1. A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the tendons and willow bones of the face, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describe The calligraphy is very beautiful and skillful. Yan Jin Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 2. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers.
3. Appreciate four-character words in cursive calligraphy
Dragon flying and phoenix dancing
The close meaning is free and unrestrained
The original meaning is to describe the winding of the mountain. "Majestic and majestic" later also described the calligraphy strokes as powerful and flexible.
Source: Song Dynasty Su Shi's "Biao Zhongguan Stele": "On the mountain of Tianmu, the sweet water flows out, and the dragons and phoenixes dance, gathering in Lin'an."
Example: Look up and see the hanging on the north wall Four large screens, written in cursive script, are amazing. (Chapter 9 of "Lao Can's Travels" by Liu E of the Qing Dynasty)
The pen moves like a dragon and a snake
The literal meaning is a dragon flying and a phoenix dancing, the word moves about a dragon and a snake
The definition describes the vividness of calligraphy And there is momentum.
Source from Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Use case The scholar Xiao Wangbin has a brocade hidden in his chest. ~.
(Ming Dynasty Ling Shuchu's "Surprise at the First Carving of the Case" Volume 20) 4. How can there be a good four-character word to describe calligraphy?
Calligraphy: The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry that are smooth and vigorous.\x0dThe pen moves like a dragon and a snake: The pen writes a dragon and a snake leaping. Describes the calligraphy strokes as vigorous and free and easy. It also represents the conductor of writing.\x0dFirst wrote Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin Dynasty People have calligraphy in small regular script from "Huang Ting Jing". In old times, when commenting on calligraphy, there was the idiom "When I first wrote Huang Ting, it was just right." It was later used to describe doing things just right.\x0d Spring earthworm and autumn snake: a metaphor for poor calligraphy, like earthworms in spring and snakes in autumn. The traces are so curved. \x0d The sword is drawn out from the scabbard, and the bow is opened. It describes the tense situation and is about to explode. It also metaphors the calligraphy as vigorous and powerful.\x0d An example of inspiration: Zuo Qiu Ming's "Spring and Autumn Period" ” is a biography, which summarizes the calligraphy of "Spring and Autumn" into several categories of examples and gives a general explanation. It is later called "categorical examples" to illustrate the style of a book as "examples from examples". It originally refers to the vigorous and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.\x0d龙飞风武: Like a dragon flying, like a flying phoenix. The original description was unrestrained and majestic. Nowadays it mostly describes the lively calligraphy style, describing flexible and skillful writing, and also Describes the lifelike dragon and phoenix sculpture art.\x0d Flying dragons and snakes: Describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" poem: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."\x0d Luan Piaofengbo: Luan: a bird like the legendary phoenix. It originally described calligraphy as free and unrestrained. It also metaphorically refers to the separation of husband and wife of advanced students. \x0d Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying style of calligraphy. A moving posture.\x0dBeautiful woman with hairpins: Describes the beauty and beauty in calligraphy or poetry style.\x0dThree points into the wood: Originally described as a strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on a wooden board, the ink penetrated into the board three-thirds deep), now many Describes the profound and powerful analysis, description, and discussion. \x0d Iron painting and silver hook: painting: stroke; hook: hook. Describes calligraphy as strong and beautiful.