Interesting Notes on Han Mo Cai Xiang
Cai Xiang: Cai Xiang (112-167), calligrapher of Song Dynasty. The word Jun Mo was born in Xianyou, Xinghua (now Fujian). During the Tiansheng period of Song Renzong, he was a scholar, and he learned from Fuzhou, Quanzhou and Hangzhou. He was a bachelor of the Ming Dynasty, and he died with loyalty. Sex Geng Jie, works in poetry and prose, is good at calligraphy, learns from Yan Zhenqing, and learns from Jin people. The book History of Song Dynasty is said to be the first one at that time. Ouyang Xiu called Cai Junmo's calligraphy unique. Regular script is dignified and calm, running script is simple and beautiful, and cursive script uses flying white method. Mi Fei commented on his book, "Like a young woman, she visits the rain to find clouds, with enchanting posture, slow walking and more lead.". "Book History Meeting" says: "The pen is very strong and charming, so I cherish my book, saying that it has the trend of flying dragons and dancing phoenixes. Those who know it don't think too much, but it is the first in the Song Dynasty." Handed down from ancient times, his works include Ji Jin Tang, Ji Wan An Bridge and Cheng Xin Tang Paper Post.
Meticulous
Among the four great calligraphers of Su Huang Mi Cai in Song Dynasty, Cai Xiang was the first to become famous. He is the oldest, twenty or thirty years older than Su Shi, Huang Tingjian and Mi Fei, and won the respect and admiration of the latter. The latter is also influenced by him in calligraphy art to varying degrees.
Cai Xiang pays special attention to the study and research of calligraphy art. He has been studying books for decades, never leaving his hand and never leaving his post. He has finally practiced a good word through hard work. Its characters are imported from Yan Zhenqing, but also from the Jin people. True, grass, official, seal and flying white are all fine, and their own experience and innovation are added to it, which makes them unique.
Cai Xiang, like
Cai Xiang, is modest and prudent, and has a high reputation for books, and he doesn't write books for others easily. If you write a book for others, you will be extremely serious and meticulous, and you will never lose your statutes. If you are not satisfied with your writing, you tear it up and rewrite it, ten times and eight times, and you never tire of it. This was greatly respected and praised by people at that time. The most prominent thing is that when he wrote "Ji Jin Tang Ji", he tried his best to satisfy the book seeker. There are 18 lines of regular script and 39 words of running script in Zhoujintang Ji, and the workload is quite large. But he tried to keep improving, carefully understanding every word, trying to figure it out again and again, and then writing it carefully when he was mature. After writing, choose the words that are very satisfactory without losing the statutes to carve stones. In this way, the best one is chosen, and the Excellence is truly achieved. For this reason, people also call Zhoujintang Ji "a patchwork monument", which means that the whole inscription is made up of the best words, like a patchwork of cassock.
Paper Sticks of Chengxintang (partial) Song Cai Xiang