The mountains in the distance are green, and there are no mountains nearby. Whose poem is this June map of Jiangnan? What is the original poem?

From: Yuan Zhen Zhenwu "Feng Wang Mi Yuanzhang Xishan Rainstorm Flag"

Original text:

The mountains in the distance are green, and there are no mountains nearby. This is a map of Jiangnan in June.

I don't know the sound of rain, but the stream flows down the Pinghu Lake.

Looking at the distant mountains, you can't see such a scene when you look at the nearby mountains. This is the scenery of Jiangnan in June. It's still raining outside, and it hasn't stopped. The flowing water of a thousand miles of mountain streams has already flowed to Pinghu.

Extended data:

1, the author's life

Zhen Wu is not good at fencing. As an adult, he and his younger brother Wu Tang studied the Book of Changes with Liu Tianji in Piling (now Wujin, Jiangsu). From then on, he kept a low profile, taught the life of heaven and man, persisted in lofty aspirations, never reconciled with others, linked Confucianism, Taoism and Buddhism, and integrated knowledge with practice.

Living in Tang Wei for a long time, living in seclusion. As a person who resists simplicity and purity, he is poor all his life, has a strong self-esteem, lives in seclusion, and rarely contacts with dignitaries. He once taught in rural schools and sold divination in Qiantang and other places.

Zhenwu began to learn painting at the age of eighteen or nineteen. When he was young, he traveled to Hangzhou and Xing Wu to enjoy the scenery of Taihu Lake. Vision and insight, the true mountains and waters of nature, inspired his creative inspiration.

At the age of sixty-eight, Zhenwu lived in Chunbo Guest House in Jiaxing (now downtown Jiaxing) and wrote Zhu Mo. When I met a friend in Jingyan Temple, I fell in love with Buddhism and called myself "Missami".

His works, poems and calligraphy are mostly about fishermen, ancient trees and bamboo stones, and he is good at painting landscapes and plum blossoms. Cursive calligraphy is Gong Guang, a landscape teacher, Dong Yuan. It is huge and unique. It is dominated by vigorous brushwork, supplemented by vigorous brushwork, and has a boundless and gloomy atmosphere.

He wrote bamboo well, studied under Li Li, and wrote ink bamboo in his later years. Mozi Zongwentong is another big family after Wentong. Good use of ink, dripping picturesque, is the crown of Yuan people. Part-time ink flower, but also photo. Cover the painting with bamboo, and cover the town with bamboo.

Although his paintings can't be taken away, he can only throw them away with good paper and pen, and he can be happy as he pleases. The style of poetry is simple and exciting, with sincere feelings. It often uses comparison to express its feelings, which is close to Tao Qian's poetic style, with dull appearance and depressed heart.

Calligraphy can combine the strengths of Wang Xizhi and Huai Su. Each painting is often inscribed with poems, lines or grass, which is dripping with ink, and poems, books and paintings set each other off into interest, so it is called "three musts".

His painting style has a great influence on the development of landscape painting in Ming and Qing Dynasties. He is as famous as Wang Meng, Huang and Ni Zan, and is called.

2. Artistic style

Zhenwu started from Dong Ju, and his paintings of mountains, stones, trees, water, houses and bridges all seemed extraordinarily peaceful. But Zhenwu sometimes deliberately breaks this atmosphere and adds a little turbulence to the tranquility, which is the performance of close-up trees and rocks.

Especially the performance of three or two trees is particularly obvious. If the mountains, rocks, water, bridges, houses, trees and even the whole atmosphere in Wu's paintings all appear as Dong Ju, then some of its big trees mainly appear as new faces.

The structural layout is close-up, the image is exaggerated and deformed, and the selection of tree species is mainly pine and cypress. The image of this tree is particularly prominent in the realm of peace and tranquility.

They either stand upright and lean upward; Or leaning, want to fall and stand unsteadily; Or upside down, winding and lingering. Moreover, Zhenwu has a special liking for the image of the big tree, and almost every landscape painting has such an image.