The regular script of Yan-style script is round and solemn, with tight surroundings, square and dense structure, horizontal and plain writing, round brushwork and solemn momentum. Show people with a symmetrical positive image, just like a plump man sitting in danger. Therefore, Yan style is very suitable for writing big characters on the list.
Yan Zhenqing's cursive script is concise and vigorous, with ups and downs. His pen is magnificent, ingenious and natural, with the flavor of seal script, but the cursive script still does not lose its Wei and Jin demeanor.
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In the history of calligraphy, Yan Zhenqing created a unique realm of calligraphy with "Yan Ti". Yan calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. In his youth, Yan Zhenqing asked Zhang Xu "how to be equal to the ancients".
This is the aspiration of Yan's calligraphy, and it is also Yan's flying mandarin fish. This strict Miao descendant who used a loess broom to sweep walls and learn calligraphy since childhood stood at a towering starting point of calligraphy almost from the beginning.
In calligraphy, Kun Peng spread his wings, and it took almost thirty or forty years of experience to become his own face and climate. Then after decades of hard work and enrichment, the "face and body" has both form and spirit. In his later years, he still pursued perfection and perfection. "Yan Ti" finally stands tall in the book world. Yan Zhenqing's life experience of calligraphy realm.
Yan Zhenqing has opened up a brand-new and magnificent realm of calligraphy: Yan's physique is brand-new, her statutes are severe and her momentum is magnificent. From the aesthetic point of view, the beauty of modesty, masculinity and affectation are integrated into one, which sets an example for future generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan Ti came out, a new style was cast in the altar of the Tang Dynasty, which became one of Yang Zhi with distinctive weather in the prosperous Tang Dynasty.
Times have created the realm of Yan Shu, just as times have created the realm of Wang Xizhi's calligraphy. During the long-term social turmoil in Wei, Jin, Southern and Northern Dynasties,
The art of calligraphy in this era has become an art and skill that literati consciously entrust with lofty spirit. They deeply discovered the external beauty of nature and the internal beauty of spirit.
Wang Xizhi is the "book saint" created by this era. However, the Tang Dynasty entered the most glorious era in the ancient history of China. The politics, economy and military affairs of the Tang Empire surpassed the past and reached its peak, and culture and art blossomed. People face the great progress of society with new eyes and values.
Emperor Taizong was good at Wang Youjun's calligraphy, personally praised the Biography of the Book of Jin, bought it at a large price, and decided to copy it, and extended the Preface to Lanting to the nobles, so the literati lived in the right army. Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Qi all had their own achievements in the early Tang Dynasty, but they failed to really create a new style of calligraphy for the Tang Dynasty.
Baidu encyclopedia-Yan ti