Huang Tingjian's complete Chinese character "Poems and Postscripts of Ming Zan" has more obviously inspired future generations to ma
Huang Tingjian's complete Chinese character "Poems and Postscripts of Ming Zan" has more obviously inspired future generations to master the brush of sheep and give full play to the heroic role of rabbits. There are some paintings and words on the "Li Wumatu" in small letters, which can be displayed until it is found. Really achieved the artistic creation height of "small characters like big characters". The following are the excellent calligraphy works of Huang Tingjian that I compiled for you. I hope it works for you!
Appreciation of Huang Tingjian's Excellent Calligraphy Works
Pictures of Huang Tingjian's Excellent Calligraphy Works 1
Picture 2 of Huang Tingjian's Excellent Calligraphy Works
Picture 3 of Huang Tingjian's Excellent Calligraphy Works
Figure 4 of Huang Tingjian's Excellent Calligraphy Works
Brief introduction of Huang tingjian's characters
Huang Tingjian is the founder of Jiangxi Poetry School. Xiushui county, Jiangxi. Born on1045 * * * July 28 * * June 12, he was a poet, calligrapher and poet in the Northern Song Dynasty. He is a scholar of Yingzong Zhiping for four years *** 1067 * *. Professor Ye Xianwei from Beijing, Professor Lang Xianping from imperial academy, School Book Lang, Cao Zuolang, Secretary Cheng, Fuzhou Biejia, Guizhou Resettlement House, etc. Zhe is known as "proofreader" and "collator". Hou Zhuo lives in the house. At the beginning of Shao Sheng's reign, the New Party called it "pseudo" in the editorial history, demoting Fuzhou and resettling Guizhou and other places. Hui Zongchu, Yizhou was detained. In the fourth year of Zhiping, Song Yingzong was a scholar, and Shao Shengchu was demoted as a proofreader. Later, the new party came to power and was repeatedly demoted. On September 30th, 20051165438+1October 8th, * * * died in Yizhou Downgrading Institute.
Articles, poems and especially calligraphy. The poetic style is strange, thin and hard, and it is difficult to get rid of vulgar habits and create a generation of ethos. In his early years, he was known by Su Shi, and he was also called "Four Bachelor of Su Men" with, Chao and Qin Guan. Poetry and Su Shi are also called "Su Huang", and there is also The Collected Works of Mr. Huang. Along with Qin Guan, there are also "Guqin Interesting Tales" and "Mr. Huang's Ci". Ci is romantic and heroic, close to Su Shi, and is the ancestor of Jiangxi Poetry School. Chao Bu Zhi said: "Lu Zhi's interplay of small words is solid and wonderful, but he is not a language expert, so he sings good poems in his own tone." * * * See The Poet's Jade Chips * * There are many other slang words, which are inevitable. There is "Valley Ci", also known as "Valley Qin Interesting Chapter". The main ink marks are Song Fengge Poetry, Hua Yanshu, Jingfubo Temple, Duxi, Li Bai's Nostalgia for Ancient Poems and Kuzhun Fu. The theory of this book includes On Jin and On Shu. Huang Tingjian is one of the "Four Bachelor's Degree Students in Sumen". His poetic style is strange, sparse and hard, and he strongly rejects the habit of belittling vulgarity. Advocate a generation of ethos and be the originator of Jiangxi poetry school. Exquisite calligraphy, and Su, Mi and Cai are also called "". Ci is as famous as Qin Guan, but its artistic achievements are not as good as Qin Guan. In his later years, he had a close relationship with Su Shi, with a thin style of ci, deep feelings, bold and elegant, and sometimes brilliant. The Valley Collection has seventy volumes.
When Fu Yuanyuan lived in Rongzhou in the Northern Song Dynasty, he imitated the artistic conception of "winding water and flowing clouds" in Wang Xizhi's Preface to the Orchid Pavilion, and carved a stone to drink water as a pool in the northern suburb of Yibin today, which is called "flowing cup pool".
Calligraphy ink skills
The highest expression of ink painting skills. It is the taste of ink and wash and the subtle and fantastic color changes in calligraphy and Chinese painting works. In modern painting, Huang is a master who is good at ink painting. His stippling is colorful and unique. Huang said; The ink painting of the ancients was better than water, and the ink painting was deified, or it was done with pen power. * * * Painting circles * * * said: Mohist school uses water, taking ink as shape, water as gas, pneumatic, and shape is alive. China's ancient ink painting also makes sense. The "book raft" also said that when it is cooked, it will live without water. Huang is a master who makes good use of thirsty pen. The key to thirsty pen lies in thirst and moistening. Only by unifying the contradiction between thirst and moistening in his works can we produce the artistic effect of cracking the autumn wind and moistening the spring rain. Mr. Li Keran said: Don't put too much water in the pen, it will be pale; When the pen is heavy and powerful, the water can be squeezed out to make the pen wet. A word broke the mystery of thirst and moisture, just as the ancients said. The ancients said: the way of pen and ink, there is pen and ink, no pen and no ink. The author believes that five strokes without ink is right, but a pen does not necessarily have ink. With ink, there is no knowledge.
The effect of pen and ink in works is closely related to the priority of brushwork and the hardness of paper. In fact, the pen is heavy, but it is floating. With new ink and clear water, it is bright and fresh, while with Su Mo and muddy water, it is more gloomy and muddy. The ancients demanded more ink. Zhang Geng's "On Painting in Pushan" and "On Ink" in Qing Dynasty pointed out that no matter whether ink is dry or wet, there is no smoke and no food. Lu Tai said: Dong Siwen's pen is beyond the reach of Jewish people whip, with bright colors. Nature is touching and immortal. However, people all know the beauty of Dong Siwen's ink color, and we can see that Siwen's ink color is elegant and delicate. It all depends on its paper. Xuanwu is paper. Nothing is ink. The ink color of Weng's works is mostly light, but it is actually thick ink, so it lies in paper. The same is true of Huang Gu's Li Bai's nostalgic poems. Calligraphy creation and the choice of paper are also knowledge. Without ink, paper can't sprout. Yang Jun's "Caotang said jade" cloud; You should know that ancient jade can be played with and designed to be colorful. The color is amazing and there are many bubbles. The worse the quality, the more mottled it is. Nowadays, most people regard jade as the top grade, which makes no sense. As we all know, solid and delicate paper is solid and it is easy to get a clean pen. But I don't know if the texture is loose or rotten, and the reasoning is related to jade. The more decadent the quality is, the more soaked it is, the more mottled it is, the more traces it is, and the more I see Mo Miao and Qiqi.