Dou Fang calligraphy appreciation picture Dou Fang calligraphy appreciation picture 1
Dou Fang's calligraphy appreciation Figure 2
Dou Fang's calligraphy appreciation Figure 3
Figure 4 Dou Fang's calligraphy appreciation
Dou Fang's calligraphy appreciation Figure 5
How did the ancients write dou Fang?
What is a fighter? The frame is shaped like a bucket, square or quasi-square; The format is the size of the old bucket mouth, which is called the bucket square. But today, regardless of its size, all square or quasi-square calligraphy works are dou Fang calligraphy, of course, it contains the attributes of calligraphy: text, inscription and bell seal.
In Dou Fangjie's calligraphy works, letters are worthy of in-depth study, which can reflect the author's mentality and condense the author's knowledge, mind, interest and calligraphy skills, and almost represent the author's highest artistic achievement. This is what we often call small calligraphy and great heaven. Let's enjoy some fighting works first:
Lu Ji's Ping Fu Tie in the Western Jin Dynasty
Ping Fu Tie is a letter written by Lu Ji, a writer and calligrapher in the Western Jin Dynasty. The overall structure is an independent form of Cao Zhang, which is narrow at the top and wide at the bottom, inclined to the left and low at the right, but inclined and stable, which is very interesting.
Wang Xizhi of the Eastern Jin Dynasty posted * * * a post of "Xie Xie Tie", "Xie Er Tie" and "Mourning Tie"
De Tieshi and Mourning Post are Wang Xizhi's representative letters. Running script at the beginning and cursive script at the end. The cursive script shuttles through it in one go. It embodies Wang Xizhi's vivid brushwork, lively sharpness and free and easy charm. The whole article is unpredictable, changeable, ups and downs, and clear. Yue Long in heaven, tiger in phoenix? .
Jiuhua Tie by Yang Ningshi in the Five Dynasties
Jiuhua Tie, a calligrapher of the Five Dynasties, was written by Yang Ningshi. Calligraphy is elegant, tall and straight, full of spirit, free and easy, all of which express the calligrapher's relaxed and happy, chic and leisurely, and enthusiastic. The unique composition and composition of this work break the unchangeable pattern of running script and give people endless aesthetic experience. Look at this post, the characters are shaped by words, the size is patchy, and the contrast between density and density gives people a strong sense of impact. What are the details? Real? 、? Check? Destroy its balance in the basic structure and arrange its pattern; In the handling of word spacing and line spacing, it provides a way of thinking for future generations, with width in it and width in it, which complement each other.
Su Shi's "North Tour Station"
Also "North Tour Post", Su Shi. His books are calm, smooth, comfortable and elegant, giving people a hazy space of consciousness. The layout adopts the method of long and short lines or a few lines smaller than a few lines, or the method of thinning a few lines to increase the spirit of writing.
Mifei's post as Ambassador of Linyi
Linyi Ambassador Post, also known as Rong Xuegang, Mi Fei. On the whole, it is composed of calligraphy such as dense circulation, broken line oblique pen, etc., with strong brushwork, developed muscles and strong bones; From running script to cursive script, from middle wing to cursive script, the brushwork changes. The combination of dynamic and static, sonorous rhythm and unrestrained flying all show the writer's calm, cheerful and elegant style.
Gu Lin Fatza
Battle works of Badashan people. Judging from its composition, the top and foot of the sky are staggered, which is wonderful and interesting. The composition consciousness of this work skillfully grasps the relationship between opposition and unity, such as complexity and simplicity, big and small, thick and light, and local and whole, which is dignified and ethereal.
Qin Honglin Doufang's "Room Elegant Tea Fragrance"
Qin Honglin and Dou Fang's "Room Elegant Tea Fragrance" can be called Dou Fang's masterpiece. Although the work is small, it is sweeping, calm, happy and energetic. His pen is slow and vigorous, and the friction between pen and paper adds a sense of form to his works. One word holds up four spaces, which has a strong visual impact and vividly shows the vigorous style of Qin Honglin's traditional calligraphy.
Now, let's talk about the creation of Doufang calligraphy from several aspects:
(A) using the contrast of various elements to enhance the richness
1, using modeling comparison
The ancients created and pursued? Zhongzheng chonghe? Aesthetic, but? Soldiers are impermanent, and words are impermanent. While following the principles of retraction, density, front side, overlap, increase or decrease, we should also deal with it flexibly according to people and situations, and finally make the picture harmonious and unified.
2. Pay attention to the art of using ink.
? Is the ink divided into five colors? Coke, thick, light, dry and moist depend on the amount of water in the ink. Different ink colors correspond to different emotions. Thick ink has the characteristics of solemnity, mystery, silence and strong spirit. Light ink has the characteristics of elegance, peace, introversion, depression, softness and gentleness. Dry ink has the characteristics of elegance, dryness and simplicity. Moistening ink has the characteristics of rich and soft, hearty and tender meat. When you want to express different feelings, you use different ink colors, but they are all based on enriching your works.
3. Emphasize the distinction between primary and secondary.
There is a cloud in Jie Jin's Miscellanies of Spring Rain:? In an article, although all desires are good, there must be one or two words at the peak, such as fish and birds, self-righteous masters? . Therefore, when creating, it is best to highlight one or two sentences about the theme of the article and integrate them with the whole work. When highlighting these two words, you can use bold, large and other methods.
4. Changes in the use of books
When creating, the change of font, style and size should not be too complicated, which will lead to confusion.
Qin Honglin doufangcha is a Zen flavor
(2) Emphasize the twists and turns of the spool to reflect the beauty of the melody.
The four sides of sinus node's works are equal in length, which is easy to produce a dull feeling. Therefore, when creating, we should try to add some agility. It is better to take it away or put it down, or write the words in the form of margins or blanks.
(3) Change the number of units to reflect the beauty of space.
1, using hyphens to form groups.
Conjunction grouping can not only increase the flexibility of writing, but also adjust the relationship between parts and the whole by shortening the gaps between words and changing the density.
2. Use line breaks for segmentation
Drawing lessons from the way of cloth and white, the long line and short line are scattered, which increases the sense of space.
3, pay attention to strewn at random arrangement
The writing layout of characters is displayed in staggered modes such as height, up and down, left and right, size and spacing.
Qin Honglin doufangcha is a Zen flavor
(D) Pursuing the consistency of qi and pulse and embodying the beauty of qi and rhyme.
1, the brushwork is coherent and pays attention to scattered changes.
Reading famous books, there is always one kind? In one go? The feeling is that there is a connection in the break, and there is a break in the connection. Pay attention to the continuity of the pulse. When creating a fighting body, we should pay attention to variation on the basis of coherent strokes and increase the inspiration of brushstrokes.
2. End to end continuous interleaving
It is said that the beginning of the last line and the end of the previous line should keep the rhythm of writing or ink as much as possible to show the echo and continuity of the two lines.
3. Disassemble the structure and organize the units separately.
Take a word apart, and the first knot of the following word will be the end of the previous unit, which will increase the interest.
4. Review gestures to look forward and backward.
In other words, let the last stroke of a word look back upwards, giving people a feeling of looking ahead and looking back.
5, ink color alternately reflects the rhythm of time.
According to the layout and order of writing, the ink colors should be alternated appropriately.
(e) Pay attention to the inscription on the seal to show its completeness.
At the end of the article, you can't forget the inscription and seal, and it can be called a complete work if it is organically combined.
Inscription, inscription, or money. It is another paragraph of text, either keeping the position of the topic before creation or depending on the situation after creation. There are five points to note: first, the title can be placed in the blank of the last line of the text. You can also start a new line, which is generally not flush with the text; Second, you can write the title in another font; The third is the inscription, which must be kept secret; Fourth, the title and the text complement each other.
Finally, seal it. Although the seal is small, because of its bright colors, it plays a role in regulating and balancing the rhythm and density of calligraphy works and increasing the vitality of writing. We need to pay attention to three points: first, the size of the seal is in harmony with the text; 2. The seal style is consistent with the writing style; Be careful with a large number of seals.
In a word, all the above are to explain how to create a beautiful painting. I hope we can make a breakthrough on the basis of inheriting the tradition and go up a storey still higher.