In the new century, China ancient calligraphy stamps have been published one after another. China ancient calligraphy-seal script was issued in 2003, China ancient calligraphy-official script in 2004, China ancient calligraphy-regular script in 2007, China ancient calligraphy-running script in 20/0/0, and the first set of ancient calligraphy stamps in 2006.2000 20 10/00/006 was ". The oldest seal script is Da Zhuan, which originated in the late Western Zhou Dynasty and was popular in Qin State in the Eastern Zhou Dynasty. Followed by Xiao zhuan, which reached its peak during Qin Shihuang. Mao and Taishan stone carvings selected from stamps are the most representative seal scripts. The inscription font of "Mao" belongs to Da Zhuan, and its calligraphy style is vigorous and elegant. Stone Carving on Mount Tai is the most classic work of Xiao Zhuan, which is rectangular in shape, smooth in brushwork, even in strength, elegant and vivid in strokes, neatly arranged and magnificent, and presents a unique rhythmic beauty throughout.
The second set of ancient calligraphy stamps is "China Ancient Calligraphy-Lishu". "Lishu originated in the Warring States Period, matured in the Han Dynasty, and achieved the highest achievement with the inscriptions in the Eastern Han Dynasty, so it is called the Han Monument in the history of books. The inscriptions on the four stamps of China Ancient Calligraphy-Official Script are typical official script styles and have a high reputation in the history of calligraphy. " Yi Ying Bei is the most typical official script work in Han Dynasty, with dignified and elegant font, rich and beautiful. "Zhang Qianbei" is unique in the history of calligraphy. Its calligraphy style is quaint and unique, with lofty charm and strong ancient charm. "Cao Quanbei" is a representative of the dexterity and elegance of the Han monument. Ode to Shimen has outstanding calligraphy style, simple brushwork and sometimes unrestrained, and was later praised as the representative of "Ye Yi School" in Han Li.
The third set is 6 stamps of China Ancient Calligraphy-Regular Script, which shows the classic works of everyone in Wei, Jin and Tang Dynasties. "Declaration Form" is the representative work of Zhong You, the father of regular script. His brushwork is simple and vigorous, and his font is correct and quaint, all of which are true calligraphy brushwork. Zhang Menglong Monument has both lines of Fiona Fang and jade, showing the evolution of Weibei from coarse to fine. The Inscription of Liquan in Jiucheng Palace was written by Ou Yangxun, a great calligrapher in the Tang Dynasty, with neat strokes, compact and symmetrical arrangement of calligraphy and painting, and an open and steady bookshelf. Preface to Wild Goose Pagoda is the representative work of Chu Suiliang, a great calligrapher in the Tang Dynasty. The font is beautiful and vigorous, and the brushwork is skillful and sophisticated. It looks slim, but full of strength. Li Yanqin Monument is a book written by Yan Zhenqing at the age of 60. The brushwork is vigorous, the structure is tall and straight, magnificent, beautiful and refined, which embodies the style characteristics and artistic achievements of "Yan Ti", which is valued by calligraphers and worshipped by literati. Xuanta Monument is a mature work by Liu Gongquan when he was 63 years old. The font is neat, dignified and beautiful, which created the heyday in the history of regular script. The fourth set of ancient calligraphy stamps is the world's first set of rice paper material "China Ancient Calligraphy-Running Script", which was issued in May of 10. This set of stamps takes Wang Xizhi's Preface to the Lanting Pavilion, Yan Zhenqing's Sacrifice to My Nephew and Su Shi's Poems on Cold Food in Huangzhou as the themes, absorbing the noble temperament of ancient China calligraphy inch by inch, and reappearing the magical charm of traditional hand-made paper "paper lives for a thousand years" and "the king in paper" in time and space. This set of 6 stamps was designed by Wang, a famous stamp designer in China, and printed by Beijing Stamp Factory. Among them, the second format is printed by traditional hand-made rice paper and distributed worldwide in limited quantities. It is understood that the issuance of this set of stamps has broken through the major technical difficulties in printing stamps on traditional hand-made rice paper, and achieved the perfect combination of "national business card" and "national treasure rice paper", which enabled the ancient Chinese calligraphy art to be carried forward and passed down more widely and for a long time through exquisite stamps. At the same time, this set of stamps also focuses on the theme of "emblem culture makes life more colorful-no emblem, no town", and integrates the background publicity materials of Anhui Pavilion into the design. The birth of the first set of special stamps "China Ancient Calligraphy-Running Script" made of rice paper is the first in the field of stamp printing at home and abroad, and it is also a great miracle in the history of stamps in China and even in the world. Its appearance will surely become the treasure and the best among the public philatelists, and the most "wonderful" and beautiful "national business card" of China culture. The fifth set of ancient calligraphy stamps "China Ancient Calligraphy-Cursive Calligraphy" will be released on 20 1 1. Calligraphy is a unique art in China, representing the profoundness of China culture and the eternal charm of national culture. Following the release of "seal script", "official script" and "regular script" by China, cursive script, an ancient calligraphy in China, will be released in April this year. The contents of the stamps are Ping Fu Tie (Lu Ji), First Month Tie (Wang Xizhi), Four Poems (Zhang Xu) and Self-Narrative Tie (Huai Su). Cursive script is a kind of Chinese characters, which is characterized by simple structure and continuous strokes. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, Cao Jin and Crazy Grass. Famous cursive writers include Wang Xizhi, Zhang Xu, Huai Su, Huang Tingjian, Song Ke, Xu Wei and Fu Shan. The appearance of this kind of grass has greatly changed the writing of Chinese characters. What it pursues is to write people's own feelings and moods and create a continuous and colorful "freehand painting". Reply to the post. The cursive script "Ping Fu Tie" with 9 lines and 86 words, written in 1700 years, is the earliest and most authentic calligraphy of the Western Jin Dynasty. Written on hemp paper with a bald pen, the brushwork is euphemistic, the style is simple and the font is cursive. "Ping Fu Tie" occupies an important position in the history of China calligraphy, and it is also of reference value for studying the changes of characters and calligraphy. Now it is in the Palace Museum. Related content: Calligraphy Art on New China Stamps The second main picture of the second round of Zodiac stamps issued by New China is written in Chinese characters, including seal script, official script, regular script and cursive script, among which 10/998/kloc-0 is the "Year of Wuyin" stamp issued on October 5. Yan Zhenqing is called Lu Gongyan, and his running script is vigorous and colorful. He does not attack the past, believes in nature and has a posture. The cursive word "tiger" on the stamp is very imposing, and the point and drawing are casual and natural. In essence, the turning point shows a high degree of artistic accomplishment, and its coherent charm means a smooth life. 1999 1999- 1 The cursive word "rabbit" in Time, published on October 5, is selected from the five-body dictionary, and it is smooth and graceful, especially the penultimate hook, which is very dynamic. On June 5th, 2000, Chen Geng (2000- 1), the word "dragon" on the zodiac stamp (Figure 2) is the work of Wu Liang, a great calligrapher of Amin Dynasty and good at cursive writing. The words are still electric, exquisite, elegant and natural, showing "peers"
Mi, one of the four great masters in Song Dynasty, was praised by Su Dongpo as "the God of Mi Dynasty". September 5 1987, J. 142 "Chinese art festival" stamps are the word "art" in Mi's thick ink book, showing the trend of "strong art" and "eight shows in Jiao Ran".
Zheng Banqiao, known as "Eight Eccentrics of Yangzhou", is unique in literature, calligraphy and painting. 1The Selected Works of Zheng Banqiao stamp issued on October 22nd,1993+1993-15, selected six representative works and reduced them to a square inch to show the natural artistic features of their poems, books, paintings and prints. His calligraphy is even more unique, with the combination of official script, regular script and running script, which is unique among ancient scholars and calls itself "six and a half books" and "Banqiao style". Pose and brushwork, with a strong stone flavor, the ink color is thick and light, the shade is appropriate, thick but not crowded, rich and seductive, simple and rich, strange and changeable. The inscription "Bamboo Stone Fan" in the stampNo. 1 is "Xie Yue is full of years old", which is natural and unrestrained. The second painting, Orchid Collection, was written with Jiao Mo's brush, and the calligraphy was very skillful. The third "Zhu Lanshi nave" calligraphy and painting is divided in half, and the inscription breaks the traditional form that "the upper part should be even and the lower part should be uneven". The fourth "Bamboo Stone Axis" is nave's masterpiece in his later years. The fifth picture, vase chrysanthemum album, puts the name and seal in a small jar, which is very unique. Figure 6 Calligraphy Fan is the representative work of Zheng Banqiao's calligraphy. The content is a small poem, which describes the scenery that a summer rainstorm will pass. Poetry and painting are integrated. Judging from a single word, it looks like an ancient style, and the pen is changeable. From the whole article, the lines are lively and free, not straight or tail, big or small, square and round, positive or oblique, sparse and dense, and the arrangement is very ingenious and unique.
Wu Changshuo was the last great artist in the Qing Dynasty. His poems, books, paintings and seals were the best in the world. 1 On August 27th, 984, T.98 "Selected Works of Hao Changshuo", stampNo.1,selected a pair of couplets written by Wu Changshuo when he was 76 years old, revealing his calligraphy skills between the lines, and his appearance was as old as before.
Where did Qi Baishi begin to learn calligraphy, and later he changed to Banqiao. 1980+ 15, the inscription, postscript and poem on the printing plate of T.44 Selected Works of Qi Baishi are compatible with situational philosophy, majestic and magnificent.
Huang is a famous landscape painter, who is famous for Shangshu. On April 5th, 1996-5, Huang Wenxuan, Painting 1 and Calligraphy were published, and the couplet Lu Zicheng wrote a new story and Xu Jun's ci collection narrated ancient prose was selected. This is a conjoined font composed of big seals collected by the artist. "Lu Zi" refers to Lu Jia, a gifted scholar of Chu, and "Xu Jun" refers to Xu Shen, a famous philologist in the Eastern Han Dynasty. His Shuo Wen Jie Zi contains 9353 ancient characters of Xiao Zhuan and Warring States, and 1 163 variants of ancient characters. Huang used this couplet to express his admiration for Xu Shen.
Fu Baoshi, a master of contemporary literati painting, also has calligraphy works, dabbling in four styles, and his calligraphy is naturally elegant. Interestingly, on the third picture of Selected Works of Fu Baoshi (1994 10/4) issued on 5 October, Xu Beihong's inscription "Exquisite vitality, true appeal" was appreciated, and Xu Zeng learned from Kang Youwei.
Pan Tianshou is another master of Chinese painting after Wu Changshuo, Qi Baishi and Huang. His calligraphy skills are profound, and he knows all kinds of calligraphy. Selected Works of Pan Tianshou, designed by Pan and his daughter-in-law, the son of Pan Tianshou, has six stamps with inscriptions and oblique brushwork, and has the style of Huang Shizhai (Huang Daozhou, a great calligrapher in Ming Dynasty). The pen and ink are vigorous and handsome, and it has its own vigorous style.