Who are the names of celebrities in Xiangyang, representative works of dynasties and major events?

Song Yu (29-223 BC), also known as Ziyuan, was born in the Warring States Period (now Yicheng, Xiangyang). According to legend, he is a student of Qu Yuan, and a great romantic poet after Qu Yuan. He once served as an assistant to the king. Good Ci-Fu, a Ci-Fu writer after Qu Yuan, is as famous as Le Tang and Jing Cha. According to legend, there are a lot of ci and fu, and there are 16 ci and fu in "Hanshu Volume 3, Yiwenzhi Tenth", and many of them are lost today. His works are Jiu Bian, Feng Fu, Gao Tang Fu, and Lothario Fu, but some people suspect that he didn't write the last three. The allusions of the so-called "Xialiba people", "Yangchun Baixue" and "Qugao and Widow" all came from him. Chu fu writers in the late Warring States period. According to "Han Shu Yi Wen Zhi", there are 16 articles. Today, according to legend, nine arguments and evocation for him are found in Wang Yi's Songs of the South. Five articles, Feng Fu, Gao Tang Fu, Goddess Fu, Lothario Fu and Questions to the King of Chu, are found in Xiao Tong's Selected Works. There are 6 pieces of Flute Fu, Dayan Fu, Xiaoyan Fu, Irony Fu, Fishing Fu and Dance Fu, which can be found in Zhang Qiao's Guwenyuan. Three pieces, Gao Tang Dui, Wei Yong Fu and Ying Zhong Dui, are found in Liu Jie's Guang Wen Xuan in Ming Dynasty. However, these works are mixed with authenticity, and only one article, Nine Arguments, is credible and has no objection. Evocation of Soul is controversial, and it is generally believed that it was written by Qu Yuan. Others, such as Gao Tang Fu, Goddess Fu, Lothario Fu and Feng Fu, think that Song Yu didn't write them, but their position in the history of literature is still quite important. Although Song Yu's achievements are difficult to compare with Qu Yuan's, he is the direct successor of Qu Yuan's poetic art.. In his works, the description of objects tends to be exquisite and meticulous, and the combination of lyricism and scenery writing is natural and appropriate, which plays a role in connecting the past with the future between Chu Ci and Han Fu. Later generations are mostly called Qu Song, which shows the position of Song Yu in the history of literature. Liu Xiu (5th BC-29th March, 57th AD) was named Uncle Wen. Baishui Township, Nanyang County (now Zaoyang City, Hubei Province). The founding emperor of the Eastern Han Dynasty, a famous politician and strategist in the history of China. In the last years of the New Mang, the sea fell apart, and the world was in chaos. As a commoner, Liu Xiu, who had the ancestry of the previous dynasty, took advantage of the situation to fight in his hometown. In a.d. 25, Liu Xiu broke with the make a new start regime openly, and became emperor in Hebei. To show Liu's revival, he still took "Han" as his country name, which was called "Eastern Han" in history. After a 12-year-long unified war, Liu Xiu successively wiped out the separatist regimes in Kanto, Longyou and Xishu, and ended the warlord melee and separatist situation that lasted for nearly 2 years since the end of the New Mang. In the thirty-three years of Liu Xiu's reign, he promoted Confucianism and respected integrity. The Eastern Han Dynasty was once praised by later historians as the era of "the most beautiful weathering and the most prosperous Confucianism" (Sima Guang and Liang Qichao) in China history. Liu Xiu also has anecdotes and allusions, such as "An official should be a golden servant, and a wife should be a Yin Lihua", "Lost in the east corner, harvested mulberry and elm" and "Knowing in peace is not a servant". Zhuge Liang (181-234), born in Yangdu, Xuzhou (now yinan county, Linyi City, Shandong Province), was born in Kongming and Wolong (also known as Fulong), an outstanding politician, strategist, essayist and inventor in Shu and Han Dynasties. When he was alive, he was named the marquis of Wuxiang, and after his death, he pursued loyalty to the marquis of Wuhou. The Eastern Jin regime specially pursued him as the king of Wuxing. Zhuge Liang worked hard to help the Shu-Han regime, and did his best to die. His representative prose works include "A Model" and "A Book of Commandments". He once invented the wooden ox and the flowing horse, the Kongming lantern, etc., and transformed the crossbow, which can be used with one crossbow and ten arrows. He died in Wuzhangyuan (now in Qishan, Baoji) in 234. Zhuge Liang was greatly respected in later generations and became a model of loyal ministers and the embodiment of wisdom. Chengdu, Baoji, Hanzhong, Nanyang and other places have Wuhou Temple, and Du Fu wrote Shu Xiang to praise Zhuge Liang. Meng Haoran (689 ~ 74) was a poet in the Tang Dynasty. Xiangyang, Xiangzhou (now Xiangyang, Hubei) is known as Meng Xiangyang in the world. In the first half of my life, I mainly stayed at home to study, and adapted myself to poetry. Once lived in seclusion in Lumen Mountain. At the age of 4, you should travel to the capital and return to Xiangyang. When I was in Chang 'an, I made friends with Zhang Jiuling and Wang Wei. There is a poem name. After roaming in wuyue, I was extremely poor, so as to relieve my frustration in my official career. He died of binge drinking and eating fresh food. Most of Meng Haoran's poems are short stories in five words, and the subject matter is not wide. He mostly writes about landscapes, pastoral areas, seclusion, travel and so on. Although it is not without cynicism, it is more of a poet's self-expression. He and Wang Wei also said that although his poems are not as broad as Wang's, they have unique artistic attainments, and they are the pioneers of the pastoral landscape poetry school in Tang Dynasty after Tao Yuanming, Xie Lingyun and Xie Tiao. Meng Shi's poems are simple, simple, intimate and real, full of life flavor, and full of wonderful and self-satisfied interest. Such as "Autumn Boasts to Send Zhang Wu", "Passing through the Old People's Village" and "Spring Dawn", which are light and tasteful, seamless, elegant and artistic. Meng's poems are based on broad-mindedness and broad-mindedness, but there is a strong and easy spirit in them, such as a message from lake dongting to premier zhang, and a mist from the Yun and Meng valleys and has beleaguered the city of Yueyang, which are energetic and overlook everything. But this kind of poetry is rare in Meng's poems. Generally speaking, the content of Meng's poems is thin, and it is inevitable to be embarrassed by the length. The popular Collection of Meng Haoran contains 263 poems, but there are some works by others. The new and old Books of the Tang Dynasty have been circulated. Mi Fei used to be a school bookseller, a doctor of calligraphy and painting, and a foreign minister of the Ministry of Rites. Good at poetry and calligraphy, good at seal script, official script, model script, line script, cursive script, etc., and good at copying ancient calligraphy, reaching the level of confusion. At the beginning, he was a scholar at that time, then Ouyang Xun and Liu Gongquan, with tight fonts and strong strokes. Later, he transferred to Wang Xizhi and Wang Xianzhi, and his body developed and his strokes became vigorous and refreshing, calling himself "brush", and he was called the four great calligraphers of the Song Dynasty with Su Shi, Huang Tingjian and Cai Xiang. His paintings are good at dead wood and bamboo stones, especially ink and wash landscapes. It is creative to show the changing mountains and rivers in the south of the Yangtze River with the brush strokes, which is called Mi's Yunshan. Mi Fei's calligraphy ink handed down from generation to generation includes Mourning for the Empress Dowager, Shu Su Tie, Tiaoxi Shi Tie, Baizhongyue Ming Tie, Hongxian Shi Juan, Jiutie in cursive script, Duojinglou Shi Tie and so on, but no painting works have been handed down from generation to generation. The book "Mountain Forest Collection" has been lost; His theory of calligraphy and painting can be found in books such as History of Books, History of Painting, Bao Zhang to be Visited and Recorded. Since the Song Dynasty, Mi Fei's calligraphy has been admired by later generations. His calligraphy is called "brush writing", which means that his writing method is different from that of his predecessors. "History of the Song Dynasty" contains: "Mi Yuanzhang first saw Huizong, and the life letter" Zhou Guan "was written on the royal screen. After the book was finished, he threw a pen on the ground and said,' Wash the evil letters of the two kings and shine on the emperor and the song dynasty forever.' Huizong stood behind the screen and smelled it, but he stepped out and looked at it. "In 117, Mi Fei died at the age of 57.