From 190 1 to 1902, he wrote China's Historical Narrative and New History, criticized feudal history and launched a "historical revolution".
After my trip to Europe, I mainly engaged in cultural education and academic research activities, focusing on pre-Qin philosophers, Qing dynasty academics, history and Buddhism. From 1922, I worked part-time in Tsinghua University, and from 1925, I applied for the position of tutor of Ren Qinghua Sinology Research Institute. The scope of my instruction is: philosopher, history of Buddhism in China, academic history of Song Yuanming, academic history of Qing Dynasty, China literature, history of China philosophy, history of China, historical research methods, etc. During this period, there are Academic Introduction of Qing Dynasty, Case Study of Mozi, China Historical Research Law, Academic History of China in Recent 300 Years, Lover Du Fu, Qu Yuan Research, Political Thought History of Pre-Qin Dynasty, and China Cultural History.
He has created a wealth of works in his life, including several collections, among which Drinking Room Collection published in September 1936+0 1 day is relatively complete. Restaurant Collection has 148 volumes, and100000 words.
Liang Qichao introduced western culture and new literary concepts in literary theory, and initiated the innovation of various styles in modern times. There are also many achievements in literary creation: prose, poetry, novels, operas and translated literature all have works in the world, especially prose.
Liang Qichao's writing style is called "new style" internationally. This "new style" with "counselor literature" as its style became the most popular and imitated style before the May 4th Movement, and it is still worth studying and studying. Liang Qichao wrote The Influence of Russian Revolution in 1905. The article begins with short and urgent words, such as the rupture of rocks, like the gushing of magma: "The lights went out, the gas ran out, the wharf stopped, the iron ore was cut, the wires were smashed, the railway was dug, the military factory burned, the newspaper office closed, the dagger appeared, the bomb cracked and the monarch escaped." In the play, the only autocratic country in the world must be in the Great Revolution! Then, it analyzes the causes, motives and policies, prospects and influences of the revolution. No wonder Hu Shi said, "Mr. Liang's article ... makes readers have to follow him and think with him!" "
In the aspect of calligraphy art, Liang Qichao studied Ou Yangxun in his early years, and then studied Kang Youwei, an engraver of the Han, Wei and Six Dynasties. Liang Qichao was one of the leaders of the Reform Movement of 1898, a propagandist and agitator of the famous bourgeois reformists in the 20th century at the turn of 19. He advocated that the collection of taxes should be based on the principle of convenience, and the policy of light taxes and flat taxes should be implemented. At the same time, he opposed the traditional view of "fixing taxes for the people". It is pointed out that "Westerners use things necessary for people's birthdays, all of which are tax-free for the convenience of the people." China, on the other hand, took advantage of the people's urgency to levy again, such as salt policy. There are also westerners who are good at the law and have good intentions to facilitate the people. China regarded it as a plan to help the Tang Dynasty, but those who did it harassed him. Now the postal service and the like are also the same. "He suggested that we should follow the example of Britain to implement a unified tax policy, so as to facilitate the people and benefit the people and seek prosperity again. This view, which put economic development first and based on fiscal revenue, was of positive significance to the development of capitalist industry and commerce in China at that time.
Liang Qichao believes that public debt is also a kind of tax, but the difference is that "tax is directly given to the present, and public debt is indirectly given to the future", "but we will analyze our obligations today, and some of them are reserved for our descendants Sun Yuner". However, he admits that public debt is of positive significance to economic construction, and that "taxes will be collected as soon as possible, and public debt will be used as much as possible", so he thinks that although public debt increases the burden on future generations, it is also beneficial to future generations. Liang Qichao also played an important role in another anti-imperialist movement, that is, opposing zhang xun restoration. But this time it also means a complete break with the reformists. Zhou Shanpei advised Liang Qichao: "Do things yourself and listen to others. To win yuan, the revolutionary party wants to do it, and we also want to do it; We should only listen to the revolutionary party, not necessarily do it. " Kang Youwei, on the other hand, stood on the side of restoration. Liang Qichao and Kang Youwei broke up from then on. Kang Youwei denounced Liang Qichao for "stealing Liang Qichao" in front of Liang Qichao's students, and called Liang Qichao a monster who ate his father and mother in ancient Chinese.
As for Liang Qichao's position in the China press, some reporters compared him with walter lippmann. Needless to say, Liang's reform of China's style is regarded as one of his greatest contributions. Maybe we can also call it a revolution in expression? Zhou Shanpei felt it was a pity that Liang Qichao's literary spirit was too strong and he was used to writing newspaper articles. As a result, the article only seeks to impress people. "China's sleeping heart was awakened by your pen", but he has no other energy to write a truly master work. Wang Jieping divided Liang Qichao's political thought into four stages in his long article On Liang Qichao the Reformer. In the first stage, from studying Kang Youwei to 1898 coup (1890~ 1898), Liang Qichao and Kang Youwei had no different theories and opinions, but because they were good at writing, they had a great enlightening effect on the social ideological circles and intellectual youth in China at that time. In the second stage, from fleeing to Japan to arguing with revolutionaries (1898~ 1905), Liang Qichao turned against the revolution by rejecting the imperial system. In the third stage, from the failure of the debate to the Revolution of 1911 (1906 ~1911), it became more degenerate politically and openly resisted the bourgeois revolution. In the fourth stage, from returning to China after the Revolution of 1911 to Liang Qichao's death after the First Great Revolution (19 12~ 1929), it gradually became the backbone of the landlord comprador group, and its political thoughts became more reactionary. The author also analyzes the reasons for Liang Qichao's ideological contradictions, mistakes and changes, and thinks that this is a reflection of the hopeless situation of reformism in semi-colonial China when it went bankrupt in the imperialist stage, and a reflection of the helplessness of some forces representing the landlord class after being transformed into the bourgeoisie and being intricately attacked by imperialism, feudalism and revolutionary forces.