Ou Yangxun is one of the famous "four masters of regular script" in China. Wang Xizhi's calligraphy style was studied in his early years. It is said that he used a large sum of money to buy the Map of Gui Zhi used by Wang Xizhi's godson to learn Chinese characters, copied it day and night, and studied hard. On another occasion, when he went out with Yu Shinan, he saw a stone tablet written by Suo Jing, a calligrapher of the Jin Dynasty, sat on the ground, observed it carefully and described it for three days.
It can be seen that Ou Yangxun has a strong interest in calligraphy. Ou Yangxun's calligraphy is widely used by various schools, because it combines the characteristics of regular script in Han Li and Jin Dynasties, and also participates in the inscriptions in the Six Dynasties. The main features of Ou Yangxun's calligraphy style are rigor, neatness, honest and frank and vigor. Although the glyph is a little longer, it is divided into white, neat and rigorous, with tight middle palace, long main pen and bold and dense.
All around, all around exquisite, vivid charm, just right. The combination of stippling and painting, the structural arrangement, is that the middle of the plane is steep and powerful, and the fonts extend to the right, but the center of gravity is still very stable, without the feeling of inclination, which is interesting and dangerous. Ou Yangxun's calligraphy is neat, literary, vigorous and meticulous.
Bao Qing Chen Shi once said: "The European fingering is solid and powerful, all-round and true to external forces." In other words, the European word emphasizes the power, and the strokes written are strong, not too thin or too full. Each pen is too long plus one point, too short MINUS one point, the weight is appropriate and the length is appropriate.