The characters that are connected on the left and broken on the right are as follows:
If you want to write the word plum beautifully, you can use running script or cursive script. Running script gives people a relaxed and lively feeling. Cursive writing gives people a bold and unrestrained feeling.
Extended training:
1. Horizontal and vertical. The "horizontal level" we usually talk about refers to the horizontal drawing being stable, not horizontal. The horizontal angle is 5-10 degrees upward to the right, which is "oblique" in calligraphy. "Vertical" means that the vertical painting is strong, not vertical. According to the font shape, it can be inclined, straight, curved or straight.
2. Tighten up and loosen down. The strokes in the upper part of the glyph are more compact and the lower part is sparse.
3. Open up and close down. Mouth characters, or characters with a flat mouth, such as Shan character base, Cao character head, etc., should be slightly wider at the top and narrower at the bottom.
4. Collect and lower. When the lower part of the character has extended strokes such as left, right and long horizontal strokes, the upper structural unit should be tightened; the lower part should be stretched left and right to support it, which is called "ground support".
5. Up and down. When there are stretching strokes in the upper part of the character, the lower structural unit should be tightened; the upper part stretches left and right to cover the lower part, which is called "Tian Cover".
6. Reach left and give way to right. To give way to the right, the horizontal drawing on the left side of the character is divided into two sections by the vertical drawing, with the left being longer and the right being shorter.
7. Thin on the left and thick on the right. When multiple vertical lines are arranged in a character, the left vertical line is thinner and the right vertical line is thicker.
8. Short on the left and long on the right. Where there is a long mouth frame, the left vertical part is short and thin, and the right vertical part is long and thick.
9. Break the left connection and the right connection. The mouth frame or the small horizontal line between two vertical strokes is usually connected to the left vertical stroke, not the right vertical stroke. If there is a middle vertical line passing through a small horizontal line, the small horizontal line is usually suspended between the left and right vertical lines.
Other calligraphy forms of plum character:
1. Li Zhi in regular script. Gao Zongxi was fond of calligraphy, and his calligraphy was in ICBC, Cao, Li and Feibai. Among the emperors, calligraphy is vigorous, bold, mellow and handsome, no less than that of famous calligraphers. Gaozong's calligraphy is graceful and graceful, just like that of Taizong. It can be said that it is inherited from the family and was highly praised by people at the time. Li Sizhen's "Preface to the Back of the Book" lists Gaozong and his son as the sacred writings.
2. Seal script Xu Sangeng. His seal script and official calligraphy are based on the "Tianfa Shen Prophecy Stele" and have a unique style. He first learned seal cutting from Chen Hongshou and Zhao Zhichen. After the age of forty, he started to combine Chinese seal script and Chinese seal. He showed his skill, elegant style, and density. He became his own style and was quite popular for a period of time at that time.
3. Official script Yi Bingshou. Born in a scholarly family, he likes to paint, and his regular calligraphy has the charm of Yan Zhenqing. He has learned widely, learned from hundreds of schools, and expressed his own ideas, which attracted the attention of people at the time. He has the highest achievement in official script and is one of the representatives of the rise of official script in stele studies in the Qing Dynasty.