He went through a long mechanical process in painting in the Song Dynasty and ink painting in the Yuan Dynasty, and went down to Dong Qichang, Xu Wei, Badashanren and Shi Tao in the Ming Dynasty, where he slept for decades and directly took the wisdom and reasoning of the ancients. The painter sighed lightly at the rough brushwork: (it is deep enough to deter the green vine and make the bitter gourd stand by). Professor Rong Geng established an unforgettable friendship with him and spent decades evaluating books and paintings. In addition to painting, Mr. Wang's achievements in calligraphy, poetry and seal cutting are no less than his paintings. It can be seen that the method of learning literature and art is the same. Mr. Wang's poems won praises from many scholars in the Five Dynasties (Li Yu and Li Jing) and the Northern Song Dynasty. He studied Song Sijia's calligraphy, especially Huang Tingjian. He occasionally learned from Zhang Xu and Huai Su when he was in the weeds, and he made his own innovations when he ran printing. Its knowledge is also very extensive, but its style is the same. Rigorous structural knowledge is the most obvious, and simple goodwill is profound. Bold, charming and graceful. He is a powerful inheritor of the traditional painting school in modern China, and he has written Poems of Dream Curtain Fragrant Pavilion, Wu Calligraphy and Painting Collection, Xiao Caotang Seal and so on.