1. Verses about the great waves washing over the sand
Verses about the great waves washing over the sand 1. The full text of Mao Zedong’s poem "The Great Waves Rushing Over the Sand"
"The Great Waves Rushing Over the Sand" Beidaihe (Summer 1954)
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Heavy rain falls on the quiet swallows,
White waves surge into the sky,
Fishing boats outside Qinhuangdao.
There is no ocean in sight.
Which direction do you know?
Thousands of years have passed since the past,
Wei Wu whipped his whip,
There is a posthumous chapter on Jieshi in the east.
The bleak autumn wind is here again,
The human world has changed.
This poem was first published in the January 1957 issue of "Poetry Magazine".
Notes:
[Beidaihe] is located on the southwest coast of Qinhuangdao City on the Bohai Sea in the northeast of Hebei Province. It is a famous summer resort.
[Youyan (yānyan)] here generally refers to Hebei Province. Youzhou and Yan State in ancient my country were both located in the northern part of present-day Hebei Province.
[Thousands of years have passed, Wei Wu whipped his whip, and the Jie (jié exhausted) stone has a legacy in the east] In 207 AD (the twelfth year of Emperor Xian's Jian'an of the Han Dynasty), Cao Cao (later honored as Emperor Wu of Wei) ) fought victoriously with the Wuhuan tribe and passed through this area. Cao Cao's poem "Stepping out of Xiamen" contains the chapter "Viewing the Sea": "To the east is the Jieshi (according to archaeological discoveries in recent years, the Jieshi is on the seashore in the southwest of Suizhong County, Liaoning Province, about thirty miles away from Shanhaiguan in the west) , to watch the sea. ...The autumn wind is bleak, and the waves are rising..." The following sentence "The autumn wind is bleak now" is derived from this.
2. The complete poem of "Langtaosha"
"Langtaosha" is a famous poem describing the majesty of the Yellow River.
This poem describes the majestic momentum of the Nine-Meander Yellow River, and unfolds unique imagination to express the author's extraordinary yearning and pursuit. "Lang Tao Sha" Ancient Poetry - Original Poem The Yellow River has nine bends and thousands of miles of sand, and the waves and winds are blowing from the end of the world.
Now we go straight up the Milky Way to the home of the Morning Glory and the Weaver Girl. "Lang Tao Sha" Ancient Poetry - About the Author "Lang Tao Sha" Ancient Poetry Album Liu Yuxi (772~842) was a writer and philosopher in the Tang Dynasty.
Zi Mengde. A native of Luoyang (now part of Henan), he was born in Jiaxing (now part of Zhejiang).
In the ninth year of Zhenyuan (793), he became a Jinshi and entered the Bo Xue Hong Ci Department. In the following year, the Ministry of Civil Affairs was selected to select scholars, and the prince was awarded the title of School Book.
In the first year of Yongzhen (805), because he assisted Wang Shuwen in carrying out political reforms, he was demoted first to the governor of Lianzhou and then to the Sima of Langzhou. After returning to Beijing, he was demoted to Lianzhou governor.
He was the governor of Kuizhou and Hezhou. In the first year of Yamato (827), he returned to Luoyang to serve.
The following year he returned to the imperial court and served as the chief guest doctor, and later became the governor of Suzhou, Ruzhou and Tongzhou. In the first year of Kaicheng (836), he was appointed as the guest of the crown prince and was assigned to the Eastern Capital.
In the first year of Huichang (841), he was awarded the title of Minister of the Ministry of Etiquette of the school. He is known as Liu Guest and Liu Shangshu in the world.
Before his death, he wrote "Autobiography of Zi Liu Zi". There are more than 800 poems in existence.
He studied folk songs, poems that reflected people's lives and customs, with broad themes. The style drew on the thoughtful, simple and beautiful characteristics of Bashu folk songs, which were fresh and natural, healthy and lively, and full of the interest of life. His satirical poems often use allegory to support objects, criticize the powerful people who suppressed Yongzhen's innovation, and involve a wide range of social phenomena.
The style of his works in his later years has gradually become more subtle, satirical without revealing any traces. Among the poems praising the counterinsurgency war, the three poems "Ping Caizhou" and the two "Ping Ji Xing" are the most famous.
Especially the former plays an important role in Liu Shi. Liu's poems have always been praised for expressing his life experiences and praising historical sites.
"Thousands of sails pass by the side of the sunken boat, and thousands of trees spring in front of the diseased trees" ("Rewarding Lotte Seeing Gifts at the First Banquet in Yangzhou") is rich in philosophical meaning. "Nostalgia in Xisai Mountain" and "Woyi Lane" are both sophisticated and charming, with profound charm.
His singing and entertainment with Bai Juyi and Linghu Chu were compiled into "Liu Bai Singing Collection" and "Peng Yang Singing Collection" respectively. There is also a volume of poems for monks in this collection.
Liu's poems are beautiful in setting, concise and implicit, and the rhythm is naturally rich in musical beauty. His verses, quatrains, and ancient poems are all excellent.
The seven-character Yuefu poem draws on the advantages of folk songs, with bright tones and distinct rhythms, making it suitable for music.
Even ancient styles such as "Pingcaizhou" have the musical beauty of folk songs.
Some six-character poems and new-style poems are different from rhythmic poems in style, rhythm, and rhyme. They gradually evolve into long and short sentences, which are suitable for singing with music. In addition, Liu Yuxi also wrote two lyrics based on the tune of "Recalling Jiangnan".
Liu Yuxi is an active participant in the classical prose movement. Liu Wen made the greatest achievements with his essays.
The first is thematic, including philosophy, politics, medicine, calligraphy, calligraphy, etc. The second is essays.
Liu Yuxi's prose, like his poetry, is rich in rhetoric and subtle in theme. There are "Collected Works of Liu Mengde", "Collected Works of Liu Guest" and "Collected Works of Liu Yuxi".
The deeds can be seen in the new and old "Book of Tang" and Tang Wei Xuan's "Liu Binxin's Notes". Today, Bian Xiaoxuan has the Chronicle of Liu Yuxi.
"Langtaosha" Ancient Poetry - Annotation "Langtaosha" Ancient Poetry Album Langtaosha: the title of Tang Jiaofang's song. Created by Liu Yuxi and Bai Juyi, its form is seven character quatrains.
Later it was used as the name of the word brand. Nine Bends: It has been said since ancient times that the Yellow River has nine bends.
Describes many twists and turns. Langtao: Wave washing.
To overturn: to overturn. Morning Glory and Weaver Girl: the names of two constellations in the Milky Way.
According to legend since ancient times, the Weaver Girl was a fairy in the sky who came down to earth and married the Cowherd. Later, the Queen Mother of the West recalled the Weaver Girl and the Cowherd to the sky. The Queen Mother of the West punished them to face each other across the river, and they were only allowed to meet once a year on the night of July 7th.
"Lang Tao Sha" Ancient Poetry - Translation The Yellow River winds and carries sand and sand, and the waves roll like huge winds and come from the end of the world. Now we can go straight up the Yellow River to the Milky Way, and let's go together to find the home of the Cowherd and the Weaver Girl.
"Lang Tao Sha" Ancient Poetry - Appreciation 1. As the cradle of the Chinese nation and the birthplace of the glorious culture of the Chinese nation, the Yellow River has been praised by countless poets throughout the ages.
Li Bai's "The water of the Yellow River comes up from the sky, rushing until it never returns", and Wang Zhihuan's "The Yellow River is far up among the white clouds". These poems describe the distance and power of the Yellow River, and they are still popular today. Recited. "The water of the Yellow River comes up from the sky" deliberately exaggerates the majesty of the Yellow River flowing thousands of miles, and expresses the dynamic beauty of the endless Pentium.
"The Yellow River is far above the white clouds". The perspective is opposite to the direction of the river. It is intended to highlight its long-standing leisurely demeanor and show a kind of static beauty. The opening line of Liu Yuxi's Yellow River poem is the same as that of many Yellow River poems, focusing on describing the great waves of the nine-bend Yellow River.
Following the allusion of Zhang Qian's encounter with the Cowherd and the Weaver Girl at the source of the poor river, he then visualized "the water of the Yellow River coming up from the sky". In addition to Wang Zhihuan and Li Taibai, a new realm is created, adding a layer of wonderful mythology.
According to Zhang Hua's "Natural History", Emperor Wu of the Han Dynasty ordered Zhang Qian to trace the source of the river. Zhang Qian went on a chariot and passed by a place where he saw that the city was like a government palace. There was a woman weaving in the room, and another man. The husband led the cows and drank from the river. Later, when they returned to Sichuan, they found out that they had reached the two constellations of Cowherd and Weaver Girl.
Here the poet cleverly uses the opening and closing relationship of the upper and lower couplets. The first couplet goes from top to bottom, following the flow of the Yellow River; the second couplet uses "straight up" as a turning point to pull people's eyes back from the "flow to the sea and never come back" and lead people's eyes from the underground to the sky. , from the real world to the mythical world - the Yellow River connects Yinhan and traces the source of the river by boat.
The rhythm of the whole poem is slow and fast, unrestrained and relaxed. "Langtaosha" Ancient Poetry - Appreciation 2 This poem was written in Kuizhou. It is a political lyric poem in the folk song style. It is the first of "Nine Poems on Langtaosha".
The first two sentences of the poem use line drawing to depict a magnificent picture coming from the horizon and galloping thousands of miles. "Nine Bends" uses an exaggerated technique to describe the twists and turns of the Yellow River.
"From the End of the World" describes the long history of the Yellow River in a superb way, which is similar to the sentence "The water of the Yellow River comes from the sky and rushes to the sea and never returns" in Li Bai's "Jinjinjiu". wonderful. The last two sentences use the allusion of Zhang Qian looking for the source of the river for Emperor Wu and the Milky Way separating the Cowherd and the Weaver Girl. They gallop their imagination and express their desire to face the strong winds and huge waves, against the thousands of miles of yellow sand, and swim upstream to the home of the Cowherd and the Weaver Girl, which expresses the heroic spirit of the poet. "Langtaosha" Ancient Poetry - Appreciation 3 "Langtaosha" Ancient Poetry - Appreciation 4 At night, when you look up at the stars and the Milky Way, you may wonder, how are the Cowherd and Weaver Girl on both sides of the Milky Way doing now? It would be great if I could go to their place as a guest.
Write this poem.
3. Ancient poem: Langtaosha
Langtaosha
Liu Yuxi
Nine winds of the Yellow River, thousands of miles of sand,
< p> Waves and winds blow from the end of the world.Now we go straight up to the Milky Way,
We go to the home of the Morning Glory and the Weaver Girl.
This is the first of nine poems in the "Langtaosha" group. It was written by Liu Yuxi when he was the governor of Kuizhou during the Changqing reign of Emperor Mu Zong (821-824). The last couplet of the ninth verse says: "It makes people suddenly recall Xiaoxiang and Zhug Province, and sing a few or two songs to welcome the gods." The author may have been inspired by Qu Yuan's exile in Yuanxiang, and composed the "Nine Songs" for the people to welcome the gods.
This is a famous poem describing the majesty of the Yellow River. As the cradle of the Chinese nation and the birthplace of the glorious culture of the Chinese nation, the Yellow River has been praised by countless poets throughout the ages. Li Bai's "The water of the Yellow River comes up from the sky, and it flows until it never comes back." Wang Zhihuan's "The Yellow River is far up among the white clouds." These poems describe the distance and power of the Yellow River, and they are still recited by many people. "The water of the Yellow River comes up from the sky" deliberately exaggerates the majesty of the Yellow River flowing thousands of miles, and expresses the dynamic beauty of the endless Pentium. "The Yellow River is far above the white clouds", the perspective is opposite to the direction of the river, intended to highlight its long-standing leisurely manner and show a kind of static beauty. The opening line of Liu Yuxi's Yellow River poem is the same as that of many Yellow River poems, focusing on describing the great waves of the nine-bend Yellow River. Following the allusion of Zhang Qian's encounter with the Cowherd and the Weaver Girl at the source of the poor river, he then visualized "the water of the Yellow River coming up from the sky". In addition to Wang Zhihuan and Li Taibai, a new realm is created, adding a layer of wonderful mythology.
According to Zhang Hua's "Natural History", Emperor Wu of the Han Dynasty ordered Zhang Qian to trace the source of the river. Zhang Qian went on a chariot and passed by a place where he saw that the city was like a government palace. There was a woman weaving in the room, and another man. The husband led the cows and drank from the river. Later, when they returned to Sichuan, they found out that they had reached the two constellations of Cowherd and Weaver Girl. Here the poet cleverly uses the opening and closing relationship of the upper and lower couplets. The first couplet goes from top to bottom, following the flow of the Yellow River; the second couplet uses "straight up" as a turning point to pull people's eyes back from the "flow to the sea and never come back" and lead people's eyes from the underground to the sky. , from the real world to the mythical world - the Yellow River connects Yinhan and traces the source of the river by boat. The rhythm of the whole poem is slow and fast, unrestrained and relaxed.
4. The Song Dynasty poem "The Great Waves Wash the Sand" written by Su Shi
I don't know if you want Su Shi's "Niannujiao·Chibi Nostalgic", which contains the words "the waves wash away the sand", or if you want it written by Su Shi What about the words for "Langtaosha"? I’ll attach them to you below.
Nian Nujiao
The great river goes eastward, and the waves are gone, and there are romantic figures throughout the ages. To the west of the fortress, there is Humanity and Zhou Lang of the Three Kingdoms at Chibi. Rocks pierced through the air, stormy waves crashed onto the shore, and thousands of piles of snow were rolled up. The country is picturesque, and there are so many heroes at one time.
I think back to Gong Jin’s time, when Xiao Qiao got married for the first time and looked majestic and handsome. Feather fan and silk scarf, in the midst of talking and laughing, the rapist was wiped out in ashes. My motherland wanders in my mind, I should laugh at my passion, and I will be born early. Life is like a dream, a bottle of wine can return the moon to the river.
Langtaosha
Yesterday I went out to Dongcheng to test my love. The red apricots on the wall are as dark as falling. The fragrant buds in the threshold have not sprouted yet, and they have already returned to spring.
Qi Mo collects the fragrance and dust, and the snow in front of the village. Dong Jun’s intentions are painstaking. It is expected that spring will bloom everywhere first, blooming plum blossoms.