Liu Er's nephew asks for a book (I)
Song? Su Shi
It is not enough to retreat into the mountains. Only by reading thousands of books can you understand God.
Your family has its own yuan and feet, so don't be tired of asking people about chickens.
Make an appreciative comment
This poem is Su Shi's calligraphy work. The sentence "It is not enough to retreat into a mountain, and it is not enough to read thousands of books to understand the spirit" means that the art of calligraphy is not enough to rely solely on the hard work of light pen, but also needs a high degree of cultural literacy to support it; Reading thousands of books is a way to improve one's quality. Reading thousands of books can make knowledge and art permeate each other, and make a person understand the spirit and write like a god. Du Fu said that "reading is like writing", which revealed the relationship between reading and writing. Su Shi's use of calligraphy in reading here is also extremely accurate. "Your family has its own resources and feet. Don't be tired of asking others." It is said that people with family background should first inherit their family studies, and don't blindly learn other people's things just because they think their own things must be bad.
The epigram "Only when you read thousands of books can you understand the spirit" is a common language used by the ancients to persuade students to learn, and it is also an integral part of our national cultural heritage.
Extended Reading: Su Shi's Ci
Su Shi has made extraordinary achievements in the creation of ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi. After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.
The transformation of Su Shi's ci is based on his concept of ci and his creative idea of "being unique".
Ci has been regarded as "Tao" since the late Tang Dynasty and the Five Dynasties. Liu Yong devoted his life to the creation of ci, which promoted the development of ci style, but failed to improve the literary status of ci. This task needs Su Shi to complete. Su Shi first broke the concept that poetry is superior to ci in theory. He believes that poetry is homologous, and the word "is the seedling of poetry". Although there are external differences between poems and words, their artistic essence and expressive function should be the same. So he often compares poetry with poetry. Because he raised the word to the same position as the poem from the stylistic concept, it provided a theoretical basis for the word to move closer to the poetic style and realize the mutual exchange and infiltration between the word and the poem.
In order to make the aesthetic taste of ci really keep pace with poetry, Su Shi also put forward the creative proposition that ci should be "one family". The theory of "being a family" here is put forward according to the different "lasting appeal" of Liu Yong's ci, and its connotation includes: pursuing magnificent style and broad artistic conception, ci should conform to people's quality, and ci should express its true temperament and unique life feelings like writing poems. Because only in this way can we "write like a man" in the creation of Ci (Answer to Zhang Wenqian's immortal book). Su Shi always pays equal attention to integrity in his articles, but he opposes conformity in literature, so he is not satisfied with Qin Guan's "learning Liu Qi's words" and lacks "integrity".
Expanding the expressive function of ci and opening up the realm of poetry is the main direction of Su Shi's ci style reform. He extended the traditional expression of women's gentleness to the expression of men's pride, and extended the traditional expression of love to the expression of temperament, so that words can fully express the author's temperament embrace and personality like poetry. Su Shi let ambitious people full of enterprising spirit, lofty ideals and passion into the world of ci, changed the original feminine artistic conception of ci, and set a precedent for new poets in the Southern Song Dynasty.
Extended reading: part of Su Shi's ci
Last year's youth travel, Jiang's boating on the lake with the same poem, Yumeizi Youmeitang's Poems of Ancient Stories, Nanxiangzi's Poems of Ancient Stories, Eternal Sorrow by Yong Yule, The Empty Bed of Broken Magnolia, butterfly lovers, Mizhou Shangyuan, Jiang's Ten Years of Life and Death, and Looking at Jiangnan. Make-up to see you, Huanxisha, the leaves are shining layer by layer, Huanxisha, the clothes are whispering, the jujube flowers are falling, Huanxisha, the soft grass is flat, the new rain, the eternal joy, the bright moon is like frost, Nangezi, the rainy night is suspicious, Huanxisha, the green wheat is uncovered, Huanxisha, and the dream is drunk. Jiao Chibi missed the past, Nanxiangzi collected water at the beginning of frost, Linjiang Xianmeng woke people up and drunk Dongpo at night, and Huangzhou did not make a fixed garden residence. After thirty-three years, the water turned around and embroidered the sunset red curtain, and Dingfeng Bo admired Yulang in the world, partridge and forest. Ling Xiao's "The Rhyme of the West Lake", the jade case went to Wuzhong Road in three years, He Xinlang's "Flowers Dancing Like Smoke Flying", Huanxisha, the east wind and snow outside the door, the alley crossing Qilitan, the Dianjiang Lip parting with the autumn, seeing off Shou Chang and Ezhou, Niannujiao Mid-Autumn Festival and water.