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1. A generation of poets in the Republic of China studied China literature.
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Zhu (1898-1978), with a strange name, is a special department. My ancestral home was in Nanjing, and I was sent to Jiaxing because my grandfather had visited Xiushui (now Jiaxing). Father Zhu was appointed Xuanping county magistrate in the late Qing Dynasty. After graduation, he was the editor-in-chief of Shanghai New Declaration, and served as a teacher and professor in five girls' middle schools in Shanghai, Aiqun girls' middle school, Zhengfeng College of Literature, Zhengshi Middle School, Dajing Middle School, Bile Middle School, Wuxi National Studies College and Nantong College. 1949, he became a professor at East China Normal University. 1958 retired. Zhu devoted his whole life to research and extensive reading, not limited to old theories. The study of Chinese studies is integrated with Confucian classics, primary schools, exegesis and poetry. The identification of the origin of ancient Chinese characters is more unique than that of predecessors. His early works are scattered in Oriental Magazine and other publications. In 1930s and 1940s, when the country was in difficulties, the social situation in Shanghai became more complicated. You can be like this at this time, indifferent to your own ambitions, never comparing with others and selling to others. In the early days, War of Resistance against Japanese Aggression repeatedly refused the pressure and temptation of the Japanese Puppet Army and stayed at home. Later, he resolutely refused the appointment of a professor at the College of Literature of the Puppet Central University. During this period, he no longer published poems, but studied Chinese studies behind closed doors, which benefited Hongbo a lot. After the founding of the People's Republic of China, I concentrated on my studies. Zhu is good at calligraphy. Zeng Xue studied the running script written by Zeng (Nong You) and Li Ruiqing (Mei An), which avoided the correction of the tablet style and got rid of the softness of the calligraphy style. In his later years, he devoted himself to making ancient seals. He was very careful and showed off his skills, which was highly valued by people. Praise the world with poetry. In the late 1920s, Chen Yan, a famous poet, selected a masterpiece of old-style poetry in the late Qing Dynasty and the early Republic of China as modern poetry notes. Among the selected poets, Zhu is the youngest. Many of his famous poems have been read. Chen is praising Hua: "See this talent again later" (Zhu Yizun); The term Zhu Zumou even gave him the title of "Lian 'an", comparable to Zhu An (Zhu Yizun). His wife, Sun Muzheng, learned to raise silkworms and can write poems, and was named "Man Tang Yin". Zhu's works have been published, such as Gu Qiu. His final manuscripts include the Book of Changes, Shi Guwen's collection and interpretation, and selected works of lonely officials.
2. Professor of Tongji University, a famous literary critic
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Zhu (1957~) was born in Shanghai and Wuping, Fujian (Hakka). 1983 graduated from the Chinese Department of East China Normal University. Doctor, University of Technology, Sydney, Australia. At present, he is a professor at the Institute of Cultural Criticism of Tongji University, and a columnist and expert at China Network of the State Council Information Office. He enjoys a high reputation in China's cultural circles and is regarded as one of the best critics in China. Because of its avant-garde, fierce criticism of social abuses, unique discourse style and rationality and profundity in guarding the cultural status quo, it has exerted a wide influence in the field of contemporary cultural research. In September, 2006, Phoenix Life magazine published the list of "50 China people who will influence the future of the world", and Zhu, the "China cultural watcher", was selected as the representative of "the power of thought" together with Li Ao, Zhang, Zhang and others.
work
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Zhu's representative works include: Burning Labyrinth, Noisy Times, Lightning of Words, Night Watch Cultural Calendar, 265438+ Cultural Map of China in the 20th Century (a large-scale cultural yearbook with six volumes in Chinese and four volumes in Japanese), The Feast of Rogues-Rogue Narration in Contemporary China, etc. 1 the book of red memory Zhu's words, the book of red memory.
Known by many people as "Zhu Yu", it is a metaphorical writing interwoven with sensibility and rationality, which has been loved and imitated by many young readers for many years. This book is the integration of most of the author's poems, essays, essays and novels in the past 20 years, some of which are representative works of modern Chinese. The author's profound views on history and reality are intertwined in a gorgeous and tough style, forming a unique narrative-interpretation style. The pictures in the book are also an extension of metaphorical writing, which can not only meet the visual needs of the era of reading pictures, but also contain intriguing cultural codes. In an era of rampant cultural rubbish and increasingly serious reading anxiety, this book has a collection value that cannot be ignored. The Feast of Rogues: Rogue Narration in Contemporary China explores the phenomenon of rogue discourse prevailing in contemporary China. Contemporary China is divided into two societies, one is the national society, and the other is the disorderly, faithless, authoritative and immoral rogue society. Based on the 200 million refugees who left the land, it has become an invisible attribute of contemporary China. This book takes identity theory as the logical premise, rogue discourse as the object, and cool language, obscene language and profane language as the analysis elements, and makes a comprehensive, in-depth, unique and novel interpretation of the rogue narrative mode permeated in various cultural styles (novels, poems, fine arts, music, popular culture, etc.). ), convincingly reveals the basic characteristics of rogue discourse. It is refreshing to read. It is a great breakthrough in the study of hooliganism and a rare achievement in the study of discourse in China's ideological circle in recent years. 2 1 Century Cultural Map of China (Volume III).
3 265438 "Cultural Map of China in the 20th Century" (Volume III), in the process of dealing with various cultural phenomena at present, the editor tried to really and effectively break into the scene of cultural spirit, taking the independent position and rebellious spirit as the basic coordinate system of this "cultural map". Selected Works of Criticism records the spiritual sublimation of the annual cultural criticism. The latitude of "keywords" marks the key marks at all levels in the public cultural space; The meridian of "cultural events" is divided into annual time units, showing major events in various cultural fields. The annual cultural hologram described in this way should be complete or partial, so as to confirm the "self" orientation of cultural individuals and gain a clearer insight into the spiritual orientation and trend of China culture. Walking on this virtual cultural "map", people will meet all kinds of people and things, and breathe the spirit of this era through observation and observation. 4 The Watchman's Cultural Calendar (1999-2004)-The Literary Works of Blade contains most of the influential literary, cultural and current political commentary articles of the famous critic Zhu Zai1999-2004. All the articles were published in China Newsweek, Southern Weekend, Southern Window and other well-known media, and some of them caused widespread controversy. As one of the most representative critics in China in 1980s, Zhu still maintained a sharp and profound criticism style. Compared with his research on theology, mythology and cultural hermeneutics, his cultural criticism is more "lethal", so he has the reputation of "sealing his throat with one sword" Zhu's critical style and discourse style have exerted a subtle influence on "cynicism criticism" since 1990s. The 20th Century Cultural Map of China (Volume II) 265438 is a carefully drawn cultural map of Chinese mainland in 2003, following the purpose of Volume I, and the editor broke into the scene of cultural spirit, taking independent stance and critical spirit as the basic coordinate system of this "cultural map". The meridian of "cultural events" is divided into annual time units, showing major events in various cultural fields. The latitude of "keywords" marks the key marks at all levels in the public cultural space, while Selected Works of Criticism records the spiritual height of the annual cultural criticism. The annual cultural hologram depicted in this way can help readers with different cultural identities to see the whole or part of culture, and confirm the "self" orientation of cultural individuals through it, so as to gain a clearer insight into the spiritual orientation and trend of China culture at present. "Word Lightning" is one of the most famous cultural scholars in contemporary China. Zhu's writings are few, but almost all of his articles have important ideas. Lightning of Words contains his most representative papers 13 since the mid-1980s, including Hollow Literature, Burning Labyrinth, Sweet Journey and so on. These words fully show the author's keen thinking and broad vision. Zhu's way of speaking may be out of date in this era of consumerism, but his unique way of speaking is really like "lightning", which can open up mental problems and illuminate the pallor of the times. 7 Files of fugitives In the field of "cultural criticism", Zhu has always been unique in the literary world with his innovative style. In this book, he tries to expose the maze of culture with sharp language and torture the myth of history with radical wisdom. Faced with various cultural phenomena, he confidently went to the stage, pointed fingers, exposed and corrected mistakes, declared the truth behind the facts, and declared: "I want to judge." Eight, a riot and subversion of China's contemporary literary criticism by the top ten writers pushed the unworthy "classic" writers off the altar. 9 This volume, Cultural Map of 20th Century China (Volume V, 2006) and Cultural Map of 20th Century China, focuses on the cultural situation of Chinese mainland in 2006. Including the essence of the annual cultural criticism, popular keywords and their explanations, and the chronology of cultural events. In today's rapidly changing and fleeting mass culture, it is the basic mission of this book to resist forgetting and protect the integrity and continuity of cultural memory. In terms of editing strategy, it is still the continuation of several previously published volumes, and continues to maintain the realism of the scene and the criticism of independent positions. Vivid, interesting and readable are the style characteristics of this book. For readers who are interested in cultural learning, research, criticism and exploration, this book provides a high-definition navigation map of cultural information, and is also an inspiring cultural on-site evaluation book.
Main experience
1In July, 983, Zhu graduated from East China Normal University and was assigned to the Chinese Teaching and Research Section of Shanghai University of Finance and Economics to teach College Chinese. Due to the inconsistency with his major and research field, and the lack of humanistic environment in college, his mood turned to depression, "losing his direction, disheartened and doing nothing." During this period, except for a film system theory, he almost stopped all his writing and was dormant for nearly two years. The turnaround occurred two years later. 1985, Zhu was invited to attend the national symposium on new methods of literary criticism held in Xiamen University. "This changed my future." This competition gathered almost the best and most popular talents in China at that time. Zhu, by contrast, is a "nobody". Shortly after his return, his first poetry review, The Troubled Generation and the City Dream, was published as 1986 in the famous avant-garde magazine Contemporary Literary Thoughts. "This article completely deviates from the general criticism standard. It is naive, but full of murderous look and whimsy. It is better to show off yourself than to explain other people's works. " Zhu himself disagreed with this article, which caused widespread concern in the literary world. 1986 published the defects of Xie Jin's film mode, which caused an uproar at home and abroad. At that time, Zhong Dianfei, the president of China Film Criticism Society, wrote: "Zhu's articles are very shining, not only as a theoretical generalization and courage, but more importantly, he regards film as a cultural phenomenon, showing a sense of responsibility for the whole society and literature and art." After that, Zhu became famous in China's literary world with a series of literary studies and critical articles, and established his position as a pioneer critic. "At that time, I was young and energetic, and I was going crazy." He said that in a high-standard academic meeting, you can also despise the participants, say something casually, and then leave the meeting on the spot, "because you don't care about other people's feelings and offend many people." "This is related to my growing environment. As an only child, I am desperate for freedom and independence. I have been playing by myself since I was a child and I am used to loneliness. " From primary school to middle school, there is always the word "complacency" in his report card comments. "Teachers always want me to be' arrogant and impetuous'." Nowadays, Zhu seldom argues with others. He thinks that "it is meaningless and a waste of time." When he said this, he still showed pride that was carefully hidden. Zhu is fifty years old this year. "In fact, I knew my destiny at the age of 40." He took the tea and took a sip. "I am a very controversial person. Some people like it and some people hate it." He lowered his head and raised his head. "In fact, controversy is the best state. It is not normal that there is no dispute. I write for the next century because history is the best judge. "
Related remarks
In June, 2065438+0/KLOC-0, Zhu, a professor at the Institute of Cultural Criticism of Tongji University, pointed out that gambling in the cultural relics market at present is the greatest sorrow for ancient artifacts and the inheritance of their civilization. Casino effect has created a large number of super gamblers, but it can't cultivate lovers, appreciators and protectors of cultural relics, and can't be transformed into a benign driving force to promote the cultural revival of China. Zhu believes that on the one hand, the price of cultural relics soared, and on the other hand, the overall cultural value collapsed, forming a sharp allegory. The story of the cultural relics market and the old palace proves to us that the remaining historical and cultural resources have been arbitrarily embezzled, speculated, carved up, consumed, degraded and poisoned.