The reasons why it is not recommended to practice Thin Gold Style are as follows:
In the real calligraphy circle, Thin Gold Style is also extremely niche. If you have taken calligraphy appreciation as an elective, it means that you did not listen carefully to the class.
According to my personal understanding, the Slender Gold Body is indeed "unprecedented and unprecedented". Of course, it may not be completely correct to say "unprecedented", but if we look at the calligraphy of Xue Ji, Chu Suiliang and others, the difference between it and Zhao Ji's thin gold style is still huge.
Although the brushwork is thin and vigorous, the structure and strokes are not necessarily connected. It can be said that the thin gold body is basically Zhao Ji's personal creation. In calligraphy, "unprecedented and unprecedented" is not a compliment.
Any sect must not be a solitary person. For Zhao Ji, Slender Gold Style is just a play on his talent. From a calligraphy perspective, although he created a unique calligraphy style, He did not establish a sect because he had no descendants. All those who learn Shoujin Ti are not as good as Zhao Ji in terms of technical level, and they have not made any achievements in artistic innovation.
Can such a calligraphy compare with Zhao Ji? cannot!
Calligraphy is cruel. The first person to write thin gold style is a genius. What are the second and third ones? There is no name left in history.
This is the biggest problem with Slim Gold Body, which is that it is too closed. The entire style of the thin gold style is restrained and cannot be mixed with any other calligraphy elements. That is to say, it cannot be traced back to its origin, and it cannot innovate.
To give an example for comparison, Ou Kai script is known as a regular script with "strict regulations". But Ou Kai has predecessors and descendants.
Ou Kai blends the north and south, and the Sui stele has rich elements.