"Man proposes, God disposes", which is embodied in calligraphy thought. "Success" refers to both the success of "things" and the success of "things" in the eyes of the world. The former is like a swift horse, and the latter is a swift horse meeting Bole. However, Bole also has the problem of meeting and not meeting. Bole is famous for knowing horses and Bao is famous for knowing people. Bole meets Bao Shu Ya, who knows people, and can only be regarded as Bole who knows horses. In real life, a swift horse meets Bole, or doesn't meet Bole, or Bole is demoted to a mortal, then the swift horse it meets is also demoted to a mortal, or a mortal is considered to be Bole, then the swift horse it meets is also considered to be a swift horse ... The situation is extremely complicated. Is it because of "heaven" or "people"? Besides, a swift horse can let the world know that it has been wronged. What can we do if successful calligraphy works can't be successful in the eyes of the world? Therefore, in the spirit of "a gentleman seeks the Tao without seeking food" and "only knows how to cultivate, but not how to harvest", I will not talk about these, but only discuss the relationship between "Heaven" and the success of calligraphy itself.
Wang Xizhi was a great calligrapher in China 1600 years ago in the Jin Dynasty, and was known as the "sage of calligraphy". There is an Amochi in Zhu Jie Temple on Shaoxing West Street, which is said to be the place where Wang Xizhi washes his pen.
Wang Xizhi practiced calligraphy at the age of 7, and was diligent and eager to learn. /kloc-at the age of 0/7, he stole his father's previous calligraphy works and read them. When he is mature, he practices writing. He sat by the pool every day practicing calligraphy, seeing off the dusk and welcoming the dawn. He finished writing more or less ink, more or less rotten pens, and washed pens in the pool water every day. It took a long time for a pool of water to become ink. This is the legendary Mo Chi that people see in Shaoxing today.
Wang Xizhi concentrated on practicing calligraphy and forgot to eat and sleep. When he was eating and walking, he was thinking about the structure of words and kept doodling on his body with his hands. Over time, his skirt was worn out and everything paid off. Once, he wrote a plaque for someone, wrote a few words on the board and sent it to lettering. The sculptor found that the ink stains of the characters had penetrated into the board for about three minutes. Therefore, people often use the idiom "incisive" to describe the strong brushwork of calligraphy, and later use it to describe the profound views and discussions on things.