A collection of four-character inspirational idioms in calligraphy

1. A collection of four-character calligraphy idioms

The pen moves like a dragon and a snake, the tendons and willow bones of the face, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describe The calligraphy is very beautiful and skillful. Yan Jin Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.

It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.

Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes calligraphy that is strong, soft and beautiful and penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes calligraphy that is strong and powerful, with the tip of the pen almost showing through to the back of the paper. It also describes poems with profound ideas and concise words.

huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 2. A collection of four-character calligraphy idioms

The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.

Source: Ming Dynasty Lanling Xiaoxiaosheng's "Jin Ping Mei Ci Hua" Chapter 31: "Wen Gong is erudite and has a wide range of notes. He writes dragons and snakes in his writings. He is a true talent."

The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.

Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."

Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.

Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "

Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.

Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write Names of People from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."

Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.

Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and happy life."

Fengjin Duolifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.

Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had abundant muscles and strength, and was able to travel in the clouds and rain. Sudden trend. ”

Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.

Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."

The phoenix dances and the dragon flies to describe calligraphy. The writing style is strong and flexible.

Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."

Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.

Source: Lu Ji's "Fu Yun Fu" of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."

Ancient and modern times The different styles of calligraphy are metaphorical.

Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fatness in ancient times, and Zijing is called barrenness today. Both ancient and modern times are different, but fatness and thinness are quite opposite."

Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.

Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters cannot have the same sound as the fifteenth character. "

Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.

Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."

The calligrapher's method of painting with sand seal clay is a metaphor.

Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."

Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.

Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give." 3 . A collection of 4-character calligraphy idioms

Falling from the peak, changing grace, embodying joy in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger shaking. , changing ideas repeatedly, elegant and elegant, dignified and elegant, powerful and unrestrained, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and vigorous , precipitous momentum, pen power, strong and powerful, learning from the strengths of others, meaningful and handsome, straightforward and simple, majestic, vigorous and powerful, flying dragons and phoenixes, vivid charm, profound skills, agile and flowing, powerful as a startling dragon, majestic momentum, Completely natural, gorgeous and natural, thousands of miles of clouds, self-contained natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, passed down from generation to generation Excellent work, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting silver hook, lifelike, round and smooth, simple and peaceful, free sway, well-equipped muscles and bones, firmness and release, pen power Strong, well-controlled, smart and delicate, hearty and unrestrained, charming and strong, beautiful in body, unique in personality, tight and steep, handsome and elegant, three-thirds of the wood is dense and full, rich and graceful, smart and unrestrained, the writing is quick and gentle, soft Strong in the middle, strong and simple, penetrating the back of the paper, dignified and simple, round and round, vigorous and powerful, hearty, free and unrestrained, smooth and subtle, strong and straight, steep and sparse, combining hard and soft, it is the creation of foreign teachers. 4. A collection of 4-character calligraphy idioms

Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a startling dragon, majestic , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and frank, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and clear, combining hard and soft, and created by foreign teachers.

5. A collection of four-character idioms for brush calligraphy

The bottom of the brush is dragon and snake, the pen is exquisite and the ink is wonderful, the brush is moving like a dragon and snake, the silkworm head and swallow tail are hidden, the head is hidden and the tail is protected, calm and happy, calm and happy, beginner graffiti, ups and downs Qiuli, Dingzhenkaicao, Dingzhenyongcao, Feilongwufeng, Fengjinduoliu, Fengpoluanpiao, Fengwulongfei, Fengzhuluanhui, ancient fat and now barren, crane's knees and wasp's waist, Hu fat and Zhongshou, Painting sand seal mud, painting earthworm graffiti, domestic chickens and wild pheasants, domestic chickens and wild pheasants, daggers drawn, as powerful as a frightening dragon, as powerful as a swimming dragon, with strong bones and muscles, thirsty Ji rushes to the spring, thirsty Ji and angry geese, thirsty deer rushes to the spring, Strength penetrates the back of the paper, Linchi Xue Shu, Willow Bone Yan Jin, Dragon Flying and Phoenix Dance, Dragon Pan and Phoenix Zhu, Dragon Snake Flying, Dragon Snake Flying, Dragon Extends and Crouching, Dragon Jumps and Tiger Lies, Dragon Power and Tiger Shake, Dragon Power and Tiger Shake, Dragon and Leopard Change, dragon flying and phoenix dancing, dragon flying and phoenix leaping, luan flying and phoenix dancing, luan floating on phoenix, luan fluttering and phoenix mooring, luan flying and phoenix flying, luan flying and phoenix flying, falling paper smoke and cloud, wrapping iron in cotton lining, wonderful in the heart and hand, The ink is accumulated on the mountain, the angry cat picks the stone, the thirsty cat rushes to the spring, the angry cat is thirsty, fluttering like a fairy, floating like clouds, a group of crocodiles playing in the sea, like a cone painting sand, pen and paper into the wood, a good calligrapher does not choose paper and pen, Tang Lin Jin Tie , iron painting with silver hook, saliva jade hook with silver, Wang Yang Dawan, Wang Yang Hongsi, Wang Yang Xuansi, literary talent Binghuan, writing wind and thunder, fairy dew pearl, writing sutras for geese, the heart is correct and the pen is correct, the book is not good, the sword is not good, strict Jia Xing Li, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, Yizhi Xinxin, Silver Hook Tail, Silver Hook Iron Painting, Silver Hook Jade Spit, Wandering Cloud Startled the Dragon, Youjun Habits, Yu Chuou The beauty is exquisite. 6. A collection of four-character calligraphy idioms for sending friends as gifts

龙飞飞风五

lóng fēi fèng wǔ

The explanation originally describes the winding and majestic mountains, and later also describes the calligraphy style. Powerful, flexible and stretchable.

From "Tokyo Fu" by Zhang Heng of the Han Dynasty: "My ancestor's dragon flies over the white water, and the phoenix flies over the ruins." Su Shi of the Song Dynasty "Biao Zhongguan Monument": "On the mountain of Tianmu, the Tiao River flows out, and the dragon flies and the phoenix dances. Collected in Lin'an. ”

Structural combination.

The usage is mostly used to describe the momentum of calligraphy strokes. Generally used as predicate, object and attributive.

The correct sound is phoenix; it cannot be pronounced as "fēnɡ".

Distinguish the shape of phoenix; cannot write "wind".

Synonyms: free and unrestrained

Example: He was sitting in his seat; he had a big red paper spread out in front of him; he was holding a brush; he was getting ready. 7. A collection of four-character inspirational idioms

Perseverance, keep up the good work, move forward courageously, without hesitation, one after another, keep going forward, perseverance, perseverance [ bù qū bù náo ] Explanation: Qu: to yield; Zhuo: to bend.

It is a metaphor for not giving in in the face of pressure and difficulties, showing very tenacity. From: Eastern Han Dynasty, Ban Gu's "Han Shu·Xu Zhuan Xia": "Lechang is honest and honest, neither defiant nor unfaithful."

Translation: Lechang is honest, does not give in in the face of pressure and difficulties, and is very tenacious. 2. Keep up the good work [ zài jiē zài lì ] Explanation: take over: to fight; Li: to sharpen, extended to strive hard, to work hard.

Refers to cocks fighting, and they grind their beaks before each fight. It is a metaphor to keep working hard and try harder.

From "Cockfighting Couplet" by Han Yu of the Tang Dynasty: "One spray will wake you up, and you will wake up if you keep working hard." Translation: When you are sleepy, spray your face with water and you will wake up. Keep up your tricks and keep working hard.

3. Go forward bravely [yǒng wǎng zhí qián] Explanation: Move forward bravely. From: Song Dynasty Zhu Xi's "The Complete Book of Zhu Zi·Dao Tongyi·Zhou Zi Shu": "Regardless of the rights and wrongs of others, regardless of your own gains and losses, go forward bravely and tell the truth that others dare not say."

Translation: Regardless of whether others are right or wrong. , regardless of one's own gains and losses, move forward bravely and speak the truth that others dare not say. 4. righteousness without hesitation [yì wú fǎn gù] explanation: righteousness: morality; hesitation: looking backward.

Morally, we can only move forward courageously and cannot hesitate to look back. From: Han Dynasty Sima Xiangru's "Yu Bashu Xi": "Touch the white blade, brave the arrows, never look back, and the plan will not turn around."

Translation: Touch the sword, brave the rain of arrows, move forward bravely, Don't care if I can go back. 5. Qián pū hòu jì [qián pū hòu jì] explanation: Pu: fall; Ji: follow up, follow up.

The one in front fell, and the one behind followed closely. Describe the heroic struggle.

From: Qiu Jin's "Diao Wu Martyrs Yue": "The servants and successors should be there; as a king, you are worthy of Xuanyuan Sun!" Translation: If the one in front falls, the one behind will follow closely; if you don't Ashamed to be a descendant of Xuanyuan 6. Go forward [yī wǎng zhí qián] Explanation: It describes moving forward bravely and fearlessly. Same as "moving forward indomitably".

From: Chapter 4, Section 2 of Tao Chengzhang's "Chronicles of Zhejiang Cases" in modern times: "In his actions, he always has the courage to move forward without worrying about anything else." 7. Perseverance [bǎi zhé bù náo ]Explanation: fold: setback; scratch: bend.

It is a metaphor for being strong-willed and unwavering no matter how many times you suffer setbacks. From: Cai Yong of the Han Dynasty, "Taiwei Qiao Xuan's Monument": "He has a solemn nature, is simple and elegant, and has the spirit of perseverance and invincibility in the face of important events."

Translation: His character is solemn, and he has Noble and simple, with an indomitable style that cannot be changed in the face of major festivals. 8. A collection of inspirational four-character idioms

Hanging beams to stab the buttocks, chiseling the wall to borrow light, tirelessly, holding the candle till the end of the day and studying ancient times, hanging books by the horns of the cow, reflecting the snow in the bag of fireflies, working hard, persevering, forgetting to sleep and eat, working day and night. Be eager to learn, be tireless in Wei's work, listen to the chickens dancing, be attentive, concentrate, be meticulous, concentrate, be tireless, persevere, persevere, persevere, persevere, persevere, be tireless, read a lot of books, be suddenly enlightened, learn and be tireless, be erudite, memorize, be humble, ask questions, be tireless, step by step, integrate each other's opinions, brainstorm, and never let go of the book. The sound is loud. Cheng Men stands in the snow and walks through the wall to draw in the light. Spring chants. Xia Xian reads through ten thousand volumes. After reading for three to three years, I read for more than three years. When I hear it, I recite the past for the present. Swallowing jujubes to open a book is beneficial to the name. Sun Mountain learns from strong points to make up for shortcomings. Take the essence. Read with Hongran Di. Learn and comprehend. Enter the master and leave the slave. Three more years of reading. Eat the books alive. Practice makes perfect, but you don’t understand it. I am not ashamed to ask about the source of my writings. I study hard and practice hard. Diligence can make up for my weakness. I will make up for my weakness with diligence. I am not tired of learning. I am diligent and eager to learn. I believe in learning and never tire of learning. I learn and practice it from time to time. I am dedicated to learning and loving the ancients. When you are tired of studying, you study behind closed doors, when you study behind closed doors, when you study under the sun, when you read under the snow, when you read under the moon, when you read under the saddle, when you fold the joints to read, when you read under the light of a firefly, when you forget about food and sleep, when you study behind closed doors and study hard, as long as you work hard enough, you can grind an iron rod into a needle. Go to school, deserve to go to school, erudite and talented, well-educated, well-educated and well-educated, thorn-butt reading without learning or skill, uneducated and ignorant, well-educated person, long-term talent and abundant learning, little talent and limited learning, excellent in both talent and learning, village scholar, insect fish of learning, a bachelor who is diligent in learning, diligent in learning, untiring in learning, ignorant in learning, devoted in learning and fond of the ancient times, convinced and diligent in learning, and learning in a hurry is a waste of work, and being dull in learning is a waste of work, Mr. Taoism, dedicated in learning, persistent in learning, highly educated university , Gaozhai's bachelor's degree, Handan Xuebu Hong Confucian master's degree, Hong Confucian master's degree, diligent and tireless learning, remembering the knowledge of inquiry, great learning, teaching and teaching, family origin, outstanding scholar, trapped and Learning, oral and auditory learning is difficult but not learned, poor in learning, poor in learning, close to the pond to learn books, tireless in mechanics, diligent in mechanics and keen to learn, poor in learning, poor in learning, poor in learning, excellent in both morals and learning, poor in interpreting talents. Bachelor of Qingli, Bachelor of Qingqian, Quxue Ashi, Diligence in learning and good questioning, Quxuexingxing, Diligent study and hard practice, Shangxuegui, Citizen literature, Suxue old Confucianism, Master's degree in Confucianism, General knowledge in Confucianism, Master's degree in Confucianism, Tiaoquxue , Wenjiang Xuehai, a bachelor of letters in vain, a late-born student, Wenzong Academy, a student in Handan, learning without getting tired of learning and learning from time to time, learning well will lead to an official, learning is not useful, learning is not useful, learning is rich in five cars. Learn both Chinese and Western knowledge, know no bounds, study heaven and man, learn after years, imitate the steps of imitating others, and learn only a few talents. If you don’t learn enough, you are afraid of losing it. Learning is like drilling through a well, learning is like climbing a mountain. After learning, you will not know enough, and after teaching, you will learn. After learning, one learns and then learns insufficiently; after teaching one learns, one learns and learns poorly; one learns swordsmanship and fails; one learns skills poorly; one learns books and learns swords; one learns a lot; one learns from an impermanent teacher; there is no end to learning; one learns from the bottom to the top; one learns from a new school; he learns from a pupil; he learns from the sword; To use what is not learned, to learn as a family, to parrot words, to parrot words, to learn to heal the stupid and the young to learn strong behaviors, to learn words with babbling, to learn with real talents, and to teach each other.