1, Zhao Ti's calligraphy tends to be flat, Zhao Ti's strokes are round and beautiful, and the shelves are square. Zhao Ti sketched, pressed, stretched horizontally, and the word potential spread horizontally.
2. Borrowing the running script, some words are between the running scripts, which looks beautiful and moving. It's all hidden. The stroke writing of regular script generally starts from the front, closes the pen and hides the edge, which is extremely subtle. Zhao Ti dares to talk about going against the trend, but Zhao Ti's brushwork only focuses on going against the trend, going against the trend in space and not completely hiding his edge. Closing the pen means going back to the front, but I didn't mean to be frustrated.
3. Adhere to roundness. This way of writing not only does not destroy the beauty of animals, but also increases the sense of life and natural relaxation. The pen path stops evenly. Zhao Ti's strokes have their own light and heavy changes, and there is no fixed formula of horizontal light and vertical weight, which depends on the needs of the characters. There are ups and downs, Zhao Ti's paintings and horizontal paintings are ups and downs, full of twists and turns, and the stippling echoes them.
4. Zhao Ti's regular script draws on the writing method of running script, which has the meaning of running script. The dots echo with the painting and the meaning of strokes is connected. Some simply use running script, and there is a draw between strokes.