1. Poems describing family poverty
Describing family poverty:
Du Fu (Tang Dynasty)
The Thatched House Was Broken by the Autumn Wind > The high autumn wind howls in August and rolls up the triple thatch on my house. Mao flies across the river and spreads across the outskirts of the river. The taller ones hang on the treetops, while the lower ones float around the pond.
The boys in Nancun deceived me because I was old and weak, and I could not stand facing a thief, so they openly carried me into the bamboo. My lips were burnt and my mouth was dry and I couldn't breathe. When I returned home, I leaned on my stick and sighed.
The wind in Russia makes the clouds dark, and the desert turns dark in autumn. The quilt has been as cold as iron for many years, and the delicate child is lying on it and is cracked inside. There is no drying place for the leakage at the bedside, and the rain is like hemp on the feet and has not been stopped. Since my period is chaotic and I don’t sleep much, how can I get wet all night long?
There are tens of millions of mansions in Ande, which can shelter all the poor people in the world with joy. They are as safe as a mountain even in the wind and rain! Alas! When I suddenly see this house in front of my eyes, my house alone will be broken down and frozen to death! 2. What are the poems that describe family poverty?
Poems that describe family poverty:
1. Four poems about new bamboo shoots in Changgu North Garden
Tang Dynasty ：Li He
The bamboo shoots fall on the long pole and the jade is cut open. You see that the mother bamboo shoots are dragon wood.
It is easier to pump a thousand feet in one night, but not to mention a few inches of mud in a pond.
Use the green light to write Chu Ci, the greasy fragrance of spring leaves the powder and black.
Who can see the ruthlessness and hatred? Thousands of branches are crying under the pressure of dew.
There are two or three stems in the Jiaquan stone eye. At dawn, purple veins appear in the Yin root.
This year, on the spring sands of the water, the flute and flute are playing with new bamboos and green jade.
The old bamboo shoots stir up the blue clouds, and the Maoling returns and laments its poverty.
The wind whistles over a thousand acres of land, and the bird weighs a branch into the wine.
2. Send praise to the lawyer for returning to Songshan Mountain
Tang Dynasty: Qingjiang
A Zen guest is anxious to return, but the mountain is deep and it is easy to settle down.
It is difficult to be poor and cultivate the Taoism, and it is difficult to leave one's home to be a filial friend.
The snowy road encroaches on the stream and turns, and the flower palace reflects the mountains.
When the time comes to look at the pagoda at dusk, the pine moon looks cold to people.
3. Send Yang Yuan to Nanhai as Lieutenant
Tang Dynasty: Cen Shen
He would not choose Nanzhou as Lieutenant, as he has old relatives in Gaotang. The towers are full of mirage, and the town is full of sharks.
The sea is dark and the mountains are raining, but the flowers are bright in spring. There are many treasures and jade in this town, so be careful not to be disgusted with poverty.
4. The mist is like a screen
Tang Dynasty: Xu Wei
The mist is like a screen and the grass is like wormwood, and there are brocade flowers and scales on the edge of the grass. Tao Hongjing, the prime minister in the mountains, and Zheng Zizhen, a farmer at Taniguchi. When an official reaches his prime, he thinks about his wild life, and having many talents does not necessarily mean he is poor.
Looking at Dongluopingquan House, there are only hundreds of flowers springing every year.
5. Nian Nujiao (Dragon Boat Festival Drinking Side)
Song Dynasty: Chen's work
When the rain curtain is rolled up high, pomegranate flowers are seen, which is to blame for the romantic old man. It is the festive season every year, but I have no choice but to be quiet. The wind blows gently from the skillful fan, and the fragrance and snow are wet. I have seen it in my dream. Now on the stream, the happy alliance is divided among young people.
Her eyebrows are all in perfect harmony, and she is supported by Hu'er, smiling at the calamus. It is said that if you live a hundred years in a floating life, how much time can you have? Fortunately, I am poor, so why not have fun and compose the music of Yao Qin? Who knows what it feels like to have a full cup of wine?
Poverty
Pinyin: qīng pín
Definition: Live in poverty and poverty
Source: Chapter 2 of "A Dream of Red Mansions": "If you were born in Those who are poor in poetry and literature are those who are rich in elegance.
Sentences:
1. Having more money does not necessarily mean you will have more happiness. Having more money will lead to troubles. Being poor and enjoying the Tao is truly at ease, free from worries and worries.
2. Poverty, a clean and simple life, is where we revolutionaries can overcome many difficulties!
3. A person can be very poor, trapped, and humble, but he cannot have no dreams. As long as you dream for one day, as long as your dream exists for one day, you can change your situation.
4. It is difficult to grow up without experiencing poverty, and you will always be naive without experiencing the world.
5. It is better to be poor and happy than to be rich and worry.
6. More money may not necessarily bring you more happiness, but more talent will lead to troubles. Being poor and enjoying the Tao is truly at ease, free from worries and worries.
7. Be able to endure poverty, endure loneliness, resist temptation, and withstand tests.
8. As an official, you should be self-disciplined, willing to live in poverty, and not touch "high-voltage wires."
9. Inspect yourself at all times, and the people's sufferings will never be forgotten; be careful about everything, and keep the officials clean and poor and dream of Chang'an.
10. You should be self-respecting if you work hard to cultivate your dharma; you should be self-reflective if you are willing to be indifferent to stay poor; you should encourage yourself if you plan good deeds to benefit all living beings.
11. Peace is luck, contentment is blessing, a pure heart is salary, and few desires are longevity. It is better to be poor and happy than to be rich and worry.
12. As an official, you should be self-disciplined, be willing to live in poverty, and not touch the "high voltage line"; as a person, you must be honest, be honest and abide by the law, and do not play "edge balls."
13. Being able to endure poverty is better than blessing, being able to endure loneliness and maintaining integrity, being able to resist temptation and staying safe.
14. If you work with integrity, you will feel at ease even though you are poor; if you are greedy for bribes, you will have trouble sleeping and eating even though you are rich.
15. Poverty means happiness and freedom, freedom from worries and worries. 3. The more poems that describe the transition from prosperity to decline (destruction), the better
In the old days, the king Xietang Qianyan flew into the homes of ordinary people
Bird Clothes Alley
Liu Yuxi
Wild grass and flowers beside Zhuque Bridge,
The setting sun is setting at the entrance of Wuyi Lane.
In the old days, the king Xietang Qianyan,
flew into the homes of ordinary people.
Notes
Zhuque Bridge: on the Qinhuai River outside Zhuque Gate. Outside Nanjing today.
Flower: This means blooming. as verb.
Wuyi Lane: Opposite Zhuque Bridge, where Jin Wangdao and Xie An lived.
Wang Xie: Specifically refers to Wang Dao and Xie An, two wealthy and prominent families in the imperial court during the Eastern Jin Dynasty.
Brief analysis
This is a nostalgic poem. Paying tribute to the prosperity of the Zhuque Bridge on the Qinhuai River in Nanjing during the Eastern Jin Dynasty and the Wuyi Lane on the south bank, they are now overgrown with weeds and desolate. Feeling the vicissitudes of life and the changeable life. The old nest of swallows is used to arouse people's imagination, but it is not exposed; the background is painted with "weeds, flowers" and "sunset sun", which is beautiful but not vulgar. Although the words are very simple, the taste is infinite. Commenting on the third and fourth lines of this poem in "Xian Maid's Poems" by Shi Buhua, he said: "If he goes away like a swallow, he will stay there. The swallows still enter this hall, and the king and his wife are scattered, and they have turned into ordinary people. This is the case. It is full of emotion and extremely beautiful." This poem is said to have made Bai Juyi "turn around and sigh for a long time." It has its own profound meaning.
The following is a detailed introduction to Wang Dao and Xie An:
Wang Dao was the prime minister in the early years of the Eastern Jin Dynasty. He was powerful and powerful. At that time, there was "The King and the Horse" (referring to the Jin Emperor). The song "Sima clan) conquers the world". Among the idioms is "weeping in the new pavilion", which means missing the homeland, which is the story of Director Wang. Once, Wang Dao and his colleagues who fled from the north to cross the Yangtze River to establish the Eastern Jin Dynasty had a banquet at Xinting (also known as Laolaoting) on ??the outskirts of Nanjing. In the seat, Zhou Hou Jiye sighed and said: "The scenery is not special, just because the mountains and rivers are different." He lamented the fall of the mountains and rivers (at that time, the northern territory fell to the hands of the Huns Liu Yao), so all the guests here looked at each other and shed tears. Seeing this scene, Director Wang changed his color in shock and said: "When you are working hard for the royal family (working hard on state affairs) and recovering China (recovering the lost territory in the Central Plains), how can you be a prisoner of Chu and face you (how can you be a prisoner of Chu who has no future) Why are the Chu prisoners crying like that?” Director Wang’s words were impassioned and criticized the negative and pessimistic mood of his colleagues present. Although there are only a few short sentences, it vividly expresses the image of Director Wang as a person who stands out from the crowd and has extraordinary knowledge (see Shishuo Xinyu).
The "Xie" mentioned in the poem is Xie An, also known as An Shi. He was the prime minister of Emperor Xiaowu of Jin Dynasty. He was known as Taifu Xie. He had outstanding achievements. He once resigned and retired to Dongshan, Kuaiji, Zhejiang. At that time It was once said that "if a stone is put in place but cannot be removed, the general will be like the common people", which shows his high prestige. Later, he came back to take charge of the overall situation, so there is an idiom of "come back again", which means to take power again after being removed from office.
Later Qin Dynasty Fu Jian threatened to cut off the flow of the Yangtze River by throwing a whip, and led an army to the north bank of Feishui River to intimidate the Eastern Jin Dynasty and frighten the government and the public. Xie An was the commander-in-chief of the expedition at the time. He calmly planned and finally defeated Fu Jian. This was the "Battle of Feishui" in which a small number defeated a large number in military terms. It is said that his nephew Xie Xuan sent a letter from the front to report victory, but Xie An was not happy after receiving the letter, and the game continued as before. When he returned to the inner room after playing chess, he finally couldn't suppress his inner joy, and the heel of his shoe broke off when he passed the threshold. He was so happy that he didn't notice. His calmness, elegance and grace have been passed down in history.
Wang Dao and Xie An both have a close relationship with calligraphy. Both were great calligraphers in the Eastern Jin Dynasty. Wang Dao is Wang Xizhi's uncle and is good at cursive calligraphy. "Shu Duan" describes his calligraphy as "windy, elegant and sophisticated, similar to Jia Yong's warrior, and other people's frightened fish play". This means that his cursive writing is full of edge, elegance and charm; it has the majesty of a warrior and the agility and grace of a fish. Wang Xizhi's calligraphy became famous, which is related to Wang Dao's guidance.
In the calligraphy world of the Eastern Jin Dynasty, Director Wang was not only a political leader, holding the position of prime minister, but he was also among the leaders in the calligraphy world. In his free time, he liked to play with his pen, and he never stopped writing. He learned the writing techniques of Zhong Yao and Wei? Even at the end of the Western Jin Dynasty, when the world was in chaos and the royal family was moving south, Director Wang did not forget to copy Zhong Yao's "Shang Shu Declaration Poster" 》Hide it in your belt and take it to the south. This shows his interest in Zhong Yao's calligraphy.
As for Xie An, he was a member of Wang Xizhi’s Lanting gathering. He sang poetry, drank wine, and discussed calligraphy with Wang Xizhi on weekdays. According to "Shu Duan", Xie An learned writing and cursive writing from Wang Youjun. "Shu Zhi Fu" said that Xie An was "good at grass and straight, and he was poor in the square". Xie An's cursive script was very famous in the Eastern Jin Dynasty. There is a couplet that reads: "Xie Cao Zheng Lan Yan Gui Shu, Tang poetry and Jin characters Chinese articles." The "Xie Cao" in it seems to refer to Xie An's cursive script. Another example is Jiang Kui, a poet and calligrapher in the Song Dynasty, once said: "The Notes of Orchid Pavilion" and Youjun's posts are first, followed by Xie Anshi (ie Xie An) and Daling's posts, followed by Yan, Liu, Su and Mi, who are also worthy of consideration in later generations. ” From this we can see that the popularity of Xie An’s calligraphy, especially cursive script, is second only to Wang Xizhi’s. 4. What are the poems describing “decline”
1. Cut off the water with a knife and the water will flow more, raise a cup to relieve sorrow Worry is even worse. ____Li Bai's "Farewell to School Secretary Shu Yun at Xie'an Tower in Xuanzhou/A Song to Accompany Yu Shuhua when He Climbs to the Tower"
2. Returning the king's pearls shed tears, wishing they could meet before they were married ___. _Zhang Ji's "Jie Fu Yin: A Letter to Master Li Sikong in Dongping"
3. How much sorrow can you ask? It's like a river of spring water flowing eastward. "
4. I suddenly returned home from the dream. I was dressing up at the small window. There were only a thousand lines of tears. "Jiang Chengzi·Yimao 20th Night".
5. Don’t laugh when you are lying drunk on the battlefield. How many people have fought in ancient times? ____Wang Han’s "Two Poems of Liangzhou·Part 1"
6. Falling red is not a heartless thing. , turns into spring mud to protect the flowers. ____Gong Zizhen's "Miscellaneous Poems of Ji Hai·Part 5"
7. After being drunk, I don't know that the sky is on the water, and the boat is full of clear dreams that overwhelm the stars. ____Tang Wenru's "Ti Long Yang". County Qingcao Lake"
8. Don't lean on the railing alone, the world is unlimited, it is easy to say goodbye but difficult to see others ____Li Yu's "Lang Tao Sha Ling·The Gurgling Rain Outside the Curtain"
9. Helplessly, the flowers fall away, and the familiar swallows return. ____Yan Shu's "Huanxisha·A New Song and a Glass of Wine"
10. The sunset is infinitely beautiful, but it is almost dusk. ____Li Shangyin's "Leyouyuan/Deng Leyou". "Original"
11. Asking about the flowers without saying a word, the wild reds flew across the swing ____Ouyang Xiu's "Die Lianhua·How deep is the courtyard"
12. Things are people. If you don't want to stop everything, you should shed tears first. ____Li Qingzhao's "Wulingchun·Spring Festival Gala"
13. Wine enters the heart of sorrow, turning into tears of lovesickness. ____Fan Zhongyan's "Su Muzhe·Nostalgia"
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14. No one wears flowers, no one persuades me to drink, and no one cares about my drunkenness.
____Huang Gongshao's "The Sapphire Case: Stopping Needlework Every Year"
15. I have devoted my life to you, and I have shed a thousand tears for you. ____Liu Yong's "Recalling the Imperial Capital·Thin Quilt and Small Pillow in the Cool Weather"
16. Ruthlessness is not as painful as passion. One inch becomes thousands of strands. ____Yan Shu's "Jade House Spring·Spring Hate"
17. Searching and searching, deserted and miserable. ____Li Qingzhao's "Slow Voice·Xun Xun Mi Mi"
18. The bright moon in the sea has tears, and the warm sun in Lantian creates smoke. ____Li Shangyin's "Jin Se"
19. Spring waves are green under the sad bridge, and it was once the shadow of a startled grand. ____Lu You's "Two Poems of Shen Yuan"
20. The power of the mountains is overwhelming. When times are unfavorable, good things never fade away. ____Xiang Yu's "Gaixia Song"
21. There is only the moon in the spring court, which is like a falling flower for someone who has left. ____Zhang Bi's "Sending People"
22. The business girl does not know the hatred of the country's subjugation, but she still sings the flowers in the backyard across the river. ____Du Mu's "Po Qinhuai"
23. A pot of wine among the flowers, drinking alone without any blind date. ____Li Bai's "One of Four Poems for Drinking Alone Under the Moon"
24. Holding hands and looking at each other's tearful eyes, they were speechless and choked. ____Liu Yong's "Rain Lin Ling·Han Cicada's Sorrow"
25. Die before leaving the army, which makes the hero burst into tears. ____Du Fu's "Prime Minister of Shu"
26. Red tears secretly shed, and the spring breeze filled the eyes with everything wrong. ____Nalan Xingde's "Picking Mulberries: It Was Wrong at the Time" 5. Poems describing the decline of the Tang Dynasty
Two poems recalling the past
Recalling the heyday of the Kaiyuan Dynasty, there were still thousands of families in the small town room. The rice is dripping with fat and the corn is white, and both the public and private warehouses are abundant.
There are no jackals and tigers on the roads of Kyushu, and there is no good luck for a long journey. Qi Wan and Lu's carriages are moving in shifts, and the men plowing the fields and the women mulching trees keep up with each other.
The sage in the palace plays Yunmen, and all the friends in the world are glued together. There has been no disaster for more than a hundred years. Uncle Sun Li Le Xiao He Lu.
How can I hear that a piece of silk is worth ten thousand yuan, and there is a field that produces grain and now it bleeds. The palaces in Luoyang were burned down, and the ancestral temples were newly cleared of fox and rabbit holes.
I am so sad that I can’t bear to ask about my elders, and I am afraid that I will leave from the beginning. The minister is dull and incompetent, but the court remembers Meng Lu's rank.
Zhongxuan of Zhou looked upon our emperor and shed blood on Jiang and Han, and his body became ill.
The peaceful scene described in it, in which the people were happy and people were not picking up things on the road, came to an abrupt end in the 14th year of Tianbao, Emperor Xuanzong of the Tang Dynasty (AD 755). "——The "Anshi Rebellion" broke out, and the great Tang Dynasty fell sharply from its peak. The most glorious historical drama in Chinese history, the lights suddenly dimmed. However, there are heroes in every generation. In the great and magnificent historical era, new heroes will emerge according to the times, with dazzling colors and heroic figures, which is dizzying for the eyes.
Early Wild Geese
Du Mu
The strings of the golden river are half-open in autumn,
The clouds are frightened and scattered in all directions.
The celestial moon shines brightly, and a solitary shadow passes by,
The long gate lamp dims and sounds several times.
It should be noted that Hu Qi is here one after another,
How can he chase the spring breeze one by one.
Don’t hate Xiaoxiang, a place with few people.
There is plenty of water, wild rice and berry moss on the banks.
"Morning Wild Goose" is a metaphorical work that borrows objects. The society of the late Tang Dynasty where Du Mu lived was a troubled period in the Tang Empire. In August of the second year of Wuzong Huichang (842), the Uighur slave-owning aristocratic military group living in the north of Saibei took advantage of the corruption of the Tang Dynasty to harass southward, massacre and plunder, leaving the people in the border areas dispersed and homeless. When the poet saw the geese migrating south, he was moved by the scene and expressed his deep sympathy and concern for the suffering people.
Spring Hope
The country is broken by mountains and rivers, and the city is full of spring vegetation.
I shed tears when I am grateful for the flowers, and I hate others and scare the birds.
The war rages on for three months, and a letter from home is worth ten thousand gold.
The white-headed scratches are shorter, and the lust is overwhelming.
Maweipo
Zheng Tian
When Xuanzong returned to Ma, Concubine Yang died, and the clouds and rain are unforgettable with the sun and the moon.
It is the emperor’s business to be holy all day long. Who is in Jingyang Palace Well?
Qu Jiang
Li Shangyin
I can't see the green chariots passing by, but I can only hear the sad songs of ghosts in the middle of the night.
The golden carriage no longer returns to the beauty of the city, but the jade palace is still divided into lower gardens.
I remember hearing the cry of cranes in Huating Pavilion, and I am worried about the royal family weeping at the bronze camel.
Although my heart is broken due to the changes of heaven and earth, it is not as much as hurting my spring spirit.
Parking in Qinhuai
The smoke cage is cold, the moon is caged in the sand, and the Qinhuai River is close to the restaurant at night.
The merchant girl does not know the hatred of the country's subjugation, but she still sings the flowers in the backyard across the river.
Jinling Night View
Gao Chan
I once returned to the evening green with floating clouds, and I still accompany the setting sun with the sound of autumn.
There are infinite painting hands in the world, but it is sad that they cannot be painted.
The last two sentences are deeply emotional. Gao Chan had a premonition that the Tang Dynasty was beset with crises and was irreversibly heading towards the end of total collapse. He felt distressed about this but was powerless to do anything. He attributed this potential crisis to "a sadness"; and this "sadness" cannot be expressed by ordinary painters.
There are also some other books you can refer to:
Pi Rixiu's "The Lament of the Oak", Du Xunhe's "The Widow in the Mountains", Nie Yizhong's "Yong Tian Jia", Lu Guimeng's The two chapters of "Village Night" etc. all expose the cruel exploitation and oppression of the people by the ruling class, as well as the huge disasters caused by the war. The language is easy to understand and has a high ideological level.
Wei Zhuang's "Ancient Farewell" and "Taicheng" are more artistically accomplished, but they reveal a strong sad and sentimental apocalyptic sentiment.
Du Fu’s Three Officials: "Shihao Officials", "Xin'an Officials" and "Tongguan Officials" Three Farewells: "Newlywed Farewell", "Homeless Farewell" and "Elderly Farewell" all reflect the sufferings of people's lives.