The first question:
Praise words: decisive, pleasing to the eye, kind, heroic, generous, strong and unyielding.
Derogatory words: arbitrary, insidious, wanton, stubborn, careless, bold and smooth-talking.
The previous guy was wrong, pleasing to the eye should be a complimentary word
Second question:
First, it refers to the innocence of lime and noble sentiment. The second refers to the unyielding strength of the lime despite countless hammering and excavation. Express your noble sentiments of being strong and unyielding, being pure and innocent on the road of life, and your thoughts and feelings of fighting against evil forces to the end.
After tens of thousands of hammerings, the stone quarried from the mountains looked like a normal thing to the burning fire. Even if you are shattered to pieces, there is nothing to be afraid of, as long as you leave the white lime in the world.
Question 3:
The author pointed out that in order to change this dull and decadent outlook, we must rely on huge power like wind and thunder. It is a metaphor that China must undergo tremendous social changes to become vibrant. The author believes that such strength comes from talents, and what the court should do is to recommend talents out of the norm. Only in this way can China have hope.
Question 4:
When I was working, I always wrote dozens of words, then went to the yard to see, water this tree, and move that tree. Basin, then go back to the house to write a little more, and then go out again. This cycle combines mental work with physical work, which is beneficial to the body and mind and is better than taking medicine.
Question 5:
The author gets happiness from labor, which reflects the author’s thoughts and feelings of loving life and loving labor.
Question 6:
Totem is the sign and symbol of the relatives, ancestors and protectors of the primitive people group. It is the earliest cultural phenomenon in human history.
Why did our ancestors use the dragon as a totem?
Because the worship of dragons is a special phenomenon that has lasted for thousands of years in Chinese history. In the minds of the Chinese people, the dragon has extraordinary abilities. He has scales, horns, teeth and claws. He can burrow into the earth and water, and hibernate. He has the power of nature, can make clouds and rain, and can thunder and lightning.
Question 7:
"Prison" refers to Zhazidong, the Sino-US Cooperation Institute concentration camp located under the Gele Mountain in the suburbs of Chongqing by the Kuomintang reactionaries on the eve of liberation. The text talks about a party held by revolutionaries in the enemy's prison on New Year's Day in 1949. At that time, the Kuomintang reactionaries were so defeated that they had to play the trick of "truce" in order to get a chance to breathe so that they could gather strength and counterattack. Against this background, the agents in Zhazidong also ostensibly made a gesture of relaxation towards the imprisoned revolutionaries. Our revolutionary predecessors took advantage of this opportunity to hold a unique New Year's party to celebrate the victory of the nationwide revolution and conduct a review of the revolutionary forces in prison. At that time, every revolutionary faced the test of life and death, and could be killed by the enemy at any time. It is in this special environment that the novel fully expresses the lofty revolutionary dedication and revolutionary optimism of the Communists.
Question 8:
In "Prison Party": Another person laughed and said, "It's really interesting. You can sing and dance here. When there is a party, there are still people fighting. Get on the machine gun and protect our safety!"
From this passage, I realized that it expresses contempt for the enemy and puts aside one's own life and death, which fully reflects the noble spirit of the Communists. Noble spirit of revolutionary devotion and revolutionary optimism.
Question 9:
Text: "A Gathering of Famous Steles", question: If you were asked to serve as the commentator of the Forest of Steles, how would you introduce the calligraphy works of calligraphers? You can choose a calligrapher to introduce you based on your actual calligraphy practice.
I will introduce each calligrapher in the order of their birth year, their calligraphy style, the difficulty of copying, what other extant authentic works are there besides the Forest of Steles, as well as their relationships with other historical figures and anecdotes, etc. Introducing calligraphers and calligraphy works.
Introduce Yan Zhenqing:
Yan Zhenqing is a descendant of the Langya family and has a profound family knowledge. The fifth generation ancestor Yan Shigu is a famous scholar in the Northern Qi Dynasty and the author of "Yan Family Instructions". When Yan Zhenqing was young, his family was poor and lacked paper and pen, so he practiced calligraphy on the wall with a pen dipped in loess and water. He first learned Chu Suiliang's style of writing, and then learned his writing skills from Zhang Xu. He also absorbed the characteristics of the four schools of calligraphy in the early Tang Dynasty, as well as the styles of seal script and Northern Wei Dynasty. He completed the creation of vigorous and broad Yan style regular script and established a model of regular script in the Tang Dynasty. Su Shi once said: "The poetry is as good as Du Zimei's, the writing is as good as Han Tuizhi's, the painting is as good as Wu Daozi, and the writing is as good as Yan Lugong, and the changes in ancient and modern times have made all the world can do."
His handed down books There are many traces, such as "Yan Qinli Monument", "Yuanci Mountain Monument", "Yanjia Temple Monument" and "Magu Immortal Altar". Among the handed down ink writings are "Manuscript of Memorial to My Nephew", "Tie of Liu Zhong's Envoy", "Tie of Self-address", etc.
When I copied Yan Zhenqing’s copybooks, I found it much more difficult than ordinary regular script, because his handwriting is not very “standard” and has a bit of running script, seal script, official script and other calligraphy styles that are difficult to master, but it is very powerful. Powerful, every word has spirit. Alas, no wonder everyone can become a great calligrapher.
Haha, I answered first, so I’m a little late here.