Leon feifen w incarnation
Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.
Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "
Structural combination.
Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.
Phoenix, Andrew; It can't be pronounced "fēnɡ". "
Distinguish the phoenix; Can't write "wind"
Synonyms are free and unrestrained.
Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.
2. Four-character idioms in calligraphy, complete strokes of dragon and snake, Yan Gu, iron-painted silver hook, penetrating paper back, free strokes of dragon and snake, bǐ zǒu lóng shé Interpretation: Describing calligraphy as very beautiful and skillful, Yan Gu yá n j Ρ n Interpretation: Yan: calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
3. Praise the teacher's calligraphy works (four words). It is a pity that people are tireless in sleepless nights, diligent, hardworking, dedicated, thoughtful, agile and smart. "According to You" is a blockbuster, with people who are unknown and tireless, spring breeze with both ability and political integrity, things that are moist, subtle and subtle, amiable and meticulous diligence, mentors, mentors, and fragrant mentors. Impermanence is a good teacher and friend, and capable people can be teachers. What shines on you is a dignified teacher. He respected his teacher, and the spring breeze changed the rain. He works hard to teach and educate people, and peaches and plums are everywhere. His mind is full of sages, mentors, hard work and mentors. He worked hard to be a teacher (after his death), and he was a teacher for his father all his life. The teacher was like the sea and taught people tirelessly. A tutor teaches impermanence. A tutor can be a teacher. Shine on you teaches the dignity of the tutor. One sentence is used to study the dignity of the tutor. Teachers respect teachers. Candles cry every night and teach people with kindness and enthusiasm. The world is full of peaches and plums. Saint, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, teacher, dignity, teacher, teacher, teacher, teacher, teacher, teacher.
4. There are many idioms with beautiful Chinese characters. At the request of the teacher, the four-character idiom "one dragon and one snake" describes the vivid and magnificent calligraphy. Silkworm-headed phoenix tail describes calligraphy as dignified and light. It is full of strength and strength: plump and rich; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. The figurative font structure is solid and full, and the brushwork is more than enough. Worship the Thin and Hu: The Three Kingdoms Period: Zhong: Zhong You in the Three Kingdoms Period. Zhao Hu's fonts are thick, and Zhong You's fonts are thin. It describes that calligraphy is good at its own beauty. It is often used to describe vigorous calligraphy or graceful dancing. He was thirsty and ran to the spring. It's like a horse thirsty for water. Elastic stretching. Fly with me, a dragon and a snake, flies like a dragon and swims like a snake. Describing calligraphy as bold and unrestrained, with powerful brushwork. Long Yue Hu Lie is a metaphor for writing, and calligraphy is vertical and free and easy, vigorous and powerful. Luan Pufeng Bo first described the brushwork as chic and elegant, and later described it as the separation of husband and wife or the frustration of literati. Luan Xiangfeng is fragrant: hovering and flying; Yan: Fly high. Metaphor calligraphy flying and stretching. Beauty hairpin: insert and wear. It describes beautiful calligraphy. This is also a metaphor for fresh and beautiful poetry. Angry and thirsty: lion; Horse: A horse. Like an angry lion prying at a stone, a thirsty horse rushes to the spring. It describes vigorous calligraphy. Group play Haihong: Hongyan; Sea: refers to the great lakes. Like many of Hong Fei's games in the Great Lakes, it describes the vitality and flexibility of calligraphy. It's like drawing sand with an awl. Describe the uniform brushwork of calligraphy, without publicity. Iron painting and silver hook painting: strokes; Hook: hook. Describe the softness of calligraphy. Fairy dew pearls are metaphors of charm and beauty. It also describes the elegance and roundness of calligraphy. Yan Liujin Gu Yan: Yan Zhenqing, a calligrapher in the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty, refers to Yan and Liu's calligraphy styles, but they are different. That is, what is generally called excellent calligraphy. Youlong described calligraphy as exquisite. The dragon snake at the bottom of the pen still says that the pen is far away from the dragon snake. It describes calligraphy as vivid and imposing. Phoenix dances, dragonfly describes calligraphy as powerful and flexible. Phoenix flies back to the cave: fly high. It means that calligraphy flies and stretches. Phoenix is floating, floating. Later, it was compared to the separation of husband and wife or the frustration of literati. It is often used to describe the vigorous brushwork and graceful dancing of calligraphy. Just like Jiao Ruo Jing Long. Liu Gu Yan Jintang Liu Gongquan's calligraphy is vigorous and powerful, with close structure; Yan Zhenqing's calligraphy is dignified and magnificent. Later it was called the font and statutes of his calligraphy. The dragons and phoenixes in Dragon Pan describe majestic and winding mountains, the weather of kings and flying calligraphy. Flying dragons and snakes depict vigorous and vivid calligraphy. The dragon and snake describe flying calligraphy, which is superb. Rowen Huzhen describes bold and magnificent momentum, and often describes vigorous calligraphy. Elastic stretching. The dragon and leopard became a metaphor of vigorous and changeable calligraphy. Dragon and phoenix dance is still like dragon and phoenix dance. At first, it described the grandeur of mountains, and later it described the rigidity and stretching of calligraphy. Long Xiang and Yue Feng first described majestic mountains, and later described powerful calligraphy. Elasticity and extensibility. In "Dragon and Phoenix Dance", Luan Ganghong compares the flying posture of calligraphy with surprise. It is as changeable as a cloud on paper. Describe calligraphy or poetry as superb and mysterious and varied. It's like flying and rising, which means people feel relaxed and refreshed. He also described poetry and calligraphy as light and elegant. But the style is different. That is, what is generally called excellent calligraphy. It is the same as "Yan Liu Jin Gu". Yan Gu refers to strong calligraphy, but with different styles. That is, what is generally called excellent calligraphy. It is also the same as "Yan Liu Jin Gu". Silver hooks and tails are used to describe calligraphy strokes, such as silver hooks and scorpion tails. Painting: strokes. Describe the softness of calligraphy. Silver hook jade spit like a silver hook, vigorous and powerful. Words are as precious as jade.
5. Four-word idioms about calligraphy are full of pen and ink: pen and ink are used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the past, there were comments about calligraphy.
The idiom "Huang Ting at the beginning is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance". Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.