advocated by the emperors in the Tang Dynasty was the coexistence of Confucianism, Buddhism and Taoism, and a series of policies and measures were carried out, such as selecting scholars through poetry, which created a good social environment for the prosperity of Tang poetry. Moreover, in the Tang Dynasty, emperors played a positive role in promoting the development of Tang poetry because of their special status, strong appeal and their own literary and artistic accomplishment: the emperor's personal practice played a guiding role in the creation of Tang poetry, and the activities of organizing a poetry meeting promoted the creation of Tang poetry, and valued the inspiring role of the poet Li Xian Corporal in the creation of Tang poetry.
Secondly, the rapid economy of the Tang Dynasty laid a material foundation for the prosperity of Tang poetry. Historically, the Tang Dynasty was a great power in China, and the Tang Dynasty was the peak of the development of feudal society. It is precisely because of such a prosperous economy that the necessary material conditions are available for the development of such things as art in the Tang Dynasty. Imagine that if people don't have enough to eat and their heads are still in danger of moving at any time, I'm afraid it's not a good time to be poetic. In the Tang Dynasty, the country was rich and the people were strong, before Taizong Zhenguan, after Xuanzong Kaiyuan, and the society almost reached the point of ancient harmony. In such an era of national prosperity and people's security, the poetry and fu of the Tang Dynasty really found fertile soil for its vigorous development. But economy is not an absolute factor in the development of Tang poetry. In the late Tang Dynasty, which was not so stable, after the Anshi Rebellion, the economy was not as prosperous as before, but the Tang poetry was further prosperous. This shows that the economy has a certain role in promoting, but it does not play an absolute role.
In addition, cultural changes and the historical evolution of poetry itself are also indispensable conditions for the prosperity of Tang poetry. The Tang Dynasty has its unique cultural background. First, from the Tang Dynasty to the palace secrets, everything can be entered into poetry, and the content is one hundred times richer than that of the previous dynasty. The meter is more mature and complete, realism and romanticism coexist, and a variety of poetic styles are born. It is precisely because of the rich cultural background that Tang poetry has brought colorful play to the world. Second, the poets in the Tang Dynasty were not limited to princes and princes. In addition to literati and emperors and princes, the authors of The Whole Tang Poetry compiled in the Qing Dynasty included "common people, peddlers, pawns, monks and nuns, child molesters, fishermen, woodcutters, god stick artists and even beggars and beggars". In addition, the Tang Dynasty is a very free and open society, which provides an opportunity for the unprecedented development and prosperity of Tang literature. Under this cultural atmosphere, the vigorous development of Tang poetry is absolutely understandable and an inevitable trend.
The historical evolution of poetry has to start from the early Zhou Dynasty. Four-character poems appeared in the early Zhou Dynasty, but they flourished in the Western and Eastern Zhou Dynasties and declined in Qin and Han Dynasties. The Eastern Han Dynasty created five-character ancient poems, but they flourished in Wei, Jin, Southern and Northern Dynasties. However, the seven-character ancient poems and the new-style poems were only formed in the Six Dynasties. In the Tang Dynasty, with the change of economy, politics, science and technology system, the poets just showed their talents and completed the unfinished life of the poems themselves. At that time, the integration of Ci and Fu had been rigid for a long time, and the new style had not yet been produced, which brought more creative space for literati's creation and concentrated on poetry, thus resulting in the brilliant achievements of Tang Dynasty poetry. Of course, the relatively poor historical accumulation has laid a good foundation for the reign of Tang poetry. Before Tang poetry, although there were songs of the Book of Songs and the style of Chen Gong Liang, there was no peak to look up to. Being able to paint with a blank sheet of paper, do whatever you want, and write freely naturally is even more unscrupulous in the Tang Dynasty. Finally, there is the opening up of the Tang Dynasty, especially the emphasis on cultural exchanges. National unity, economic development, convenient transportation and other factors have led to the blending of Chinese and foreign cultures and North-South cultures. The relationship between the Tang Dynasty and various ethnic groups was more harmonious, and cultural exchanges between China and foreign countries were more active than in the past. In the description of some Tang poems, those exotic and ethnic elements have become indispensable materials for their creation. The development of various arts has greatly promoted the development of literature, and the cultural exchange between the South and the North is manifested in the organic unity of the delicate style of writing in the South and the rough style in the North, forming colorful styles and numerous schools. Cultural exchange, from a deeper perspective, is the perfect collision between the essence of the whole literary history of the Tang Dynasty and external objects.