After the completion of the reconstruction, it was named Hanbizhuang because the bamboo color in the garden was Leng Yan and white pine was planted in it. Because it belongs to the Liu family, it is also called "Liuyuan".
Liu Shu has always had a soft spot for stones, and some people describe it as "a stone for 1000 yuan is not an idiot". In Liu Shu's gardening career for more than 20 years, Liu Shu visited Jade Girl, Ruomao, Qingzhi and other Taihu stones, calling them "Twelve Peaks of Taihu Lake" and calling himself "Twelve Peaks of Xu". He wrote many articles, recorded the process of searching for stones and expressed his admiration for them. At the same time, people are invited to draw pictures, write inscriptions and take notes, and then move into the park.
Silver moon, Qingzhi and Jiguan Stone are located in front of Quxi Building in Haopu Pavilion, all of which are only 3 meters high. The moon is near the water, and there are natural vortex holes in the stone. Its reflection falls in the pool, like a bright moon. Liu Shu once wrote a poem:
Xu Ling suddenly reacted as if the moon was near Sichuan.
The shape of the green branch is like Liu Shushi's "quasi-broken white raft", but its color is eternal. Later, a lake stone was added horizontally on its top.
This tired chestnut is located in the north of Wu Fengxian Mountain Pavilion, and also in the west of the Pavilion. As a window, it stands more than 3 meters high. The tired millet stone is covered with yellow crystal particles, which can be described as "tired and suspicious", which complements the name of my study.
The macaque and the fairy palm are located above the flower path in the north courtyard of Wu Fengxian Shanting, with the fairy palm in the middle and the macaque in the west. These two stones are about two meters high. Looking from the Wu Fengxian Mountain Museum to the north, the Monkey Peak looks like an old ape, crouching under the white pine with its first ear, and its hair is faintly discernible, which is really a bit like "learning to be an official."
A Yunfeng is located in the rockery to the south of Ming Ze Building. The stone is engraved with the word "one ladder cloud", and the word "one cloud peak" is faintly visible on its side. The peak is more than ten feet high and stands beside the rockery stone path, like a cloud and a sail.
The hat stands to the east of the cloud peak, but the stone is not high enough. Isonokamibe is shaped like a hat, hence its name. On the back of the stone is the word "Mao Feng" inscribed by Liu Shu.
It's a pity that there was a crack in this mountain peak, and people connected it with iron, which coincides with the sentence "Don't bow your head and lament" by Pan Yijun, a scholar in the Qing Dynasty. It's really appropriate and vivid.
In the corner of the East Garden, a Lingxiao plant clings to it, about ten feet high, and its body blows out a corner like an ancient robe sleeve, hence the name. Pan Yijun, a scholar in Qing Dynasty, wrote a poem:
Jie Shi's heart was not contaminated with dust, and how old did Dante Xia learn to practice the truth?
Qiu Fu waved back the waiter, and the same tone should be called.
The jade girl is in the western wall of the "green shade", under the green maple, and the stone height is not enough. In front of the lotus pond, the temples are misty and graceful, just like a beauty, so it is named.
Su Kui is next to Haopu Pavilion in front of Quxi Building. This stone is more than two meters high, and its shape is not strange. Of the 28 stars in the sky, only its shape is very similar to that of Su Kui, so it is called Su Kui. In the earliest astronomical works "Shi Ji Xing Jing", there is a description about Su Kui:
Sixteen stars, like broken soles, spread behind the purple wall.
Liu Shu also likes calligraphy and famous paintings. He embedded his articles and hundreds of ancient stones in the gallery wall of the garden. The Stone, which was later preserved, was basically left by Liu Shu.
Liu Shu also invited famous local artists to learn from each other's strong points, and transformed the former site of Dongyuan, forming a unique style.
After the reconstruction of Liu Shu, although Liuyuan has more buildings than Dongyuan, it still has profound, tortuous and quiet interests. Gardens at that time were divided into inner gardens and outer gardens. The inner garden is the residential part of Liu Shu, and the outer garden is the garden part.
There are ancient trees towering into the sky in Liuyuan, such as Jiaoke, Huandu Pavilion, Rolling Stone Mountain House, Minse Building, Luyin, Quxi Building, Yuyue Pavilion, Hanqing Building, Yangchi Pavilion, Zhongting Pavilion and Semi-Weedy Gorgeous Pavilion.
Located in the southeast of the garden, Gumujiaoke is a quiet small courtyard. Although there are no beautiful peaks and stones here, camellias are in full bloom on the flower platform built of plain bricks under the high wall, and the cypress branches are green, red and green, full of vitality.
There is a brick plaque on the powder wall, but later, due to the washing of years, the old topic has long been erased. Handed down is a supplementary book written by Kang Sheng when he was a gardener. There is a postscript on the left side of the title:
This is one of the eighteen scenic spots in the garden, and the old topic has been erased for a long time, so it is necessary to make up the book to show its trace. Ding Sijia Pingyue, Tao Sun Zheng looked around.
Aided by Zheng Wei, the full map of Suzhou Liuyuan was surveyed on 19 10, and the book was supplemented on 19 17.
There are two ancient trees in the flower stand of archaea, one is Cooper, the other is cold-resistant, and the cold-resistant is a kind of camellia. But both trees are dead, but Cooper is dead, but his trunk is still there. Later, in order to correct its name, two trees, Cooper and Dongkang, were transplanted to form a landscape. The two trees cross, red and green.
Although the ancient wooden flower stand is made of brick, it is simple and elegant in shape and has a unique flavor. There are only two trees and a plaque planted here, which constitutes an interesting and intriguing picture.
The simplest technique in Chinese painting is used here, and the wall is made of paper, which makes the whole space look clean, elegant and elegant.
The Book Return Hall is an existing book return office, located on the north side of Wu Fengxian Shanting. The name "Huandu Pavilion" comes from Tao Yuanming's reading of Shan Hai Jing in Jin Dynasty: "I have cultivated, but I am still studying."
I'm still reading my research. The place where I studied used to be my study. Liu Shu's building is a building, so he called it "the library still studying". Later, Kang Sheng called it "still reading my research" when he was the owner of the garden.
Rolling Stone Mountain House is the preserved Hanbi Mountain House, which is located in the northwest of Gumujiaoke and next to Minser Building in the east. Liu Shu was called "Rolling Stone Mountain Residence" when it was built, and later Kang Sheng was called "Hanbi Mountain Residence" when it was built. The name "Hanbi Mountain House" comes from Song Zhuxi's poem "One side of the water is Hanbi Mountain, and thousands of forests are dyed red".
The face pool of Hanbi Mountain House is as clear as clear water. The word "Hanbichi" refers not only to the water in the pool, but also to the reflection of trees and mountains around the pool, hence the name.
There are three buildings in Hanbi Mountain House. Because the front of the building faces the lotus pond, it is usually called Lotus Hall. This is the "balcony pavilion" in "Leaving the Garden" by Yu Yue, a writer in Qing Dynasty.
The name of "Bright Meat" comes from the sentence "Look at Fish and Birds, Shui Mu Bright Meat" written by Li Daoyuan in the Northern Wei Dynasty. The environment here is elegant, clean and fresh, with a sense of Shui Mu, hence the name.
The Mincer Building is two and a half stories, with a rolling shed and a hill on one side. There are exposed tiles and closed windows on three sides of the building, and the stairs are outside, made of Taihu stone. A mountain peak stands on the side of the ladder, engraved with the word "one ladder cloud". On the east wall of the stairs is a brick plaque with the word "Man Yun" inscribed by Dong Qichang, a famous calligrapher in Ming Dynasty.
The shady building was built by the water, and it was named after the poem "Sunflower Poem" by Gao Qi, a poet at the end of the Yuan Dynasty. There is a stone tablet embedded in the wall of Xuannan Courtyard, and there is a book "Little Building with Flower Steps" written by Qian Daxin, a historian of Qing Dynasty. There is an ancient maple tree on the west side of shady building, and Xiao Xuan is shrouded in the shade, hence the name.
Quxi Building is also built near the water, next to Haopu Pavilion. It is a two-story single-eave building built on the mountain. There is only the first half of the building, and the corridor below is long and narrow, only about 3 meters deep, and the length from north to south is 10 meters.
Moon Pavilion is the surviving Haopu Pavilion. Haopu Pavilion is a square building with four corners and one eaves, which is built near the water in the north. Liu Shu called this pavilion "Moon Pavilion". Later, when Kang Sheng became the owner of the garden, he was named "Haopu Xiangting" and later renamed Haopu Pavilion.
Hanqing Building, later called Yuan Cuige, is located in the west of the place where I returned to study. Fang Gan, a poet in the Tang Dynasty, wrote:
The front hill contains far green and is listed in the window.
Poetry and landscape symbols, hence the name. Liu Shushi was once named "Kongcui", later renamed "including brothel", and later Shengkang was also called "Cui Yuan Pavilion". Cui Yuan Pavilion is essentially a building, with Luva on three sides, closed windows, two floors, and a single eaves to rest the mountain.
From Quxilou to the north, there is a waterside pavilion named "Qingfengchi Pavilion". The building form of Qingfengchi Pavilion is Shuige, which is built with a single eaves and lies on the mountain. Liu Shu called it "Yangchi Pavilion" and later renamed it "Qingfengchi Pavilion" when he was born in Kang Sheng. In the past, the plaque was "The breeze rises and the pool pavilion is cool".
Qingfengchi Pavilion is built next to the east side of the pool, with no doors and windows, and is open. The breeze in Xu Lai is very comfortable. The breeze blew on my face, the pool was sparkling and blue, and the billiard hall became cool. Here is a couplet:
Outside the wall, the spring mountain is dark;
The running water in front of the door smells of flowers.
The inscription of the couplet is "Qingfeng Pavilion in Yang Yisun Theme Park". This is an old couplet, seal script. Hanging in the pavilion of Qingfengchi, the couplets are consistent with the environment. The first chorus is about the scenery borrowed from afar. Daise, that is, deep cyan, is the natural beauty of distant mountains.
The second couplet recites a close-up view, like soft and clear water and intoxicating flowers. Landscape is a fascinating basic landscape in nature, and couplets also give them rich feelings. The words "horizontal" and "belt" highlight the character and spirit of mountains and rivers, and have a wonderful interest in creating nature. The emotional communication between mountains and rivers and people causes people to think better.
There is also a couplet by Yang Yisun, a calligrapher of the Qing Dynasty. Couplet road:
Song Yin is full of stones and idle flying cranes;
Chiying wears clouds and dark dragons.
The couplets of couplets praise the beauty of the scenery. The pine branches are dry, the ground is overcast, the strange stones cover the sky, and the fresh and graceful flying cranes move leisurely by the pool. Because the fairy tale of riding a crane is widely circulated, people often associate cranes with immortal hermits, so ordinary scenery is endowed with extraordinary interest.
The second couplet praises the wonders of the reflection of the pool water. The pavilion on the balcony is shaded by trees, surrounded by white clouds, the sun is shining high, the pine shadows pour into the pool, the breeze rises, the water waves ripple, and the beauty is like the mythical crystal fairy palace. "Shanglong" here refers to pine shadow, and comparing pine trees to dragon snakes or dragon shadows is widely used in ancient poems.
Water and shadow, idle clouds and flying cranes, virtual reality and movement complement each other, which makes people feel relaxed and happy, and the worries of dust are gone, which is full of meditation.
The pavilion is an existing pavilion, located in the north of Hanbi Mountain House. Looking from the south of the pavilion, the "Hanbi Mountain Room" and the "Minser Building" are like a ship, moored at the water's edge. The whole building complex breaks the uniform layout, giving people a feeling of both change and beauty, which embodies the traditional technique of China landscape painting in which the main scene leans to the right.
This pavilion is hexagonal with sharp cornices. Liu Shu called it "a pavilion in the middle", and later Kang Sheng called it "a pavilion". There are many couplets in the pavilion, one of which is:
The garden in autumn is very good;
The pavilion is much smaller than the mountain.
The inscription of the couplet is: "Zheng Liuyuan's topic can be pavilion". There is another point in Zheng's inscription:
The most beautiful thing in the garden is Peng, a Japanese gathering in the lower reaches of Wu.
It is chic all over the south of the Yangtze River, from Jinan to this place, and the scenery of sparse springs and rocks is read together.
The inscription of this couplet is: "Zheng Li Yuan Ban Cao Tang".
This couplet was later hung in Keting. Peng Ze in Lianzhong refers to Tao Yuanming, a writer in the Eastern Jin Dynasty. Tao Yuanming was originally named Peng, but his deceased called him "Tao Pengze". Floating Weng refers to Huang Tingjian, a poet in the Northern Song Dynasty. Huang Tingjian was demoted to Fuzhou, calling himself "Fu Weng".
The first couplet of this couplet is to praise the beauty of Suzhou gardens, the abundance of tourists and the elegance of taste. Tao Yuanming quoted in couplets shows an elegant life interest. The second part describes the author's tracks and praises the beauty of sparse springs and stacked stones. The couplet says that the beauty of mountains and waters in the garden and Huang Tingjian's landscape poems are beautiful, complement each other and make people remember them vividly.
The third couplet on the pavilion is:
Water turns to Tongxi for about autumn;
Find a way to spend the spring outing.
The couplet is inscribed as: "You can leave an unknown title as a pavilion in the garden".
The autumn festival in couplets refers to the ancient people offering water on July 14th in the summer calendar, which is called "Autumn Festival". Lianzhong's flower step is also called "Flower Step Building".
The fourth couplet on the pavilion is:
Only how to learn in virtue, in me;
It's fun to come from Ciyong 'an.
The inscription of the couplets is: "The theme of staying in Yu Yue Garden can be a pavilion". Yu Yue was a famous writer, educator and calligrapher in the late Qing Dynasty. He has been writing tirelessly all his life, and his main works include The Complete Works of Spring Books in the Hall, Gossip about Little Fu Mei, Notes on Visiting Taiwan Fairy House, Miscellaneous Notes on Tea Scenery Room, etc.
Yu Yue used to be a friend of Kang Sheng, the owner of the garden. Compared with Kang Sheng, Yu Yue was not very proud in the officialdom, but he left the officialdom to concentrate on his studies and made great achievements. In this pair of couplets, people can see the noble qualities of a generation of Chinese masters and Xiu De.
Keting rockery and "Hanbi Mountain House" are separated by a pool, forming a north-south landscape. There are two ancient ginkgo trees beside the rockery, the crowns of which are connected, covering the sky.
Keting rockery runs along the east-west direction of the pool, with a length of 36m, a width of14m from north to south and a height of about 4m. There are two stone paths in the mountain, one is on Keting, and the other is winding along the pool to Xiaopenglai Quqiao.
From 65438 to 0789, we can see that the original rockery was a small slope with a thatched pavilion on it, which looked like a mountain forest.
Later, after the construction of Liu Shu, scattered lake stones collected from other abandoned gardens were mixed with Huangshi, thus creating a landscape commensurate with the "Rolling Stone Mountain House" opposite the pool.
Liuyuan hehuachiqu bridge