Picture Appreciation of Calligrapher Ding Qian's Hard Pen Calligraphy Works
The picture of Ding Qian's hard-pen calligraphy works is 1.
Figure 2 Hard Pen Calligraphy Works by Calligrapher Ding Qian
Figure 3 Hard Pen Calligraphy Works of Calligrapher Ding Qian
Calligrapher Ding Qian's Hard Pen Calligraphy Works Figure 4
Figure 5 Hard Pen Calligraphy Works of Calligrapher Ding Qian
Calligrapher Ding Qian's Hard Pen Calligraphy Works Picture 6
Figure 7 Hard Pen Calligraphy Works of Calligrapher Ding Qian
Figure 8 Hard Pen Calligraphy Works of Calligrapher Ding Qian
Ding Qian's artistic achievements In recent years, the name Ding Qian has been very resounding in China's book circles, which can be seen from his numerous awards in international and domestic calligraphy competitions and his frequent appearances in newspapers, magazines, radio and television. His works have been exhibited or collected in Japanese, Thai, Singaporean, American, Hongkong and Taiwan Province provinces, and engraved in the forest of steles such as Yellow River and Wei Zi. He has published dozens of Copybook for calligraphy, held personal calligraphy exhibitions, and wrote inscriptions or mastheads for many hotels, newspapers and books. His name and works have been included in Who's Who of Contemporary Art in China, Who's Who of the World and Calligraphers' Directory of Past Dynasties in China. Every day, he receives letters from all over the country, including elderly people over 80 years old, children under 7 years old and disabled people.
After he became famous in the book world, he did not indulge in his own glory, but devoted himself to popularizing the art of popular calligraphy to the maximum extent, striving to make more people take fewer detours and enter the hall of calligraphy art as soon as possible. Since the 1990s, he and some comrades-in-arms have initiated and organized more than 65,438+00 national calligraphy art competitions, exhibitions commemorating Mao Zedong's birthday100th anniversary, the 45th anniversary of the founding of the People's Republic of China, and the first exhibition of outstanding works of China painters and calligraphers in 2 1 century.
Even international calligraphy and painting exhibitions and competitions have organized and compiled a series of calligraphy and painting art books, such as 20th Century China Calligraphy and Painting Art, China Painters' Art Ceremony and China Hard Pen Calligraphy Encyclopedia. He teaches in the army, schools and factories, writes articles for newspapers, magazines and radio stations, donates books and writes letters to retired cadres, remote mountainous areas and poor schools, and tries his best to find time to answer letters from all over the country. For the sake of calligraphy art, he is tireless and enjoys it.
He often tells his friends who study with him: don't practice calligraphy for the sake of practicing calligraphy. People who study should be eclectic and read more books such as literature, history and philosophy. Otherwise, they will lack the traditional culture of China, and what they write will be thin and not deeply rooted in people's hearts. To this end, he practiced and read widely, and extensively dabbled in the biographies and historical records of Tang poetry and Song poetry, Laozi and Zhuangzi, Confucius and various celebrities and great men at home and abroad. Not only that, he also learned from others and wrote novels, poems, reportage and cross talk. His poem "I&; Mdash& ampmdash "The Character of a China Youth" was selected in the "My Favorite" column on the front page of Youth Digest magazine, which was all the rage and copied by many teenagers. Because of this, the words he wrote are always full of strong cultural sense and literary popularity, and always full of something profound and high-spirited.
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