The idiom c ā ng j ? ng y ǒ u l ǒ is often used to describe the power of pen, ink and outline in calligraphy and painting works as strong as pine branches.
Details are as follows:
1, Liu Yuan's General Theory of Hermitage and Neo-Confucianism III: "Honest works, especially works deeper than classics, are vigorous and beyond the reach of shallow learning."
2. Yuan Hongdao's poem "Into the Panshan Mountain" in the Ming Dynasty: "Skinny and green, more charming."
3. Ye Guanting's "Blowing the Net to Record the Stone Carvings of Liuzhou Willow": "This calligraphy is vigorous, not one yuan and one thing, but also copied by Song people."
4. Yu Dafu's "The Scenery of East Zhejiang and the Scenery of Square Rock": "In the past, grotesque rocks in Chinese paintings were wrinkled and magnificent to an incredible extent." Wu Han's vigorous calligraphy work < Chilge > The fate of the singer's house: "This old general with gray hair sang this simple, natural and beautiful lyric in a vigorous and high-pitched tone."
5. Suixian literature and history materials Yuan Land Park: "There are still three halls in Yuanjiashan (), and there are several cypress trees outside the pavilion, which are vigorous and colorful."