Predecessors spoke highly of the ideological and artistic achievements of Luo Shen Fu, most obviously compared with Qu Yuan's Nine Songs and Song Yu's Goddess Fu. In fact, Cao Zhi's Fu has both. It not only has a strong lyrical component with Mrs. Xiang, but also has a delicate description of female beauty by Song Yufu.
The influence of later generations
Luoshen Fu can be said to be a bridge between the big Fu in Han Dynasty and the small lyric Fu in Six Dynasties, which has a very extensive and far-reaching influence in history. Gu Kaizhi, a great calligrapher and painter in the Jin Dynasty, showed the spirit and style of "Ode to the Goddess of Luo", which added a rare masterpiece to the bookshop and painting circle.
In the Southern Song Dynasty and the Yuan and Ming Dynasties, some playwrights put it on the stage again, and Wang Daokun's Sad Life of Chen Luoshui is one of the more famous ones. As for the writers who used this as the theme in the past dynasties, countless people read poems and songs. It can be seen that the artistic charm of Cao Zhi's Luo Shen Fu is enduring.