Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
2. Ask four words to describe calligraphy and describe calligraphy idioms.
Calligraphy:
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "scribbling" to describe poor handwriting or scribbling.
3. Four-character idioms describing calligraphy works. Hello, I wrote you some four-character idioms about calligraphy works. Please read it carefully.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Jin Feng, the metaphor font structure is solid and full, and the brushwork is more than enough.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Penetrate the back of the paper to describe the strength of calligraphy, and the nib can simply penetrate the back of the paper.
The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and round.
4. What idioms are used to describe the art of calligraphy? They are dragon and snake at the bottom of the pen, fine brushwork, dragon and snake pen, silkworm head for swallowing the tail, hiding the head and protecting the tail, enjoying diving, leisurely and carefree, learning to draw graffiti, graceful ups and downs, Ding Zhenyong grass, flying dragons and dancing phoenixes, abundant muscles and muscles, wandering in the phoenix park, flying dragonflies in the phoenix dance, and returning to the phoenix dance. Strong bones and abundant muscles, thirst for spring, anger for spring, thirst for deer for spring, back on paper, clinical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen tiger shock, Rowen tiger shock, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pen, Tang Lin posts gold, draws a silver hook with iron, spits a silver hook with jade, Wang Yang is arrogant, Wang Yang is arrogant, and literary talents are illusory, writing Lei Feng and Lu Xian. Failed to learn the sword, Yan Jia was hungry, Yan Gu Liu Jin, Yan Gu, Yan Gu, one-word understanding, silver hook's tail, silver hook's iron painting, silver hook's spitting jade, swimming in the clouds to shock the dragon, right army habits, worrying about the beauty of the face, implicit and full: pen and ink are used very freely and fully. It describes calligraphy and poetry as rich and full of vitality. Jin people have a small regular script of Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right. Spring insects and autumn snakes: a metaphor for poor calligraphy, bending like the trajectory of spring insects and autumn snakes. The sword was drawn from its sheath and the bow was opened. It described the tense situation as explosive. Later, the calligraphy of Chunqiu was summarized into several examples, which were roughly explained. Later, it was said that the style of the book was "draw inferences from others, draw inferences from others". See "Examples". Through the back of the paper: the original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vividness and profundity of poetry. Dragons fly like dragons and like phoenixes. The original description is heroic and magnificent. There are many now. It also describes the lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vigorous and vivid style of calligraphy. Su Shi's "Xijiang Yuepingshan Hall" says: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Fengbo: Luan: A legendary bird like a phoenix. Originally, calligraphy was described as chic. Unlimited It also means that high flyers and his wife are separated. Luan Xiangfeng flies high. It means that the calligraphy style is flying. Beauty hairpin describes the beauty of calligraphy or poetry style. The original description was that the calligraphy style was strong (it is said that Jin and Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), but now it is much more. Hook: hook. Describe the vigorous and beautiful calligraphy. Graffiti with letters: write casually. Graffiti: figurative words are poorly written and scribbled casually. Later, "graffiti" and "graffiti" were used to describe poor or random calligraphy. Graffiti with letters: listen and doodle casually; Letter pen: write casually; Graffiti: figurative words are poorly written and scribbled casually. Later, graffiti or alphabet graffiti was used to describe poor calligraphy or careless writing.