How to write a cursive script with mang characters?

The cursive script is written as follows:

1, writing strokes should be strong and powerful.

The cursive script is characterized by large characters, strong strokes, horizontal painting, vertical painting and curved painting, which depicts a rough and heroic temperament.

2. The spacing should be moderate.

Mangcao books have a large spacing, but if they are too compact, they will appear crowded, and if they are too loose, they will appear scattered. Therefore, we should pay attention to the coordination of row spacing, which should be full and powerful, but also patchwork.

3, the font should be unified.

When writing cursive script, we should pay attention to the relative stability of glyphs, prevent strokes from being too erratic, and the connection between glyphs should be smooth and natural to form a unique style.

4. The details should be handled accurately.

The details of cursive script are particularly important, such as emphasizing the width of strokes, oblique insertion at the end, increasing the sense of friction and so on.

In short, cursive scripts with mang characters should be brave, generous and magnificent in writing, and the fonts written can be full of shock, grandeur and agility. When practicing cursive, we should pay more attention to the rich changes of strokes and the unique charm of gestures, constantly strengthen the control of pen and ink, and constantly improve our cursive level.

Introduction to cursive script:

Cursive script is a font of Chinese characters, which can be divided into broad sense and narrow sense. In a broad sense, regardless of the age, all scribbled words are regarded as cursive. Narrow sense, that is, as a specific font, was formed in the Han Dynasty and evolved on the basis of official script in order to write simply.

About from the Eastern Jin Dynasty, in order to distinguish it from the new cursive script at that time. The cursive script of the Han Dynasty was called Cao Zhang. The new cursive script is relatively called today's grass, which is divided into big grass (also called crazy grass) and small grass. It feels beautiful in madness.

There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include "Early of the Month" and "Timing" by Wang Xizhi in the Jin Dynasty.

Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao.

Today, the aesthetic value of cursive script far exceeds its practical value. Cursive script is a kind of cursive script, which has certain rules. Simple structure, learning from others, not arbitrary.