Song Huizong Evonne? (1082.05.05-1135.06.05), the eleventh son of Song Shenzong, the younger brother of Song Zhezong, and the eighth emperor of the Song Dynasty. He was successively named King Suining and King Duan. In the first month of A.D. 1 100, Zhezong died of illness. In the same month, he was made emperor and dedicated to the Empress Dowager. In the second year, the year number was changed to "Jianzhong Guo Jing". After Song Huizong acceded to the throne, the new law was put into use, and he was quite enlightened in the early days of his reign. After being induced by Cai Jing and other ministers, the political situation plummeted. Later, in Enemy at the Gates, A Jin Jun was hastily ceded to Prince Zhao Huan by Li Gang's words. After 25 years in office (165438+February 23, 2000-1 126), he created his own calligraphy font, which was later called "thin gold body". He loved painting flowers and birds and became a "courtyard body" of his own. He is a rare artistic genius and all-rounder in ancient times. Song Huizong can do whatever he wants, but not for your ears! Historians who wrote the history of the Song Dynasty also said with emotion that if Zhang Dun's opinions were adopted, the Northern Song Dynasty might be another ending. He also said, for example, "If Hui Zong was not established in the Song Dynasty, why did it become a separatist regime in the Song Dynasty, even though Jin Qiangsheng was strong? Song Huizong, a young artist, took advantage of his position to establish the Northern Song Dynasty Painting Academy. The top painters of the Northern Song Dynasty are among them. Song Huizong watches landscapes, flowers and birds, rare birds and animals with painters every day, and then paints. Accurately capturing the state of things, extremely clear and concise lines, and implicit and restrained meanings are all unique aesthetic labels of Song Huizong. Each stroke shows his full love for painting and his ultimate pursuit of beauty. In "Birds of Mount Mera", Song Huizong wrote a poem: "There is an agreement between Danqing and Qian Qiu that refers to a bald head". He gave up his heart and said that he didn't love Jiangshan and Danqing, but he was just a good painter who was delayed by the emperor's position!
Evonne's "Lotus Golden Rooster Map" is colored in silk, with a length of 8 1.5cm and a width of 53.6cm. ..
The picture layout of Chinese painting pays attention to the circulation of verve. The charm and structure of Lotus and Golden Rooster are difficult to handle because there are paintings, poems and inscriptions. "Lotus and Golden Rooster Map" takes Hua Die and Golden Rooster as pictures, depicting a crisp autumn scene. In the painting, where the golden pheasant falls, hibiscus flowers sway down, which is vivid. When they saw the golden pheasant, the two butterflies danced and set each other off, but Evonne was indifferent. Where is the central branch on the left? Draw hibiscus flowers. One branch is inclined upward, and the other branch is dragged horizontally to the right, while a five-color golden pheasant just stops and looks at the branches, bending the branches more severely. How natural and beautiful the picture is. When the golden pheasant landed, its back posture turned its head to the upper right, and its tail feather crossed the lower right obliquely, just blocking two big horns, which complemented the charm of hibiscus flowers. Two butterflies on the upper right swim up and down, which is the direction that golden pheasant pays attention to. If you look at the picture like this, it seems that the bottom of the picture is empty. Evonne draws a white chrysanthemum obliquely from the lower left corner, with two flower heads obliquely flat, which coincides with the posture of hibiscus flower branches! The layout of the picture is good, but it is difficult to write poems and titles. Evonne was a pioneer in painting poetry. There is a five-character quatrain in this painting. This poem is located just above the right side, which prevents air from escaping and is higher than the head of the golden pheasant, causing the golden pheasant to pay attention to the upper right corner. Evonne's title: "Autumn is full of frost resistance, and I wear golden feathers. It is known that there are five virtues, and comfort is better than pheasant. " (Interpretation: The beautiful scenery in autumn is strong, "diluting" the golden pheasant in Leng Yan and standing on the branch; Gentleman's behavior, such as the five virtues of Confucianism: "gentleness, kindness, courtesy, thrift and concession"; Then a comfortable and relaxed life on earth should be better than pheasants (pheasants and seagulls). Generally refers to waterfowl. ) Happy days! ) "Its poetry, overflowing in the picture, makes people daydream infinitely; The object is beautiful and the expression is very forced. The golden pheasant's demeanor, bright feathers and beautiful singing are all vivid pens. The pitch of hibiscus leaves is very subtle, each leaf is not heavy, each leaf has its own posture, but the light and heavy texture is intriguing. Several chrysanthemums are inserted obliquely at the bottom of the picture, which increases the complexity of composition, renders the breath of autumn, sets off the high position of the whole picture and creates the momentum of the whole picture. Hibiscus pricks obliquely upward, which makes the viewer focus on the flying butterfly. Skillful practice with a pen, careful coloring with double hooks and natural division of space are all enough to represent the level of college painting in Xuanhe of the Northern Song Dynasty. Evonne's aesthetic thoughts focus on poetic aftertaste, meticulous observation of things, vivid and incisive realistic expression, which can be seen at a glance here. The key to distinguish the elegance and craftsmanship of meticulous painting lies in the inner cultivation, dynamic rhythm and poetic composition. Look at the picture of golden pheasant with hibiscus flowers. It's elegant and beautiful, poetic and picturesque, all excellent. Although later generations suspect that it was not made by Zhao, this does not affect the exquisite skill and spiritual realm of this painting, and it is still worthy of being a masterpiece of institutional painting in the history of China painting. The paintings are printed with treasures of Wanli, Qianlong, Yulan, Jiaqing and Xuan Tong, which are important treasures of the royal family in the Song Dynasty. Evonne's intention is to publicize the five moral qualities of human beings through the five natures of chickens. First of all, the pattern on the chicken shows the culture. Second, the rooster looks very heroic. Third, the cock fights bravely. Fourth, hens are very kind to chicks. Fifth, the rooster is punctual at dawn, indicating that he means what he says. These are all his demands on the minister. The painter's expression is very vivid. A golden pheasant jumped up and down, bending the hibiscus branch, showing the weight of the golden pheasant. Finally, Evonne signed the book "One's World", and the opening foot of the last stroke is separated, which is a signature with Evonne characteristics. It looks like a word "Tian", but the first stroke of the word "Tian" is a distance from the one below. It means "one person under the sun". Looking at the whole picture, we can see the beauty and rigor of its structure. Any part, even a branch or a leaf, is not easy to move. A little movement will destroy the overall aesthetic feeling and break the balance. The whole picture of Qi has become an organic whole, with seal, escape and flow potential, leading it to grow up to the upper right corner. Is Zhao really a master of art?
"Listening to Songs" axis, painting by Song and Zhao Wa, silk, color, vertical length 147.2cm, horizontal length 5 1.3cm.
This painting depicts a scene in which a bureaucrat and aristocrat listen to the piano gracefully. The hero wears a mysterious robe, sits in the middle and pays close attention to the piano. The two courtiers sitting on the dock in front are sitting opposite each other, listening. The green robe on the left carries his sleeves, and the red robe on the right holds a fan with his head down. The two of them are calm and calm, as if being stirred by the strings of encouragement, completely intoxicated by the sound of the piano. The boy in blue stood with his hands crossed, staring at the hero fiddling with the strings. Taking piano sound as the theme, the author skillfully depicts the artistic conception that silence is better than sound with pen and ink. The background of the picture is simple, such as shaded pines and swaying bamboos, which set off the elegant and refined environment of the garden. Sometimes, incense burners for curling cigarettes, ancient ding with different flowers planted on exquisite stones, and elegant piano sound create a quiet atmosphere. There are seven-character quatrains inscribed by Prime Minister Cai Jing at the top of the picture, and "Listening to the Qin" inscribed by Song Huizong and Evonne at the top right. The composition of the work is simple and clean, the figure's manners and shapes are vivid, the clothing line is described with a bucket pen, the tree and stone objects are skilled but not dull, and the colors are rich and beautiful. It is the masterpiece of court figure painting in Song Dynasty. Because of Hui Zong's title and inscription, this work was once thought to be painted by Zhao Ji. According to scholars' research, this work is a painting by the painter of Xuanhe Painting Academy depicting the music of Zhao Ji Palace in Huizong, and the violinist in the painting is Evonne himself.
22- 1 the fourth article? Illustration of Song Painting in the Five Dynasties Evonne
Evonne's Mera Mountain Birds in the Song Dynasty is 82.8x52.8cm in the National Palace Museum.
Evonne, Emperor Huizong of the Northern Song Dynasty, painted a flower-and-bird painting on Mount Mera, which is a meticulous flower-and-bird painting with the interest of literati painting. The picture composition is very simple, with two clusters of flowering daylily and a beautiful tall wintersweet; A few blooming plum blossoms, and two Chinese Pulsatilla nestled in the branches. The painter uses pen and ink meticulously. Hemerocallis Hemerocallis Hemerocallis Hemerocallis, Plum Blossoms and Flowers are all outlined with thin lines. The texture of the trunk is rendered and rubbed with dry ink, and the flowers are painted bright yellow, which is a typical meticulous painting of college paintings. But the sparse plum branches clearly have the charm of literati painting. The two Chinese Pulsatilla crowded together are the most vivid, and their heads point to the left, echoing the blank on the left. The bodies are crossed, and the eyes of the two birds are round, which makes them alert and sensitive. It seems that at the slightest sign of trouble, they will fly away at any time. The curled mountain birds and sparse plum branches suggest that it is still cold in late winter and early spring, while the bright wintersweet and mountain birds convey the breath of recovery. The picture is simple but poetic, which is the style of literati painting. The painter's intention is still unfinished. He used his thin golden body to write a five-line poem on the left side of the picture: "Birds in the mountains are changeable, and plum powder is soft." Dan Qing has an appointment, and the Millennium refers to the white head. " In the lower right corner of the picture, there is the painter's thin gold body, "Xuanhetang Imperial System and Book Combination", and there is also the painter's painting under it, which is generally considered as the abbreviation of "A Man under the Sun", but unfortunately it was covered when it was mounted. ? In the paintings of the Northern Song Dynasty, there were few paintings and poems written by painters. Moreover, this painting not only has poems, but also the painter's inscriptions and paintings. This complete form of poems, books, paintings, poems and essays should be the initiative of the romantic emperor Song Huizong. This picture shows that the branches of Chimonanthus praecox are slightly curved and firm, straight upward, extremely elastic and staggered. When the branches of Huangmei are open, there seems to be a burst of fragrance. A pair of tits on the branches of Chimonanthus praecox snuggle up to each other, facing the left picture, drawing the viewer's line of sight out of the picture. The depiction is neat and meticulous, full of life interest. The branches of Chimonanthus praecox are hooked with a fine pen and then rendered with ink; Tits and day lilies are all painted in ink. The fineness of pen and ink and the coordination of dryness and wetness are harmonious. Because the sound of "birdsong" can't be expressed and the content of "birdsong" can't be described in the painting, the poem of "pity and escape" is used to describe the complacent expression of Pulsatilla, which makes the viewer seem to hear its singing. The word "Nong" in the next sentence brings out not only the blooming of wintersweet, dew with pink core, but also the "fragrance of flowers". The second half of the poem is associated with the old saying that "the old man goes home with the old man" by "Pulsatilla", which means that the friendship between friends is firm and eternal; "Danqing" is a common color in ancient paintings, and the color is not easy to fade. So use these two sentences to symbolize the firmness of friendship, point directly at Pulsatilla, and express the unchanging heart for thousands of years; When Song Huizong painted this painting, his heart was full of hope, ideal, love and wealth, and a peaceful and carefree beautiful dream kingdom emerged inadvertently in his brushwork. He used wintersweet, bald birds (Changchun birds), mountain flowers, bees and other animals and plants to describe the relationship between emotion and life. Tell the firmness of life with winter plants, show the most common and familiar birds in people's daily life with paintings, and show the firmness of human friendship and love through the love of birds.
22-2 Article 4? Illustration of Song Painting in the Five Dynasties Evonne
22-5 Article 4? Illustration of Song Painting in the Five Dynasties Evonne
For more information, please refer to "Gu Editor's Popularized China Painting Knowledge, Part IV Painting Overview of the Five Dynasties and the Song Dynasty".