Freehand brushwork is to describe the scenery with concise brushwork. Freehand brushwork is more in propaganda, vertical pen, flying ink color. Compared with meticulous painting, freehand brushwork can better reflect the charm of the scenery described and directly express the author's feelings.
Freehand brushwork is gradually formed in long-term artistic practice, in which the participation of literati in painting has played a positive role in the formation and development of freehand brushwork. According to legend, in the Tang Dynasty, because of its excellent poetry and painting, later generations called it "painting in poetry, painting in poetry". He "changed the way of painting" and created a broken ink landscape of "light ink and clear pen". Dong Qichang honored him as the father of "literati painting". In the Five Dynasties, the branches and leaves of flowers were first written in ink, and then sketched in light color, which created the "drop ink method" of Xu Ti. Later, Wen Tong promoted the painting style of "Four Gentlemen" in Song Dynasty, and Lin Liang opened a new style of "Courtyard Style" in Ming Dynasty. In the Ming Dynasty, Shen Zhou made good use of thick ink and light color, Chen Bai Yang emphasized realistic ink and light color, and Xu Qingteng was even more unconstrained and unconstrained. After a long period of artistic practice, freehand brushwork has entered its heyday. After the Eighth National Congress, Shi Tao, Li, Wu Changshuo and Qi Baishi, etc., freehand brushwork is the most influential and widely spread painting method.
Freehand brushwork advocates spirit likeness. Dong Qichang said: "Freehand brushwork is the best way to draw landscapes. What is this? When the shape and quality are perfect, there is no charm; If there are different colors, there is no brushwork. " Xu Wei's Poems on Paintings in the Ming Dynasty also said: "We should not look like a rhyme for survival, but cut it according to all our five fingers."
Freehand brushwork pays attention to pen and ink. For example, the ink peony painted by Xu Wei is written by ink painting, not by cross-dyeing and contrast. In the Yuan Dynasty, Zhenwu had a theory of painting: "Besides the rich words of the Gestapo, the works of Mohist drama are suitable for a moment's interest and flow with the critics of husband's paintings, which are very broad. Taste Chen Jianzhai's poem Mo Mei: "Its meaning is only color, and its predecessor is Ma Jiufang Gao." This professional painter also. "
Freehand brushwork emphasizes the author's personality. Eight eccentrics in Yangzhou are famous for their strangeness. Their paintings are not standardized, they scribble at will, and they express their rebellious spirit with the word "chaos". Zheng Banqiao once admitted: "Modern Ding Bai (Taoism) and Qing Xiang (Shi Tao), whether muddy or strange, are unique from ancient times to the present. Recently, I painted bamboo in (Ding), which is quite chaotic. " The word "chaos" is very important to the body and is very important to the body. "("Zheng Banqiao Ji Bu ") Jin Dongxin also likes" chaos "when painting bamboo. He once said, "If you stick big leaves with burnt ink, the leaves will become confused. "Freehand brushwork is based on the brushwork of calligraphy, and the brushwork of freehand brushwork also greatly enriches the form of calligraphy, so freehand brushwork is mostly calligraphy. For example, Zheng Banqiao is good at painting and calligraphy, blending with each other, making books by painting and creating officials by running script? Six and a half books? And the brushwork of calligraphy is Lanzhu, which has a distinctive and powerful style. A Qing Dynasty Jiang Shiquan commented: "Banqiao writes words like orchids, and the waves are simple and graceful;" "On the Banqiao, orchids are like words, and beautiful leaves, vegetables and flowers show their beauty."
Freehand brushwork is an art form integrating poetry, calligraphy and painting, and printing. Li, one of the Eight Eccentrics in Yangzhou, likes to write inscriptions on paintings, both long and short, which make the picture richer and more fluent. "Painting is insufficient, the topic is superfluous, painting is silent and poetry is vocal, and the two are mutually useful" (Record of Painting and Calligraphy, Love for Japan and Lu) not only reflects the reality of Li's painting, but also embodies the basic characteristics of freehand brushwork. Wu Changshuo and Qi Baishi are also great artists in modern times.
Freehand brushwork is to describe the scenery with concise brushwork. Freehand brushwork is more in propaganda, vertical pen, flying ink color. Compared with meticulous painting, freehand brushwork can better reflect the charm of the scenery described and directly express the author's feelings.
Freehand brushwork is gradually formed in long-term artistic practice, in which the participation of literati in painting has played a positive role in the formation and development of freehand brushwork. According to legend, in the Tang Dynasty, Wang Wei was called "poetry in painting and painting in poetry" because of his excellent poetry and painting. He "changed the way of painting" and created a broken ink landscape of "light ink and clear pen". Dong Qichang honored him as the father of "literati painting". In the Five Dynasties, the branches and leaves of flowers were first written in ink, and then sketched in light color, which created the "drop ink method" of Xu Ti. Later, Wen Tong promoted the painting style of "Four Gentlemen" in Song Dynasty, and Lin Liang opened a new style of "Courtyard Style" in Ming Dynasty. In the Ming Dynasty, Shen Zhou made good use of thick ink and light color, Chen Bai Yang emphasized realistic ink and light color, and Xu Qingteng was even more unconstrained and unconstrained. After a long period of artistic practice, freehand brushwork has entered its heyday. After the Eighth National Congress, Shi Tao, Li, Wu Changshuo and Qi Baishi, etc., freehand brushwork is the most influential and widely spread painting method.
Freehand brushwork advocates spirit likeness. Dong Qichang said: "Freehand brushwork is the best way to draw landscapes. What is this? When the shape and quality are perfect, there is no charm; There is no brushwork if there are different colors. " Xu Wei's Poems on Paintings in the Ming Dynasty also said: "We should not look like a rhyme for survival, but cut it according to all our five fingers."
Freehand brushwork pays attention to pen and ink. For example, the ink peony painted by Xu Wei is written by ink painting, not by cross-dyeing and contrast. In the Yuan Dynasty, Zhenwu had a theory of painting: "Besides the rich words of the Gestapo, the works of Mohist drama are suitable for a moment's interest and flow with the critics of husband's paintings, which are very broad. Taste Chen Jianzhai's poem Mo Mei: "Its meaning is only color, and its predecessor is Ma Jiufang Gao." This professional painter also. "
Freehand brushwork emphasizes the author's personality. Eight eccentrics in Yangzhou are famous for their strangeness. Their paintings are not standardized, they scribble at will, and they express their rebellious spirit with the word "chaos". Zheng Banqiao once admitted: "Modern Ding Bai (Taoism) and Qing Xiang (Shi Tao), whether muddy or strange, are unique from ancient times to the present. Recently, I painted bamboo in (Ding), which is quite chaotic. " The word "chaos" is very important to the body and is very important to the body. "("Zheng Banqiao Ji Bu ") Jin Dongxin also likes" chaos "when painting bamboo. He once said, "If you stick big leaves with burnt ink, the leaves will become confused. "Freehand brushwork is based on the brushwork of calligraphy, and the brushwork of freehand brushwork also greatly enriches the form of calligraphy, so freehand brushwork is mostly calligraphy. For example, Zheng Banqiao is good at painting and calligraphy, blending with each other, making books by painting and creating officials by running script? Six and a half books? And the brushwork of calligraphy is Lanzhu, which has a distinctive and powerful style. A Qing Dynasty Jiang Shiquan commented: "Banqiao writes words like orchids, and the waves are simple and graceful;" "On the Banqiao, orchids are like words, and beautiful leaves, vegetables and flowers show their beauty."
Freehand brushwork is an art form integrating poetry, calligraphy and painting, and printing. Li, one of the Eight Eccentrics in Yangzhou, likes to write inscriptions on paintings, both long and short, which make the picture richer and more fluent.
The comparison between freehand brushwork and foreign painting shows that. There is no concept of light and shadow in China's painting history. Basically, it is pure lines, ink blocks, shades, and there are always poems on the paintings.
As soon as the photos appeared, foreign realistic skills came to a dead end. Picasso, Monet and other factions appeared to look for exports, and finally Chinese paintings were exported? happy
Big freehand brushwork, big freehand brushwork, small freehand brushwork, is the change between ink, ink and color, which is a bit exaggerated. But it is worth learning. ;