Poems about two consecutive mountains and rivers 1. Two consecutive ancient poems describing the beauty of mountains and rivers
The green hills on both sides of the strait are opposite, and the lonely sails are coming from the sun.
Looking at Tianmen Mountain
Dynasty: Tang Dynasty
Author: Li Bai
Original text:
Tianmen interrupted the opening of the Chu River, and the clear water flowed eastward back here.
the green hills on both sides of the strait are opposite each other, and the lonely sails are coming from the sun.
mountains cover the white sun, and oceans drain the golden river.
at heron lodge
Author: Wang Zhihuan
mountains cover the white sun, and oceans drain the golden river. to ascend another storey to see a thousand miles further
Looking at the Dongting Lake from afar, there is a green snail in a silver plate.
Looking at the Dongting
Dynasty: Tang Dynasty
Author: Liu Yuxi
Original text:
The lake and the moon are in harmony, and the pool surface is windless and unpolished.
Looking at the Dongting Lake from afar, there is a green snail in a silver plate.
the water is eye-catching, while the mountain is eyebrow-gathering.
Author: Wang Guan
The water is eye-catching, and the mountains are gathering eyebrows. Where do you want to go? To the intersection of mountains and rivers. Just take the spring, and send you back. If you go to the south, you can catch the spring, you must keep the scenery of spring.
2. Write two ancient poems describing landscapes.
Birds fly away in a thousand paths without a footprint. -Liu Zongyuan's Jiang Xue
I awake light-hearted this morning of spring, everywhere round me the singing of birds.-Meng Haoran's Spring Dawn
When birds are startled in the moon, they ring in the spring stream. -Wang Wei's
A Bird's Singing Stream, we watch the green trees that circle your village, and the pale blue of outlying mountains. -Meng Haoran's "Passing the Old Man's Village"
Wan Li went to Rongji, and the mountain was flying. -"Mulan Poetry"
Gushan Temple is north of Jiating West, and the water level is low. Bai Juyi's Spring Trip to Qiantang Lake
and then he disappears at the turn of the pass, leaving behind him only hoof-prints. -Cen Can's a Song of White Snow in Farewell to Field-Clerk Wu Going Home
The apes on both sides of the strait can't stop crying, and the canoe has crossed Chung Shan Man. -Li Bai's
. -Wang Changling's
mountains cover the white sun, and oceans drain the golden river. -Wang Zhihuan's "at heron lodge"
The Yellow River is far above the white clouds, and it is a lonely city, Wan Ren Mountain. -Wang Zhihuan's "Liangzhou Ci"
There is no way to recover from the mountains and rivers, and there is another village. -Lu You's Tour of Shanxi Village
once climbing to the top of the peek, one would see, the other mountains all appear dwarfs under the sky.. -Du Fu's "Looking at Yue"
Picking chrysanthemums under the east fence, you can see Nanshan leisurely. -Tao Yuanming's Drinking
Choose one ~
3. Two poems containing "water" in succession
Liu Shang is crying about his old friend, and the water is like an arrow. At that time, the water head was different, and we never met again.
Han Yu's three green water puddings lived in the water. The message is that duckweed is not as good as me.
Han Yu's three poems "Pus in Green Water", the leaves are too short for water. The woman doesn't go to class, but the son is in Wan Li.
There are two upstairs buildings in Han Wo, with clear water in front of them. Pity the mountain and the water, and the two places are always attached.
Wang Zhoudu Duxi Duxi is in a hurry, and the water splashes his clothes wet. Sunset has not yet returned, and Yingying stands by the water.
It is said in Yuan Chun's sentence that Maoling has good mountains and rivers, and Bixi flowing water has a paradise. (
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p Sitting alone by the water grass, the water flows longer in spring.
One hundred poems written by Wang Jian's Palace, the wind curtain and water pavilion press the hibiscus, and all sides are hooked in the water. Avoid the heat and stay in the golden palace, and the weaver girl in Qiuhe wears red makeup at night. Liu Shang sent Wang Yong two songs (one was to send Wang Yong back to Dongguo in a river). When you go to Chunshan, the birds will cry and the flowers will fall into the water. Now bid farewell to the stream, and I will miss you tomorrow.
4. Two poems about mountains and rivers are urgently needed
When Wang Wei lived in seclusion in Wangchuan, he wrote a number of exquisite poems about mountains and rivers.
He wrote "Collection of Wangchuan" by himself, including 2 five-character quatrains that he and his friend Pei Di sang to each other. The main content is to describe the scenery near Wangchuan's other businesses and express the interest of seclusion. First look at Xinyiwu: hibiscus flowers with minced wood and red calyx in the mountains.
there are no people in the stream, and they all open and fall. In the silent mountain stream, the magnolia flower blooms and falls on its own, surviving and dying. It's not fake, it's nothing to do with the world, and no one knows it.
This is a world far away from the hubbub, and it is also the unique artistic conception of the poet Wang Wei's integration of subjectivity and objectivity, which is simply the symbolic realm of the Buddhist concept of emptiness and silence. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work of "entering Zen". "I have forgotten my life experience and all my thoughts are silent."
(Volume 6 in Poems) The artistic conception created by Wang Wei here is born outside the image, which is a combination of poetic and Zen, and it has great implication and artistic appeal. Can achieve this artistic achievement, can't help but say that it is beneficial to his study of Buddhism and the edification of Buddhist way of thinking.
Wang Wei was called "Shi Fo" by later generations. He believed in Buddhism in his early years.
Mother Cui Shi has been practicing meditation for more than 3 years. Wang Wei and his younger brother, Wang Jin, "all worship Buddhism and live in vegetables, so it is better to eat meat and blood" (Biography of Wang Wei in Old Tang Dynasty).
when Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in one room, and his screen was extremely tired, and he had "no children" ("Responsibility Bow Recommend Brother Table"). He also wrote many poems about Buddhism, and he has high attainments in Buddhism.
among the schools of Buddhism in the Tang dynasty, Wang Wei believed in Zen, and mainly believed in Nanzong Zen. Nanzong Zen is the product of the combination of Buddhism and Confucianism and Taoism in China, and its life philosophy of fate has provided the latest and most complete way for China literati.
Some practice methods of Nanzong Zen are similar to China's poetry creation. Yan Yu, a literary critic in the Song Dynasty, said: "Generally speaking, Zen is only in wonderful understanding, and poetry is also in wonderful understanding" (Cang Lang Shi Hua).
Miao Wu is an insight into Zen, and it can also be expressed as a feeling for art. Both poetry and Zen need keen inner experience, both emphasize revelation and metaphor, and both pursue implication.
when talking about "epiphany", Nanzong Zen often uses image expression to convey the law, with special emphasis on the role of intuition, suggestion, induction and association in understanding. Wang Wei learned from Zen meditation, and naturally he has a deep understanding of this method of grasping the world.
He integrated his understanding of Buddhism into his outlook on life, turned religious feelings into poetic thoughts, and created a poetic mood of "emptiness", "silence" and "leisure". Zen advocates the style of beautiful scenery in mountains and forests, and it also plays a guiding and enlightening role for Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.
Wang Wei described his inner experience in the poem Zhuliguan as follows: leaning alone in the close bamboos, I am playing my lute and humming a song. Too softly for anyone to hear, except my comrade, the bright moon.
The poet sat alone in the deep bamboo forest, playing the piano and whistling. No one knew his existence, only the bright moon accompanied him. Nature knows his inner loneliness best, and the brightness of the bright moon brings him a quiet happiness.
Things and I are one, but things and I forget each other. Zen and poetry are in perfect harmony. The same is true of Luchai: there seems to be no one on the empty mountain, and yet I think I hear a voice.
where sunlight, entering a grove, shines back to me from the green moss. There was no one in the empty mountain, only heard intermittent voices floating in the deep forest, and a ray of sunset was transmitted on the moss deep in the forest, which was so trance-like and sad.
this is the kind of empty realm that Wang Wei pursues, which is far away from the hubbub. Although lonely, it is also meaningful. Wang Yuyang in the Qing Dynasty said that Wang Wei's poems were "Zen-like" and "subtle words, no different from the Buddha's flowers and Jia Ye's smile" (The sequel to Silkworm Tail).
that is to say, this kind of landscape poems by Wang Wei are full of Zen interest, Zen joy and Zen flavor, and convey the meaning of Zen. Naturally, it fully shows the poet's unique taste in the beautiful scenery of mountains and rivers.
Wang Wei doesn't necessarily just go to lonely places to seek Zen. He also looks at the vast world and the lively peasant life: the new sunny Yuan Ye is vast, and there is no atmosphere. The Gatehouse of the outer city abuts on the ferry pier, and the trees at the edge of the village connect the stream to the mouth of the river.
outside the white water field, behind the Bifeng mountain. It is during the busy farming season that there are no idle people, and the farmers are all busy with the fields.
-"New Sunny Wild Hope" A spring rain washed away the dirt and made a new scene. Farming is busy, people and scenery are bathed in fresh air.
The phrase "white water" combines the close-range view and the distant view into a layered picture. The water is bright, the mountains are green, and the contrast between light and color is very harmonious. On the surface, we can't see the Zen meaning of this poem.
In fact, that spring rain was like holy water poured from a Buddhist net bottle, which washed everything clean and ethereal. It's just that everything blends Zen and poetry wonderfully, and he doesn't let Zen overwhelm poetry.
Of course, what we pay attention to is the kind of praise for farm life, and we appreciate the beauty of the mountains and rivers, without having to pursue Zen. Wang Wei is a versatile cultural giant who is good at poetry, music, painting and calligraphy.
Su Dongpo, a great writer in the Song Dynasty, said: "Wei Mo (Wang Wei)' s poems contain pictures; Watch the painting, there are poems in the painting. " ("Shu Mo Lan Tian Yan Yu Tu") His words are incisive and to the point.
Wang Wei was an accomplished landscape painter in the Tang Dynasty. He painted with Xiao Shu's simple ink brushwork, created an ink landscape, and became a family of his own, and was called the founder of the Southern Sect of Landscape Painting by later generations.
His paintings emphasize freehand brushwork, pursue spirit likeness and express subjective feelings. Therefore, "When painting things, you often paint a scene with peaches, apricots, hibiscus and lotus flowers", and "it is difficult to ask for shapes and objects." (Shen Kuo quoted Zhang Yanyuan in Dream Stream) Therefore, Wang Wei is also known as the ancestor of China literati's freehand brushwork.
painting can be likened to spirit, so it has the charm and interest of poetry, that is, there is poetry in painting. Using this painting idea to stare at the natural landscape, it is a sigh, and it is bound to have the charm of painting in the poem.
Wang Wei's profound artistic attainments in painting, music and calligraphy enable him to feel and capture the beautiful scenery, magical acoustics and ever-changing nature more accurately and meticulously than ordinary poets in his poetry creation, and appeal to the pen. I will also use words to set colors and pay attention to the harmony of poetry tones.
There are artistic conception of painting, fluency of music and changes of calligraphy in poetry. In this way, his unique poetic artistic style of "painting in poetry" and "hundreds of warblers, repeated performances by palace merchants" was formed invisibly.
When we appreciate his landscape poems, we should firmly grasp this feature. Wang Wei is good at describing grandeur in a general way.