iron, the body is quite like a board, and it is like a bridge." For example, the monk used this trick to avoid Cao's conspiracy. (See Flying Fox of Snowy Mountain Jin Yong)
Yu, the sad disciple of Zhang Sanfeng, the founder of Eternal Dragon Slayer in Wutangmen, was dismembered. He wrote calligraphy with his fingers in the atrium at night, and repeatedly wrote 24 Chinese characters, "Wulin Supreme, nodding and killing dragons, giving orders to the world, dare not disobey, relying on heaven to kill dragons can't go out of the mountain, who will fight for the front", which evolved a set of extremely distinctive martial arts, and each word contained several changes. Its contraction is dignified, like inchworm's buckling, and its vertical force is perilous, like the detachment of a cunning rabbit, dripping and vigorous. I happened to meet Zhang Cuishan in the dark, and the master and the apprentice shared the same thoughts. Zhang Cuishan knew the secret. From then on, he wrote these 24 words on the cliff with this functional judge pen on Wangpan Mountain, which shocked Xie Xun, the king of the Golden Lion with unparalleled martial arts, and forced him to sigh. (See Jin Yong's "Eternal Dragon Slayer": general formula: breaking the sword: breaking the sword of various schools: breaking the single knife, double knife, The Lancet, ghost knife, machete, horse-chopping knife: "light against heavy, fast against slow"
The dragon, like Prajnaparamita, is the supreme protector of Tantric Buddhism. This skill is divided into thirteen layers. The first level of kung fu is very simple and easy. Even a fool can be trained in a year or two as long as someone teaches him. The second floor is twice as deep as the first floor, and it takes three or four years. This is multiplied, and the more you move forward, the more difficult it is to make progress. After the fifth floor, you often have to practice hard for more than 30 years before you can practice to a deeper level. There are many monks and strange people in Tantric Buddhism, but none of the thirteen dragons has practiced for more than ten floors, so the work is gradual and life is limited after all. King Jinlun is an unparalleled wizard. He finally reached the tenth level. At this time, every palm is playing with ten dragons and ten elephants, which is hard to resist. (See Jin Yong's "The Condor Heroes")
Luohan's magical power was created by Shaolin monks, a rare feat in Wulin. This feat is a masterpiece of Buddhism's internal strength, profound and subtle. When practicing, all worldly distractions should be eliminated, but practitioners should not be too addicted to practice, so as not to get close to "greed" and violate Buddhism. Therefore, only smart, simple and beautiful people can expect to make small achievements in this work. Luohan's magic skill training method is painted on 18 puppets, covered with mud powder, and coated with authentic Shaolin internal skill to prepare for practicing magic skills. The old man is the owner of Mobidick Island. He got the clay doll, but he didn't know the secret. I gave it to Ishida before I died. With the profound internal force that he has already cultivated, Shi Tian first practiced the magic power that ordinary people need to cultivate for years or even decades in one day. (See Jin Yong's Chivalry)
Huashan School in Zi Xia Palace praised Jianghu for its excellent internal skills. When it first appeared, it was like a cloud, but it was extremely resilient and unstoppable. People who make contributions are all purple, so they are called "Xia Zi". Humanity "Huashan Jiugong, the first summer purple". Usually only leaders can practice this skill. Yue Buqun once threatened to teach it to his eldest disciple Ling Huchong, which meant that he would inherit the throne in the future. Hengshan sent Lu Lianrong to fight with Lady Yue, and drew his sword with Zi Xiagong. Lu Lianrong failed. When Songshan was fighting for the leader of Wuyue Sect, Yue Buqun used it to hit three "ice palms" of Zuo Lengchan, but he was not injured, and even his voice didn't tremble.
The martial arts created by the master of Hengshan Sect is one of the three great stunts of Hengshan Sect. This master made a living by juggling in the Jianghu, but he infiltrated juggling skills into martial arts, which changed strangely. When Liu Zhengfeng was held hostage by the master of Songshan Sect, he used this stunt to hold up his disciple's body and pretend to throw Ding Mian. Suddenly, he jumped out of the body, lifted his hands slightly and sent his body to Feibin's chest. He took advantage of Feibin's ability to resist and ordered Feibin's acupuncture points conveniently. Later, Mr. Mo Da also pretended to deal with Feibin's breath. The cold light flashed sharply, holding a long sword, and suddenly stabbed Fei Bin in the chest, sending off the stunt of Hengshan Sect, which was like a dream like lightning. (See Jin Yong's the legendary swordsman)