The situation changes and changes by itself: Li Yong had two famous sayings that warned scholars to start their own families. He said: "Those who learn from me will die, and those who imitate me will

The situation changes and changes by itself: Li Yong had two famous sayings that warned scholars to start their own families. He said: "Those who learn from me will die, and those who imitate me will become vulgar." This shows that learning from the ancients cannot be imitated blindly, especially copying. , art is more valuable than originality, so there has always been a saying of "being a master and a slave". Wang Sengqian of the Southern Qi Dynasty said on calligraphy: "Suo Jing passed down the Zhicao with different shapes, and he was very fond of his calligraphy." He said this historical fact of calligraphy very simply, but very concisely. Suo Jing of the Western Jin Dynasty was a cursive script in the late Han Dynasty. The sister and grandson of the master Zhang Zhi, he passed on Zhicao and changed its shape. He was very proud of his name and called it Yin Gou Tiewei. If you are learning the character Chu, then if you want to break through the glyph of the character Chu, you have to find out what is the main contradiction of the character Chu. This contradiction should be that the character Chu is sparse, thin and flowing, and looks like a solid ship, as well as the points emphasized by Chu Suiliang. The reason why these glyphs need to be changed is not because they are bad or not beautiful. The problem is that only by breaking through these characteristics can we establish our own identity, even if it is as exquisite as Xue Ji. It is difficult to achieve great things. Only Yan Zhenqing's learning is independent and unique. He reverses the meaning of Chu characters and turns them into opposites. A great figure in the world, Yang Ningshi's book written by Huangshan Valley says: "Everyone in the world has studied the "Lanting" and wants to exchange it for mortal bones without a golden elixir. Who knows that Madman Yang of Luoyang went to Wusilan to write. "This is called resemblance, or resemblance. Cui Xiao, this process of transformation and sublation can be effective ten times and hundreds of times. It is a repeated study of practice - understanding - practicing again - understanding again. , it can be completed after a long period of twists and turns, but no matter how twists and turns, the method is roughly the same. What should be emphasized here is that the most fundamental thing is to change the shape of the glyph. , comes from the traces left on the paper when the strokes move back and forth. Therefore, if you want to change the shape of the characters and have a unique look, you should first consider changing your strokes. The shape will be different if the strokes change. To give another example that everyone is familiar with, He Zizhen in the Qing Dynasty. In order to start a family on his own, he jumped out of the rigid shackles of the palace style and resolutely switched to the method of returning to the wrist. As a result, his writing style was completely different, and he wrote a completely new character "He", which finally became "He". Let me give this example. If someone follows Dong Zhenlao, it is not my original intention. If there is a loss, there will be an increase: Wang Xizhi inherited Zhong and Zhang Zhen’s cursive script, and Zhang Huaicui summarized it in four words: "Analysis of Profit and Loss". . The above mentioned "break" and "analysis". Let's talk about the issue of "profit and loss". Generally speaking, there are two ways to break out of the original post, which are "loss" and "loss". "" means deletion, "yi" means gain. Deletion is to remove the spirit of the times and his personal habits contained in the original author's work. "Benefit" is to supplement the deleted character style, or to exaggerate or exaggerate certain features. It should be emphasized that both methods can change the appearance of the original work. The above "relics and gods" only achieve "damage", so it is only the beginning of starting a family on your own. It needs to be strengthened and enriched, it needs to enhance the fashion of the times and reflect the unique style of the individual. Generally speaking, calligraphy written in the prosperous Tang Dynasty and before the Kaiyuan Dynasty tended to be thin and strong, so there is a sentence in Du's poems that "the calligraphy is expensive, thin and hard, and then it can reach the spirit." However, when this thin and strong calligraphy style develops to a certain point, it will inevitably tend to transform. After Kaiyuan and Tianbao, the style of calligraphy changed, and the pen and ink became more and more plump. A generation of calligraphers known for their fatness appeared, such as Yan Zhenqing and Su Lingzhi. Today, everyone likes strong and lively words. I think this trend is the trend in our era of high-spirited and prosperous socialism. In this great era of ours, will we still love the lifeless pavilion style? This is one aspect. On the other hand, you should also have your own set. What is your own set? The unique shapes of the Chu characters mentioned above naturally reflect Chu Suixi’s unique personality and temperament marked by the times. , and these unique artistic characteristics are expressed through the weight and speed of the brush, fat, thin, square, and dry and wet shades. Whether it is light or heavy, square, round, fat or thin, there are the calligrapher's own likes and dislikes in it, expressing the calligrapher's personality.What's more, text is a symbol. It is not bound by image like painting. From a certain perspective, it can express and develop the author's personality more strongly. Therefore, adding your style to the work is like putting a label on the product. A unique trademark of yours adds a new variety to the literary garden where a hundred flowers bloom. There are limits to gain and loss: artistic works emphasize style and require personal appearance. In fact, style and appearance are common to everyone. It is like the face of a person, with the same ears, eyes, mouth and nose. Due to their height, size, distance and width, some appear mediocre, some appear handsome, some appear ugly, and some appear ugly. Weiwei. Calligraphy emphasizes its own identity, requiring the work to be unique, pleasing or shocking at first glance, arousing people's endless associations, and giving people the enjoyment of beauty. However, although some works are unique, they are unpleasant to look at. They are just like people, with hateful looks, despicable behavior, and a vulgar demeanor that is prohibitive. The appearance of a work of art is a natural expression of the author's temperament and education. It is the result of the weight and speed of the pen and ink in the long-term writing. It cannot be created moment by moment according to the author's subjective intention. . Pretense is the goal of the ignorant. Once, Dongpo and Shangu were discussing a book, and Shanshan deliberately criticized Dongpo's calligraphy.