First, the force penetrates the back of the paper.
Explanation: Pass: Pass. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in conception and concise in words.
From: Tang Yan Zhenqing's Notes on Zhang Changshi's 12-sense brushwork: "When using the front, I often want to make it pass through the back of the paper, which is very successful."
When he writes, he often forces the ink to pass through the back of the paper, which is the highest level of success.
Second, get to the point [rê mê sā n f ē n]
Commentary: According to legend, Wang Xizhi wrote on the board, and when the carpenter carved, he found that the handwriting penetrated into the board for three minutes. Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
From: Zhang Tang Huai Guan's Book Breaking Wang Xizhi: "Wang Xizhi's book is willing to be published, cut by workers, and the pen is incisive."
Translation: Wang Xizhi's calligraphy blessing edition, after the workers cut it, the pen and ink still infiltrated into the woodcut.
Third, dragon and phoenix dance []
Description: At first, it described the grandeur of mountains, and later it also described the boldness and agility of calligraphy.
From: stone "Table loyalty and righteousness": "Tianmu Mountain, flowers in the water, dragon and phoenix dance, collected from Lin 'an. "
Tianmu Mountain, the birthplace of carrying water, is majestic and winding, concentrated in Lin 'an.
Fourth, if you are alert.
Explanation: correction: vigorous. It is often used to describe the vigor of calligraphy or the beauty of dance.
From: Tang Fang Ling Xuan's Biography of the Book of Jin and Wang Xizhi: "You Lishan Shu is the best in ancient and modern times, and critics call it a pen gesture, thinking it is like a floating cloud and smart."
Translation: He is particularly good at official script, which is a hat of ancient and modern times. Researchers call it brushwork, and think that it is like a cloud, and the book style is vigorous.
Verb (abbreviation of verb) is strict.
Commentary: Yan: Tang Dynasty calligrapher Yan Zhenqing; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
From: Song Fan Zhongyan's Bachelor of Arts in Sacrificing Stones: "The pen of the pen, Yan Gu."
Man Qing's calligraphy is as powerful as Yan Liu's, but it has a different style.
2. What words are used to describe beautiful fonts, such as Yan Gu, agile as a dragon, while flying like a dragon, penetrating the back of the paper, and flowing like a flowing pen?
1, Yan Gu
Pronunciation: Jan Zhan Li ǔ g ǔ
Interpretation: Yan Liu's two kinds of calligraphy are very powerful, but their styles are different. Also known as excellent calligraphy.
2. If you are agile,
Pronunciation: Ji m: Ji m: o ruo y ó u ló ng
Interpretation: It is often used to describe the vigorous brushwork of calligraphy or the graceful dance.
3. Dragon and Phoenix Dance
Pronunciation: w incarnation
Interpretation: At first, it described the grandeur of mountains, and later it also described the boldness and agility of calligraphy.
4, forcibly through the paper back
Pronunciation: l ó t ó u zh ǐ bè i
Interpretation: It describes that calligraphy is vigorous and powerful, and the brush strokes simply penetrate the back of the paper.
5, the pen walks the dragon snake
Pronunciation: bǐ zǒu lóng shé
Interpretation: When the conductor writes, he shows the expression of dragon and snake dancing together. Describing calligraphy as vivid, imposing and free and easy also means that calligraphy is fast and energetic.
3. Describe the language of writing beautiful calligraphy fonts, such as vigorous and powerful sentences describing calligraphy idioms.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.
This is an idiom to describe calligraphy. You sieve it.
4. What are the word structures that describe beautiful writing? They are wonderful, flexible, efficient and harmonious.
The form of adjectives: fresh and elegant, vigorous and powerful, penetrating the paper back, beautiful and straight, graceful, casually laid out, without wearing shirts and shoes, Fiona Fang has both, one stroke at a time, and takes off his horse and flies away when he looks at it; Another example is the flying dragon, which comes from the air and returns to the air.
Describe the pen: flowing; Free swing; Dongda jumped down; Combine rigidity with softness; The Tibetan front is slightly exposed, and the exposed front is also subtle. The pen hanging place comes to an abrupt end, such as a sharp knife, and the pen hanging place has a positive side, either curved or straight; The pressure is clear and the bond is firm; It is also a thick fiber, which is neither good nor violent, but also a middle edge, not dry or moist.
5. Good words to describe writing
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
6. Idioms with beautiful fonts, such as going up the mountain to stop the sea, going into the sea, returning to the sea, pulling mountains and crossing the sea, crossing the sea, are as big as vinegar sea, sea waves, sea cross-flows, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, sea of things, The river stirs the sea and releases dragons into the sea, just like the East China Sea releases fish into the sea, which is universally applicable. The sea does not overflow, the river flows towards the sea, and the sea gathers north, south, south, east, south, south, south, south, south, sea, sea, moon, needle, sea, boiling wave, sea, boiling river, boiling river, rolling, black wind, vast sea, dry rocks and rotten rocks in Su Chao, ranking first in the sea behind the flight ladder mountain. Hai Huai, Xia Xiang, ends of the earth, ends of the earth, ends of the earth, ends of the earth dried up, the sea dried up and the sea rotted. The sky is high, the sea is dry, the Haiyan River is dry, the Haiyan River is muddy, and the Haiyuan River is drooping. Haikou is like the sea, and Haimen Mountain is like the sea. Meng Haishan's curse is that all rivers run into the sea. However, although China maintains our friendship, heaven is still our neighbor's full of boiling water, and the unparalleled river is clear.