Appreciation of Jiang Haifeng's Calligraphy Works
Pictures of Jiang Haifeng's Calligraphy Works 1
Pictures of Jiang Haifeng's calligraphy works 2
Picture 3 of Jiang Haifeng's Calligraphy Works
Figure 4 of Jiang Haifeng's calligraphy works
Jiang Haifeng's personal data
Jiang Haifeng, a native of Liaocheng, Shandong Province, is a military calligrapher. Contemporary 100 powerful paintings and calligraphy? 、? China, an artist with both virtue and art? Honorary title winner. Vice President and Secretary General of Calligraphy and Painting Association of jinan military area command Logistics Department; Honorary Dean of China International Confucius Painting and Calligraphy Institute; Honorary Dean of Mencius Painting and Calligraphy Institute; Director of China Chinese Painting Association; Director of China Painting and Calligraphy Art Creation Center; Member of the painting and calligraphy research society for the elderly education. He loves the art of calligraphy and practices the works of famous artists of past dynasties. He draws nutrition from ancient and modern calligraphy inscriptions, which is free and unrestrained, unique in creativity and full of interest. After several hard work, I have gained a little. His works have won many gold medals in painting and calligraphy at home and abroad, and have been published in military and local newspapers and periodicals. Nearly 100 works have been published in books and periodicals and compiled into famous paintings and calligraphy. His works are deeply loved by the vast number of army officers and soldiers and social painting and calligraphy lovers, and are collected by many Chinese and foreign lovers.
Spatial structure of calligraphy
On the premise of following the principles of Chinese font and stroke order, the stippling lines of calligraphy cross-combine and divide the space to form the spatial structure of calligraphy. The spatial structure includes three parts: single word structure, whole line circulation and overall layout.
1, single word structure
The structure of a single word requires neatness, fluency, balance of length and density. In this way, on the basis of caring for the truth, we can pay attention to the decay, intricate changes, natural image, danger in peace and interest in danger.
2, the whole line of qi
Are the characters in calligraphy works connected up and down (or before and after)? Link? It is required to proceed from top to bottom and respond coherently. Although the static characters such as regular script, official script and seal script are independent, the strokes are broken and connected. Running script, cursive script and other dynamic characters can be word for word, with hairspring traction. In addition, we should also pay attention to the change of size, positive response, contrast between reality and reality, and the resulting sense of rhythm. In this way, the circulation of qi can be natural and coherent, and blood vessels can be unblocked.
3. Overall layout
In calligraphy works, the combination of dots into characters, hyphens into rows and lines into chapters constitutes the cutting of space by dots, thus adding salt to the overall layout of calligraphy works. It is required that the density between words and between lines is appropriate, and the white is black; Flat and balanced, positive to each other; Rugged and full of changes. Among them, the static characters such as regular script, official script and seal script are mainly fair and balanced; The dynamic characters such as running script and cursive script are complicated and ups and downs.