Generally speaking, due to the influence of Huang Tingjian, Chen Shidao's poems should be written without words, but his knowledge is not as good as Huang Tingjian's, and he has to tear down the east and make up the west (the second rhyme of "Migrating Fish in the West Lake" by the CPSU), which inevitably makes him look exhausted. On the other hand, learning from Du Fu is only devoted to formal meter, so although it can be similar in form, it often lacks the deep spirit of Du Fu. His success in learning from Du Fu is five-character and seven-character poems, such as what to do at the end of the year, and the guests in front of the lamp are not empty. In the troubled half life, there is nothing in the dream. Short worry is white, bad face is red with wine. I sing and dance, so do I ("give a little chapter to wine except night"); There are no monks and swallow writers in the old house. I want to go out and laugh, but I don't want to go back to my temple to chase the dust. The wind turned over three cobwebs, and the thunder hive occupied two official positions. I have repeatedly stood up with my neighbors in the spring, and I have not blossomed yet ("Spring shows my neighbors"). The former can show his efforts in following the syntax of Du Fu's poems, while the latter is similar to the constitution of Du Fu's poems. His description of the Five Classics is very hard, and he asked himself to create words and meanings, but his frankness still did not break away from the habits of Jiangxi School. He also has some poems with simple feelings, such as "Showing the Third Son", in which he was speechless with joy and burst into tears; What's the use of fame Don't worry ("send my uncle, Dr. Guo, and sentence him"). After a poem exhorting my uncle, Fang Hui was rated as a person who learned from the lean Lao Du, with deep feelings (Ying Lu Kuimu). Some of his poems are plain and tasteful, such as books are easy to read and guests can't come (quatrains); There are also romantic and colorful ones, such as: Yongxiang spring breeze is always off, and the brothel is misnamed. I don't hesitate to take a look at the roller shutter for fear that your eyes can't see clearly (Song Xing), but this kind of situation is rare. According to legend, he works very hard in poetry. He usually travels, and as soon as he has poetic ideas, he rushes back to his quilt and lies down, and poetry becomes a success. Sometimes I groan for days and hate hearing people's voices, so Huang Tingjian calls it looking for a Chen without me behind closed doors (Jingjiang Pavilion is a disease). This serious creative attitude is worthy of recognition, but his poems are not deep enough and sometimes difficult.
Chen Shidao is quite confident in his own words, claiming that his prose is inferior to others, and his own words are unique, claiming that he will not reduce the Qin Dynasty's seven yellow and ninety (after the old words in the book). However, few of his existing works are wonderful and cannot match his own evaluation. His prose is relatively successful, and Ji Yun rated it as succinct and rigorous, but it is not inferior to Li Ao and Sun Qiao (Catalogue of Sikuquanshu).
Chen Shidao has "Poems on the Back of the Mountain", which suggests that poetry and Ning Zhuo should be simple and unpretentious, coarse and unpretentious, and concealed, which is in line with Huang Tingjian's opinion. He also said: people who are good at writing are amazing, and when they travel in the river, they are just smooth. When it hit the mountain and went to the valley, the wind and clouds surged, and then the world changed. The relationship between singularity and rightness is quite insightful, but it is a pity that his creative practice is not consistent with his own theory. Due to the book's dissatisfaction with Su Shi, Huang Tingjian and Qin Guan, the General Catalogue of Sikuquanshu thinks that it is not a teacher's language, but seems too rigid. However, there are events after Chen Shidao's death in the book, which should be supplemented by future generations. Zhang Lei was born in Qiaoxian County, Bozhou (now Bozhou City, Anhui Province), and then moved to Chuzhou (now Huai 'an). He said in "Thinking of the Pavilion" that "he is also a Huainan person, strong since childhood, and enjoys it." Grandfather worked in Fujian, and after his father was a scholar, he traveled around the world, from officials to judges in Sandusi. Because of his age, he begged to leave Beijing to be the magistrate of Wujiang. Sister Li Wenan. Grandfather Li Zongyi first took Zuo Lang as the magistrate of Qiao County, and successively became an official, minister and foreign minister. He knew everything about military affairs, and was famous for his poems. He was good at writing poems and was deeply appreciated by the great poet Yan Shu at that time. It was in such a family that Zhang Lei was influenced by orthodox feudal ethics from an early age. Besides, he was educated as a "Yang Shan scholar". When he was a teenager, he showed inspiration for writing. "Ten years old is suitable for writing" ("A Letter to a bosom friend"), and at the age of seventeen, he wrote "A Letter to Guan Fu" to tell the story of population. After that, he was studying and was deeply loved by Su Zhe who was in Chen Gong at that time. In the fourth year of Xining (107 1), Su Shi came to bid farewell to his brother and became a general in Shanghang. Zhang Lei is very popular to meet Su Shi. Since then, he has become a guest of the Su brothers. Under the recommendation of Dongpo, he should recommend Gusu. In the sixth year of Xining (1073), when Zhang Lei was twenty years old, he was promoted as a scholar by the immortals, and Wang Anshi was responsible for the promotion. He was awarded the master book of Linhuai (now Sixian County, Anhui Province) and began to enter his official career. In the eighth year of Xining, Su Shi built a "transcendental platform" in Mizhou, and wrote "Transcendental Platform Fu". Su Shi called him "transcendent and peerless" and had the spirit of outstanding people. "His prose is indifferent to Wang Yang, and there is a sound of sighing" (a reply to Zhang Wenqian's book), which is the beginning of their poetry exchange. Before and after, I made friends with Qin Guan and Chao and became bosom friends.
From the sixth year of Xining to the eighth year of Yuanfeng (1073- 1086), Zhang Lei worked as a county magistrate and county magistrate in Anhui, Henan and other places for more than ten years, and because of the constant change of official ranks, he traveled between Beijing and Luoyang, which was particularly hard politically. "I was pedantic and clumsy, and I was trapped in a micro-official for ten years" ("Regret for the Past"), while "I was lonely, I had nowhere to eat, and I didn't know where to go" ("Assistant Minister Shang Cai Shu") was about this experience. Zhang Lei is an honest official. He wants to support his parents and children with a meager salary and is indifferent to life. However, bad luck came frequently, and his parents and ex-wife passed away one after another. His family went from bad to worse, and he was in an awkward position because of financial difficulties.
In the eighth year of Yuanfeng (4 1085), the Shinto religion collapsed, and the young philosopher religion succeeded to the throne, supporting the old party's high queen mother to listen to politics, and using Sima Guang, Su Shi and Su Zhe, they were sent to Beijing one after another. In the first year of Yuan You (1086), Minister Fan Chunren recommended Zhang Lei to take a bachelor's degree. The recommendation of Huang Tingjian, Chao and others to take the exam this time was put forward by Su Shi, a bachelor of Hanlin. As a result of the examination, all three of them were promoted, and Zhang Lei was appointed as the secretary of the province. Later, his works were reviewed by Zuo Lang, Secretary Cheng and the History Museum until he lived in a shed. In the spring of the second year of Yuan You (1087), Su Shi presided over the tribute ceremony of does, and Zhang Lei was hired as a marking officer and entered the examination institute to check the papers. In the third year of Yuan You (1088), Qin Guan was called to the capital, served as Dr. imperial academy, correction secretary, and joined Su Shi. In his or her spare time, he or she holds a reception with Zhang Lei, or visits places of interest in Kyoto, sings poems, writes inscriptions and encourages each other. * * * was cultivated by Su Shi. This is an unforgettable happy time for them, and it is also a great event in the literary world of the Northern Song Dynasty. They "write a poem one at a time, and people are scrambling to talk about it. Paper is expensive." After staying in the pavilion for eight years, Zhang Lei had the opportunity to browse the National Library, and lived a life of "books piled on the pillow, compilation and self-reliance", and his literary knowledge was also improving day by day.
After Song Zhezong came to power, the new party took power and tried its best to retaliate against the old minister of Yuan You. With the relegation of Su Shi and others, Su Men's disciples were also implicated. In the first year of Shaosheng (1094), Zhang Lei was appointed as Runzhou (now Zhenjiang) and moved to Xuanzhou (now Xuancheng) with Zhilong Tuge. Born four years younger (1097), he was demoted to Huangzhou (now Huanggang, Hubei Province) to supervise wine in Jingling County, and then to Fuzhou (Song place name, now Guangxi). In the second year of Fu Yuan (1099), Huangzhou was sentenced. When Song Huizong acceded to the throne, 47-year-old Zhang Lei was once known as Taichang Shao Qing, and was later adopted as Yanzhou and Yingzhou (now Fuyang), but the time was short. At that time, Su Shi moved to the mainland from Hainan, and Zhang Lei wrote poems to congratulate each other. "It was a sunny morning. The old man from Antarctica crossed the ridge. This Weng is like a white jade tree, gathered by thousands of fires. " Soon, the bad news came that Su Shi died on the way to Changzhou. Zhang Lei mourned a generation of writers and teachers in Yingzhou. Unexpectedly, he offended the first half. In the first year of Chongning (1 102), it was demoted to Zhoufang (now Fangxian County, Hubei Province) and set up in Huangzhou. This is the third time that he has been demoted in just six or seven years. He lived in Huangzhou for seven or eight years. As courtiers, you are not allowed to live in official residences and Buddhist temples, but only in Keshan. It is natural that the trees are withered and the chrysanthemum is full of eyes, but "the fish on the river are fertile and the water is spring, and the south of the Yangtze River is beautiful" also gives him a lot of comfort. In particular, at the foot of Keshan Mountain, Zhang Lei and Pan Dalin, a disciple of Su Shi, became close neighbors. They comforted each other, took care of each other and kept festivals. According to reports, Qu Ruwen, the county magistrate at that time, pitied his poor family and wanted to buy a piece of public land for him to grow beans, millet and vegetables to supplement his family. Zhang Lei refused to accept it. It was the sadness and joy here that made him unforgettable, so he named himself Keshan.
In the fourth year of worshipping Ning (1 105), Qin Guan's son was buried in Yangzhou from Tengzhou (now tengxian, Guangxi) at the expense of his father. When passing through Huangzhou, Zhang Lei paid homage to Linjiang. He wept bitterly for his friend's "escape to the sea and be a poor servant" Huang Tingjian died one after another before his tears dried. After five years of worship, all party bans were lifted, so I had to be happy with it. This winter, he returned to his hometown Huai 'an from Huangzhou via Yingzhou and lived there for about a year. During the Daguan period, he moved to Chen Zhou, supervised Nanyue Temple and was in charge of Chongfu Palace. Because of his long idleness in his later years, he was poor and ill. "Send the child to Mr. You at the end of the year" said, "Meat is like a rhyme, and it is like a lawyer. Women are afraid of cold and worry about makeup, while men are embarrassed to mend clothes. I have been ill for three times, and I have resigned from poverty. The long bottle lies in the corner, and the short brown falls into the sky. Lay iron at night and drink fire and count beads in the morning. " It is conceivable that he had no food and clothing at that time, and he didn't know the smell of meat in March.
Although the political environment was so bad and life was so poor, the poet did not give in to the decadent Cai Jing clique. Su Shi, who is conceited in learning Taoism, will stick to it all his life, even if he is beaten, he will not regret it, and is cited as the greatest interest in life. The poet persisted in this way. After Su Zhe and Chao died of loneliness and pain, they were buried in Huai 'an's hometown of "governing the north for seventy miles" according to the records of Shanyang County by Qianlong.
Lu You's Notes on the Old Xuegong records that the three sons, Qi, Cao and Harmony, are all first-class scholars. Qi and Cao died in the Chen army. He was an instructor in Shaanxi, and his second brother was buried again. Unfortunately, Qian Wen has no future. "Zhang Lei had a rough life and experienced many misfortunes, but he never forgot to write poems. His works have been published and engraved by later generations for many times, such as Keshan Collection, Zhang You Shi Wenji and Wan Qiu Collection. Today, Zhang Lei Ji, edited by Li Yian, Sun Tonghai and Fu Xin, has about 2,300 poems and nearly 300 essays, historical comments and discussions. It is really magnificent! His early poems are rich in system and clear in syllables. Dongpo called them "Wang Yang's dilution, the sound of singing and sighing". In his later years, he fell into its glory, became easy-going, and had a cold relationship with (Juyi) and (Ji), and once sang solo. His works are gorgeous and elegant. Beautiful, all-inclusive, married.
Because he lived in poverty in his early years, was displaced from place to place, was repeatedly demoted, and served as a local humble post for a long time, and he had a deep understanding of social reality, so he was also very concerned about the working people. For example, in the poem "Brother", he felt pity for those "serious ministers" who were "weak and half-hidden"; In the poem "And Ying Chao's Compassion for Peasants", I sympathize with those "strong men in Nanshan" who were punished by thieves at night, and so on. It is precisely because of his compassion for agriculture that he followed Su Shi in political views and opposed Wang Anshi's "political reform". In practice, he advocated enriching the country and strengthening the people, and reforming bad policies to reduce the burden on the people, which is essentially different from Sima Guang and others' pure conformism. At the same time, in the face of Liao and Xia's invasion of the Northern Song Dynasty, he also actively advocated opening the border to defend the enemy and establishing meritorious deeds. His Young People's Travels, Six Horses in Zhaoling and Listening to a Guest Talk about Yuan Yuan are all filled with strong patriotism, which makes people excited.
Zhang Lei also has his own views on poetry creation, the core of which is to value reason over emotion. "At the end of studying literature, you are eager to understand. If you know the text and don't care about it, you will never have it. My husband definitely waded across the river, across the river, across the Huaihe River and across the sea, gurgling day and night. He rushed to the mainstay, lost Lvliang and threw himself into the sea accepted by the Jianghu. It was a strange change of water, its relief was ripple, the drum was wave, it was wind-excited, and its anger was thunder, mosquitoes, dragons, fish and turtles. Fresh water, if it is! By the way, because of what happened to it. ..... The waters of the river, the river, the Huaihe River and the sea are also strange and not strange. " (History of the Song Dynasty). He also said: "For people, the article is written from the heart, comes out from the mouth, works without thinking, and is beautiful without carving, all of which are natural and affectionate" (Preface to How to Return to Yuefu), which was regarded as the most important by scholars at that time. In all fairness, it is reasonable to emphasize the expression of true feelings and the random drive of the pen in the creative process, and indeed grasp the law of literary and artistic creation, but blindly denying the necessity of conception, modification, pondering and tempering in the creative process will inevitably overkill. The author's own creation is also because of the obstacles of self-reliance, so it seems to be more than texture, less literary talent, and a little haggard. His creative achievements are not as good as Dongpo (Su Shi) before, but not as good as Shi Weng (Lu You) later. In the second year of Yuanfeng (A.D. 1079), he was a Jinshi, and was awarded imperial academy as a professor in Beijing. Yuan You was transferred to Beijing and worked as a provincial orthographic secretary and proofreader. Later, he was appointed as a judge in Yangzhou and was recalled as a provincial secretary. Shao Shengchu, he knew about qi zhou. Later, he was even exiled to Tianfu, Bozhou, Xinzhou and other places because of the false charges of editing Zong Shenzhi. Song Huizong, called the official department YuanWaiLang, does not card shark. Chongning pursued and demoted the old minister, went out to know the house in the river, moved to states such as Lake and Mi, lived in seclusion and was proud of his hometown. I have known Sizhou since my later years. Die anywhere.
Chao's family is a noble family in the Northern Song Dynasty and a literary family. Emperor Gaozu Chao was an assistant minister of punishments. Great-grandfather Chao Zongjian was a doctor in the criminal department of Shangshu. Knowing the situation of Yue, he gave him a special gift to Shangshu in the official department. He was also a great granduncle, Zhao Jiong, and Song Zhenzong were appointed as a bachelor of Hanlin and a prince with little wealth. His son, who was an official in Chaozong, knew about politics and became famous for a while. Uncle Chao in Bu Zhi (1046—1113) also has this word. Make a gift of RMB. Poet. Often sing with complements. For three years (1 1 13), Hui Zongzhi entered the word "hibiscus the soldier emperor", which was praised by the beneficiaries, so he took assistant minister Cheng as the auxiliary method of Sheng Da government. "It is the same as Wan Faya (harmony), and the words are entered by month". (Selected Poems of Sages in Tang and Song Dynasties, Volume 7) He died before he took office. He is the author of leisure collection and leisure Zhai Qin's interesting articles. Due to the gradual decline of the clan. Chao Duanyou, the father of Bu, only served as a junior official such as Shangyu Order and Xincheng Order.
Fill in my cousin Chao Chongzhi (date of birth and death is unknown). Poet. Chen Shidao, a famous poet, lived in seclusion in Yangzhai (now Yuxian County, Henan Province) in his early years. He is one of the 26 people listed in Lv Benzhong's Sect Map of Jiangxi Poetry Society. His poems are "dedicated to Lao Du's poems". Liu Kezhuang, Wang Yuyang and other poets praised his elegant brushwork and ancient style. There are 15 volumes of Mr. chaoritz's poems. His son Chao (about1105-1180), whose real name is Zhao, was a famous scholar, bibliographer and bibliophile in Song Dynasty. His book "Reading Records of Zhaixian County" is the earliest private library catalogue with abstract in China. It was supplemented by his younger brother Chao Yongzhi (the year of birth and death is unknown), and his writing skills are rare. Won the appreciation of Su Shi, who wrote 50 volumes of Selected Works, which has now been lost. Others, such as those from Uncle Chao Duan and Brother Chao Shuoge, all have literary names.
When Chao Gai was young, he was rewarded by Su Shi. Song Shenzong spent four years in Xining (A.D. 107 1), and when Chaobu 19 years old (17 in the first edition of History of the Song Dynasty, mistakenly 17), he traveled to Hangzhou with his father and enjoyed the magnificent scenery of Qiantang. At this time, the great writer Su Shi was making a general judgment on Hangzhou. He liked the beautiful scenery of Hangzhou and wanted to write a poem about Hangzhou. Chao Bu Zhi used seven stories to see Su Shi. After reading them, Su Shi sighed,' I can stop writing!' And with its literary and artistic arguments, far away, it will be obvious to the world, so it is well-known ("The Original Biography of Song History"). The specific original text is "Yu Wen is omnipotent, he is far away from others." (Chao Juncheng's Preface to Poetry) Chao has made great achievements in poetry, prose and ci. The summary of Ji Li Ji, Volume 154 of the General Catalogue of Sikuquanshu, said: "Today's ancient prose is vigorous and harmonious with Su's father and son, and his poems are far-sighted and keep pace with Zhang and Li. There is also a summary of 198 "Chivalrous Ci": "Its ci is beautiful and graceful, and can be accompanied by stones." Hu Zai specifically pointed out in Volume 51 of the Preface to Fishing in Tiaoxi: "I saw the chicken ribs, but Gu Yuefu was * * *, and the words were elegant and gratifying."
Chao Bu's poems are mostly archaic, followed by the seven laws. His poems are good at learning from Han Yu and Ouyang Xiu, with strong backbone and elegant rhetoric. There is also a lack of relaxation, and the tendency of prose culture is more obvious. There are more than 60 poems/kloc-0, which are similar to Dongpo's, but lack the broadness of Su Ci. In addition to writing landscapes, chanting flowers, giving peace and mourning, he also wrote more about his relegated career and pastoral scenery, and less about rhetoric. Some chapters, such as "Fishing", "Living in Gaodong" and "Why is Wen Chun in a hurry", have generous words and brushwork like Youlong, which have been won by later generations. Some people think it is also Xin Qiji's ci book. There are some brave words in classical poetry, such as "the dust in the teeth faints the sword and halberd, and the moon is cold and the string is empty" ("The river is full of red, and the two rhymes are hung up to be done"), but it lacks the broadness and wonderfulness of Su Ci and tends to be sad and heavy.
His poetic style is close to Leilai's, and he is good at Yuefu poetry. His Yuefu poems have a strong flavor of folk songs, such as "Bean Leaf Yellow": the bean leaf is yellow, the south village is not seen, and the north village is ten hectares strong. The owner is full of boxes, but the west family doesn't play. Bean leaf yellow, wild leaf septum, rat hole, rabbit entering the boundary. Mother-in-law followed the dolphin. Mother-in-law croaked the dolphin, and the title was heavy with a dustpan. The bean leaves are yellow and the grain is ripe. The decline of Weng Yi is congee. Bean leaves are yellow, and yellow leaves are not unique to beans. White millet can be used as wine and crumpled with big Bordeaux. The bean leaves are yellow, and there is no protein in them. What will the big man do? The official tutor bent his bow and took a knife, asking you to kill the thief. This is a rural genre painting, which shows the hardships and heavy burdens of farmers' lives. Another famous long ballad, Fang Yifen, tells the tragedy that Li Yu, the younger sister of Li Yu, the queen of the Southern Tang Dynasty, married Sun Mou after she entered the Song Dynasty and was captured by the Song Dynasty in the Song and Liao Wars. It was named Fang Yi: "The mountain trees in the Qinhuai River are in the tide, and the land in the south of the northern part of the Saibei River is easy to cherish" and "the country is ruined and its life is scattered like a cloud." The writing was sad and moving, and it was once recited for some time.
Chao's ci style can completely catch up with Su Shi. For example, The Song of Wandering Immortals is full of Lu Tong's words, which is an imitation of Su Shi's Whistle, which implies Tao Qian's poem of returning home. Touching the Fish and Reaching the East is recognized as his masterpiece: "Buy a pond, spin willow, vaguely Huai 'an Xiangpu. The rain in Gaodongjia fish is getting heavier and heavier, and the egrets in Shazui gather into seagulls. It's a lovely place, and it's best to have moonlight flowing by the river at night. No one dances solo. Ren Cuige Zhang Tian, Rouyin borrowed the land, and the wine failed to go. The blue silk quilt does not remember the golden boudoir, and the Confucian crown once saw through the body. What's the point of riding a horse with a bow and knife? Wasted Shaoping sweet melon nursery. Try it, you are covered with blue mirrors and stars! Fame and fortune. It's like getting Ban Chao and sealing Wanli. I'm afraid I will be late. "
This word first describes the beautiful scenery of returning to the garden, fully shows the pride and romantic interest, and sends poetry and wine; When I was young, I wasted my time for the courtiers in the pavilion, and then I used the old canon to sit on the throne of Confucianism, misleading others. It's not enough to rely on temporary prosperity. It's better to retire and dance. Prove all the relevant historical facts and his life, and you will understand that Chao's heart is really full of hard-to-resolve resentment, so he inspired the "fame", which is straightforward, hearty and famous for its broad tolerance, which is completely different from the traditional artistic norms. Therefore, the fourth volume of "Masculinity" says: "The word" no blame "is quite big. It is known that Xin Jiaxuan's "Touching Fish Can Eliminate Several Storms" was won by later generations. In fact, it is based on Xin Ci, that is, the wave of touching fish and living, and it is beyond reproach. " In addition, these two songs, "A bouquet of flowers, the day of my twelfth uncle, pushing an blameless birthday, resigning in this voice and answering according to rhyme", are the same as "Fishing", except that some sentences are more intense in tone, more outspoken, and like bones in my throat, everything is done quickly. This really runs counter to the implicit, quiet, elegant and unobtrusive popular style.
Of course, it is only in terms of its dominant tendency to say that Chao Bu is an uninhibited poet and learn from Su Shi. In fact, in all his ci chapters, about half of the works with traditional themes such as "Seeing the Spring" and "Nostalgia" are quite fresh, full of charm and tenderness, which conforms to the true nature of ci. For example, in his "Leading the Way, Mei Jingqiong Blossoms", all loves is said at the beginning, but people cry alone, with a little episode in the middle. The pause reveals the reason for "recalling that year and staying in Luomei": it's all in old love! After filming, she turned to echo, and only wrote a subtle action that her lover left in the deepest impression, so her style was vivid. The bright red cherry seems to be a basic thread, connecting this spring with last spring. The rhyme is still there, and the fragrance is still there. When people leave, there is no news. Parting at that time was really helpless, but who knows who can be humane! The whole word description is meticulous, the composition is meticulous and persistent. It has no big leap and swing, which shows its ability to control long tunes, thanks to many things of Liu Yong.
Another example is "Partridge Sky", in which Shang Kun first hinted at the depression of living in a relegated place with the fantasy of "wanting to go to the lake", and then pointed out the original intention of "thinking about qi zhou scenery", showing sincere feelings. I feel that my youth is getting older, and I am afraid that I am not so excited at that time. Between the lines, the feelings of the scene are expressed by singing softly, revealing the lingering melancholy. Although light, memorable, all in the deep truth.
His prose achievement is higher than that of poetry, and his style is gentle and elegant, fluent and handsome. Wu once thought that among the four bachelors, "Qin and Chao Shan discussed" included the sentence "Chao Tan Jie Yu" (Volume 11 of Nengbian Zhai). His narrative prose "A Journey to the North of New Town" and "The Story of Gongcuitang" are lyrical and vivid. Or the influence of Su Shi's prose can be seen from the interweaving of borrowing things, narration and discussion. There are 70 volumes of Ji Li Collection, including 23 volumes of poetry, 47 volumes of prose and 4 kinds of series.
His prose is good at describing the mountain scenery, and his famous works include "Looking at the Wall and Tangji", "Palace Tang Cuiji" and "You Zhu Tangji". Among them, the trip to Beishan, the new city, is the most popular: "Go 30 miles to the north of the new city, the mountains are getting deeper and deeper, and the vegetation and rocks are getting quieter and quieter. At first, you were still riding between your teeth. All sides are big and loose, the curved one is like a cover, the straight one is like a building, the upright one is like a person, and the lying one is like a squat. There are springs, falling rocks and clanging sounds among pine forests. Pine vines are dozens of feet long and curved like big cockroaches. There are birds on it, as black as silver carp, with long beaks. They peck them down and make a sound. A little west, a peak high, there is a way to lead, only one step. Punch the horse's mouth, help each other and lift each other. You can't see the sun, like four or five miles, but you can hear the cock crow. A monk's robe and cloth crept forward and talked to him, ignoring him like an elk. There are dozens of houses on the top, winding along the cliff like snails. The door was very close. As soon as I sat down, the mountain wind came and the clock in the hall rang. The second son and the third son took care of each other in surprise. I don't know where I am. " Chao Jia is good at inheriting Liu Zongyuan's tradition of writing landscape travel notes. His style is steep and clean, and his language is concise and simple. This article can be seen. Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His words are magnificent and bold, and his words are graceful and restrained. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
In the second year of Jiayou (1057), he was a scholar. Ren Fuchang County Master Book, Fengxiang Prefecture awarded Bookmark Book Officer, called History Museum. In the second year of Yuanfeng (1079), when Zongshen knew Huzhou, he was appointed as the censor. In the third year, he was demoted to Huangzhou Yong ying ambassador, built a room in Dongpo, and was named Dongpo layman. Later, the money was transferred to the United States. Zhezong Yuanyou returned to Korea in the first year (1086), and was the founder of Ren Zhongshu, with a bachelor's degree in Hanlin. Know the patent. He was dismissed in nine years and exiled to Huizhou and Danzhou for three years (1 100). He was recalled to the north and died in Changzhou. The existing Complete Works of Dongpo 1 15 volumes.