Chen Yunsheng (painter in early Qing Dynasty)
Real name is Chen Xun. The word Yun Sheng, named Meixi, was originally from Haining, Zhejiang, and was originally from Lin 'an (now Hangzhou). In the 15th year of Kangxi (1676), Jinshi became an official. Engineering landscape, random structure, different pens.
Chen Yunsheng (painter in late Qing Dynasty)
Chen Yunsheng (1820- 1884), born in middle school, alias Ren Zhai, Huzhou, Hu Fu, Jin 'eshan Bridge in Dengxian County 1 (now Ningbo, Zhejiang), lives in Shanghai and sells paintings. Good Cao Li. The beauty of mountains and rivers, together with Chang (Geng), Dai Huaigu (thinking about the past) and Ran Huaigu Lin, is very popular. The couple are eager to get rid of a little secularity, not a family. Allow the rise to be specific and subtle, and the pen and ink seem to be less than the charm. Try to reduce the cover of his printed Zhai paintings in the second year of Guangxu reign (1876). In the sixth year of Tongzhi (1867), the product was Mei Chuang Mei Tu, today's edition. The rest are printed and orderly. Notes on Han Songge's Art, Moline on the Sea, Sixty Biographies of Modern Paintings, Biography of Guangyin People, Hushe Monthly.
Chen Yunsheng (Contemporary Calligrapher)
Chen Yunsheng (1892- 1977), formerly known as Ji Jie, was named Mengyang layman. A native of Wang Chang Village, Du Gao Street, Luo Zhuang, Linyi City, Shandong Province, was born in a farmhouse. I studied in the village mat since I was a child and loved calligraphy. After the age of 20, I became a Confucian. I used to set up accounts in Linyi City, Sanguan Temple, Sunduihe and other villages, and there were many apprentices. Nowadays, many celebrities call Chen Yunsheng his first teacher. Besides teaching, Chen Yunsheng taught himself calligraphy all day, starting with the European style. He can recite Jiuchengguan, Huadu Temple and Huangfu Monument, and then study Liu Ji Monument. So his official script gradually formed a unique style, which laid a solid foundation for studying official script again. At this time, he felt that he could not stay on the basis of studying the inscription, but should go out and learn from the teacher. In Linyi, his favorite calligrapher was Wang Siyan. After the Reform Movement of 1898, he returned to his hometown to live in seclusion. Once I went to visit Lanling, Wang saw from the conversation that he was very knowledgeable and hired him as a tutor. Don't want to be tied down, just ask to go with Wang. Since then, Chen's calligraphy has been greatly improved, and all the official seals he learned from there can be confused. At that time, there were many people who went to the Wangs to ask for words, and the Wangs could not cope with them one by one. Most of them were written by Chen, and Wang just signed and sealed the bell. In 24 years (1935), Wang Siyan was invited to participate in editing. After "New Knowledge" was written, the cover inscription was recommended and written by Wang. Wang Siyan's calligraphy had a great influence on Chen Yunsheng, especially his seal cutting. After "Chewing Snow Zhai" was carved, I took a copy and studied it all day, so Chen's seal cutting was also derived from new patterns.