1, full of pen power [bǐ hā nmbo]: pen and ink are used freely and fully. Describe calligraphy and poetry.
2, the pen walks the dragon snake [bǐzǒulóngshé]: the dragon snake jumps into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
3. Writing Huang Ting for the first time [chxi chüHuángtíng]: In the old days, there was an idiom "Writing Huang Ting for the first time was just right". Later, the metaphor was just right.
4. The sword has been tightened [jiànbánǔzhāng]:] The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
5, through the paper back [l ò t Uzh ǐ bè i]: The original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vivid and profound poetry.
6. Fly like a dragon [lóngfēifèngwǔ]: Fly like a dragon and fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
7. Flying dragons and snakes [lóngfēifèngwǔ]:] Describe the vigorous and vivid calligraphy pen. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
8. Luan Pufeng Bo [luánpiāofèngbó]: Originally, calligraphy was described as chic and unrestrained. It is also a metaphor for the separation of husband and wife in high flyers.
9. LuánxiáNGFèngzhu: It is a metaphor for the flying posture of calligraphy.
10, beautiful praise [měinǐzānhuā]: describes the beauty of calligraphy or poetry style.
Four words describe good calligraphy.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.