After 30 years, will the number of people studying China's calligraphy be reduced by half? Why?

Without Chinese characters, there would be no calligraphy. Calligraphy is the unique secret of China culture. Throughout the ages, many people study hard and practice hard, and their pens are as busy as farm tools. People enjoy it, blend in their emotions and give people beautiful enjoyment.

Wang Xizhi is undoubtedly the first calligrapher. The Preface to Lanting is highly praised and copied by countless people. There are also Yan Zhenqing, Su Shi and Miti, each with its own characteristics. Zhang Xu, a poet in the Tang Dynasty, was a great dancer.

With the development of the times, calligraphy will also be challenged. In the tide of commodity economy, people come and go in a hurry, and their interest in calligraphy will be greatly reduced. With the emergence of artificial intelligence, robots can also write poems and do calligraphy. What will happen in the future is hard to predict. Will it be passed down by only a few people like many intangible cultural heritages? The author saw that most of the teachers who taught in the early days of liberation wrote beautiful calligraphy. Even Taoist priests who turned over for the dead wrote beautiful calligraphy. Now teachers and Taoist priests can't, and most of them write crooked words. Every Spring Festival, no matter in urban or rural areas, many people still have the habit of posting couplets, but there are few handwritten couplets on the spot, and most of them are printed in batches.

What is certain is that calligraphy will never die out, because it is rooted in the fertile soil of China culture and has profound connotations, just like poetry. Calligraphy and painting, calligraphy and painting, calligraphy and painting are kept by * * *. A machine can be programmed, but after all, it has no human feelings, and can only look like it, not like it.

In the next 30 years, the number of people studying China's calligraphy will greatly increase, which is estimated to be more than ten times that of today.

Brush calligraphy is the quintessence of our country. With the gradual improvement of people's living standards, they will become more and more civilized in spirit, and all kinds of arts have experienced explosive growth. As the quintessence of Chinese calligraphy, it is the best way of artistic expression for future people.

According to the development of art and culture in western developed countries, firstly, in our current industrial production, machinery and equipment have replaced most of the manpower.

Future social and economic growth will make people richer, and social progress will make distribution fairer.

When people get rich, physical labor is reduced, and the brain is no longer confused by repeating trivial things in daily life. At the same time, the outbreak of spiritual needs, such as the literary explosion in the Baroque era, will make people become artists and express themselves through various literary forms. Brush calligraphy has low threshold, high fence and convenient expression, which has become people's first choice.

Therefore, it is concluded that brush calligraphy will not decrease, but will increase year by year, or even increase substantially or cause a wave of uncontrollable.

Thank you for inviting me!

My answer is to increase rather than decrease!

Reason: The country has been promoting Chinese studies and spared no effort. Calligraphy, as the only writing art in the world, should be respected and studied in primary schools.

Calligraphy learning is a step-by-step process, and interest is gradually accumulated in the step-by-step process. Once you fall in love with calligraphy, you will never let it go. It will have that invisible charm. Anyone who has studied calligraphy should feel this way.

Imagine what a huge reserve army the students in the whole country should be if calligraphy learning enters the students' classroom.

So don't worry, the inheritance of calligraphy will not be broken, nor will it be replaced by the emergence of electronic products. Calligraphy art is an art with soul, and machines without soul can never replace people!

Through this topic, we can know the subject's concern about the future development of calligraphy.

(This is Cai Yong, and the picture below shows the Xiping Stone, which was carved from the fourth year of Emperor Xiping in the Eastern Han Dynasty (A.D. 175) to the sixth year of Guanghe in the Eastern Han Dynasty (A.D. 183), and later stood at the location of Luoyang imperial academy outside Kaiyang Gate in Luoyang City of Han and Wei Dynasties (imperial academy site is located in Zhujiajieqieqiang Village, Yanshi, Henan Province). Imperial academy is equivalent to a national university, so people also call this book The Book of Songs of imperial academy. The earliest official Confucian classics in the history of China were written in official script, and the font was square and very famous, so they were also called "centralized classics". Even the standard of words used in The Book of Songs was the standard of writing at that time. )

This kind of worry, I personally understand, may be mainly a matter of direction. "Ugly books" are rampant, eager for success, and there is no bottom for innovation. . . Which direction should our calligraphy art go?

It is difficult to estimate whether the number of people studying China's calligraphy will decrease, because there is no accurate data to support it. However, judging from the degree of social attention to traditional culture, the problem will not be great, but it needs to be eradicated.

In fact, the last answer about calligraphy art "from avenue to simplicity" also implies this feeling. Now the communication is developed, the communication channels are smooth, and the good and the bad spread quickly, which puts forward a test for the audience's recognition.

As for why, I think it has something to do with the public's cognition of this field. The two attitudes of being eager for success and quitting despite difficulties will affect the quantity and quality of people who write brush strokes (engaged in calligraphy art).

So what should we do? I think this needs the active guidance of calligraphy practitioners; In addition, people who are interested in entering this field should fully evaluate their hobbies and corresponding knowledge reserves, so as to correctly understand the art of calligraphy, grasp the most valuable part of massive information for their own use and persevere.

For more information about calligraphy art, please pay attention to Zhaoming Library.

There is a grandfather troupe in our county, with thirty or forty people, who never performs outside. Because of the small audience, no one said it was a national quintessence, so the government had to keep it. I saw those self-help classes in the park, and those who wrote on the ground. Most of them are white-haired old people, lamenting that they stick to the quintessence of the country. That era was so tragic that no young people worked hard for it. At present, the so-called fiery calligraphy is also doomed. A thing with no practical value wants to be hot against the times, at best it is a flash in the pan, or a few people who can brush words desperately want money. If money and reputation are taken away, who will return the calligraphy?

This question is a bit interesting. This is also a very complicated problem, involving a nation and all aspects of the human world.

This is also a forward-looking question that tests people's foresight and wisdom.

In the future human world, people all over the world will learn writing brush calligraphy, and regard it as an activity of self-cultivation, fitness and entertainment aesthetics, and return to nature, and the world is one! Either everyone is finished and human beings no longer exist.

There is no reason for this. As mentioned at the beginning, it involves all aspects.

This question is a bit alarmist.

Imagine a country with a vast territory, a large population, a long history, splendid culture and a long history of calligraphy art. There is never a shortage of artistic talents who study and love calligraphy, but it is just a matter of ways and means of education and training. Thirty years later, the number of people studying calligraphy may decrease by half or increase by half.

In short, decrease or increase. However, the study and inheritance of calligraphy art will never stop.

First of all, it takes too much time.

Second, the learning cost is too high.

Third, the income is too low

My name is Liu Guofeng.

A person devoted to calligraphy creation.

Wechat Follow 13340670006

Objectively speaking, there will be fewer people writing brush strokes, because the actual use will be reduced, not to mention brush strokes and hard pens.

Subjectively speaking, not necessarily, because the country has realized the seriousness of this problem, and it is stipulated that calligraphy classes must be offered in primary and secondary schools, which depends on the strength of national implementation and the degree of school participation.