#自学# Introduction The fragrant flowers are fragrant and the flowers are blooming, and the door is full of joy. Read the notifications with excitement and realize your dreams today. Reminiscing about the past with a smile on one's face, studying hard is the most beautiful thing. Keep up the good work and move forward, the future is bright and boundless. Prepare hard for the exam, and may you have a bright future and be admitted to your ideal college. The following is the "2018 Self-Study Examination "Aesthetics" Questions and Answers 25-28" compiled for your reference.
Part 1
4.1. The ancient Greek philosopher who proposed the theory of "ecstasy" is (B)
A. Socrates B. Plato
C. Aristotle D. Democritus
4.2. “Recollection” involves aesthetic (A) in Plato’s aesthetic theory
A. General laws B. Special phenomena
C. Unknowability D. Illusion
4.3. In Aristotle’s aesthetic theory, the role of tragedy lies in ( C)
A. Punish evil and promote good B. Pleasure people
C. Purify the soul D. Restrain desires
4.4. Western aesthetics emerged in the 18th century The shift is concentrated in (B)
A. German classical aesthetics B. British empirical aesthetics
C. Analytical aesthetics D. Semantic aesthetics
4.5. Clearly attribute aesthetic experience to emotional activities. (D)
A. Augustine B. Hutchison
C. Gadamer D. Hume
4.6. Kant proposed the "game theory" , the core of which lies in (B) between imagination and intelligence
A. Discord B. Coherence
C. Specious D. Mutual preconditions
4.7. The ideological basis of scientism aesthetics is (A)
A. Logical empiricism B. Social positivism
C. Linguistics D. Naturalism
4.8. In the modern aesthetic system, the opposite of scientism aesthetics is (C)
A. Socialist aesthetics B. Impressionist aesthetics
C. Humanistic aesthetics D .Empirical aesthetics
4.9. The important representative of analytical aesthetics is (A)
A. Wittgenstein B. Schopenhauer
C. Hyde Gerrard D. Dewey
4.10. "Intuition is the method of grasping life and its generation process." This argument comes from (C)
A. Nietzsche B. Wittgenstein
C. Schopenhauer D. Bergson
4.11. The figure who played a central role in the "ontological turn" of hermeneutics is (C)
A. Schleiermacher B. Dilthey
C. Heidegger D. Husserl
4.12. Systematic hermeneutic aesthetics was formed in (B)
A. Heidegger B. Gadamer
C. Husserl D. Wittgenstein
4.13. The theory of aesthetics is based on the way of thinking on the basis of. (C)
A. Formal logic B. Empiricist philosophy
C. Metaphysical binary opposition D. Naturalism
4.14. Aesthetic experience is fundamentally Yes an important form.
(A)
A. Life practice B. Daily life
C. Reading and acceptance D. Artistic creation
4.15. The moral connotation of natural objects is generally used in China Reflected in (A)
A. Natural characteristics are compared to human morality B. Lyricity of writing
C. Stimulate the subject’s moral experience D. Pan-moralization of lyricism
4.16. Aesthetic experience is fundamentally a kind of (D)
A. Rational activity B. Thinking activity C. Sensory reflection D. Irrational activity
4.17. Advocate for irrationality It is a kind of low-level chaotic understanding. This view is based on the prejudice of -. (C)
A. Scientism B. Naturalism
C. Metaphysics D. Dialectics
4.18. The essential intuitiveness of aesthetic experience lies in its understanding of Reason is liberated from. (C)
A. Objective B. Reasoning
C. Concept D. Judgment
4.19. Some people say that because aesthetic experience directly combines form with itself Feelings are connected, so the essence cannot be grasped. Here he confused (A)
A. Appearance and phenomenon B. Intuition and essence
C. Form and appearance D. Feeling and intuition
4.20 .Aesthetic experience may also produce utilitarian effects, from the perspective of the object (C)
A. The recipient has the willingness to be educated B. The object has a form
C. The form of the object is combined with the content D. Aesthetic pleasure is different from ordinary physiological pleasure
Part 2
4.1. The ancient Greek philosopher who proposed the theory of "ecstasy" is ( B)
A. Socrates B. Plato
C. Aristotle D. Democritus
4.2. "Recall "In Plato's aesthetic theory, it involves aesthetic (A)
A. General laws B. Special phenomena
C. Unknowability D. Illusion
4.3. In Aristotle’s aesthetic theory, the function of tragedy is (C)
A. Punish evil and promote good B. Pleasure people’s ears and eyes
C. Purify the soul D .Restrain desire
4.4. The shift in Western aesthetics in the eighteenth century is concentrated in (B)
A. German classical aesthetics B. British empiricist aesthetics
C. Analytical aesthetics D. Semantic aesthetics
4.5. Clearly attribute aesthetic experience to emotional activities. (D)
A. Augustine B. Hutchison
C. Gadamer D. Hume
4.6. Kant proposed the "game theory" , the core of which lies in (B) between imagination and intelligence
A. Discord B. Coherence
C. Specious D. Mutual preconditions
4.7. The ideological basis of scientism aesthetics is (A)
A. Logical empiricism B. Social positivism
C. Linguistics D. Naturalism
4.8. In the modern aesthetic system, the opposite of scientism aesthetics is (C)
A. Socialist aesthetics B. Impressionist aesthetics
C. Humanistic aesthetics D .Empirical aesthetics
4.9. The important representative of analytical aesthetics is (A)
A. Wittgenstein B. Schopenhauer
C. Hyde Gerrard D. Dewey
4.10. “Intuition is the method of grasping life and its generation process.
"This argument comes from (C)
A. Nietzsche B. Wittgenstein
C. Schopenhauer D. Bergson
4.11. The figure who played a central role in the "ontological turn" of hermeneutics is (C)
A. Schleiermacher B. Dilthey
C. Heidegger D. Husserl
4.12. Systematic hermeneutic aesthetics was formed in (B)
A. Heidegger B. Gadamer
C .Husserl D. Wittgenstein
4.13. The theory of beauty is based on the way of thinking (C)
A. Formal logic B. Empiricist philosophy
C. Metaphysical binary opposition D. Naturalism
4.14. Aesthetic experience is fundamentally an important form of (A)
A. Life practice B. .Daily life
C. Reading and acceptance D. Artistic creation
4.15. The moral connotation of natural objects in China is generally reflected in (A)
A. Nature Characteristics compared to human morality B. Lyricity of writing
C. Stimulating the subject’s moral experience D. Pan-moralization of lyric
4.16. Aesthetic experience is fundamentally a kind of (D)
A. Rational activity B. Thinking activity C. Sensory reflection D. Irrational activity
4.17. The idea that irrationality is a low-level chaotic understanding is based on— — bias. (C)
A. Scientism B. Naturalism
C. Metaphysics D. Dialectics
4.18. The essential intuitiveness of aesthetic experience The reason is that it liberates reason from (C)
A. Objective B. Reasoning
C. Concept D. Judgment
4.19. Some people say, Because aesthetic experience directly connects form with one's own feelings, he cannot grasp the essence here.
A. Appearance and phenomenon B. Intuition and essence
C. Form and appearance D. Feeling and intuition
4.20. Aesthetic experience may also produce utilitarian effects, from the perspective of the object (C)
A. The recipient is educated B. The object has a form
C. The form of the object is combined with the content D. Aesthetic pleasure is different from ordinary physiological pleasure
Part 3
5.1. It was not until about this time that the term art specifically refers to poetry, painting, dance, drama, and sculpture (C)
A. Ancient Greece B. 16th century C. 17th century D. 18th century.
5.2. The game theory was first proposed by. (C)
A. Goethe B. Schiller C. Kant D. Hegel
5.3. The theory of collective unconsciousness was proposed by. (A)
A. Jung B. Maslow C. Freud D. Pagson
5.4. The theory of symbols starts from the definition of art. (C)
A. The function of art B. The origin of art
C. The essence of art D. The form of art
5.5. Obliterate the personality of the artist The theory is (B)
A. Game theory B. Collective unconscious theory C. Imitation theory D. Significant form theory
5.6. Collective unconscious theory is a theory based on assumptions on.
(C)
A. Witchcraft theory B. Religion C. Psychology D. Biology
5.7. The earliest esthetician who proposed the "genius theory" was (C)
A. Aristotle B. Bullough C. Kant D. Nietzsche
5.8. Art is “lyrical expression” and belongs to (C)
A. Significant form theory B. Witchcraft theory C. Expression theory D. Symbol theory
5.9. The main flaw of the imitation theory is (A)
A. Neglect B. Ignored the cognitive function of art
C. Ignored the connection between art and reality D. Exaggerated the subjectivity of artistic creation
5.10. Bergson Said: “Poetry expresses the state of mind. " embodies the viewpoint. (C)
A. Game theory B. Dao theory C. Expression theory D. Imitation theory
5.11. Avoid the connection between art and the real world. Ignore the objective origin of the subject's emotions (B)
A. Symbol theory B. Expression theory C. Collective unconsciousness D. Meaningful form theory
5.12. Talk about aesthetic emotions abstractly. , fell into formalism and mysticism (A)
A. Meaningful form theory B. Symbol theory C. Entertainment theory D. Game theory
5.13. Symbol theory is. proposed by.
(D)
A. Clive Bell B. Croce C. Bergson D. Susan Lange
5.14. The following do not advocate the doctrine of Taoism It is (D)
A. Confucius B. Han Yu C. Liu Zongyuan D. Su Shi
5.15. What defines art from the perspective of artistic function is (D)
A. Collective unconscious theory B. Symbol theory C. Significant form theory D. Entertainment theory
5.16. Who is the aesthetician who divides works of art into phonetic layer, semantic layer, schema layer and object layer? (B)
A. Susan Lange B. Roman Ingarden C. Dufheim D. Arnheim
5.17. Poetry and painting are both art , the layers that must have the same nature in the structure of their works are (A)
A. material reality layer B. formal symbol layer C. image world layer D. artistic conception transcendental layer
5.18. The direct material existence of artworks is (C)
A. Material reality layer B. Image world layer C. Formal symbol layer D. Artistic conception transcendent layer
5.19. The transition of the structure of artworks from the material level to the spiritual level depends on (B)
A. Material reality layer B. Image world layer C. Formal symbol layer D. Artistic conception transcendent layer
5.20. The core level in the structure of artworks is (B)
A. Material reality layer B. Imagery world layer C. Formal symbol layer D. Artistic conception transcendental layer
Chapter 4
5.21. What is produced as a result of the aesthetic perception and imagination of the appreciator is (B)
A. The layer of material reality B. The layer of the image world
C. Formal symbolic layer D. Transcendental layer of artistic conception
5.22. Among the following works of art, the one that best reflects the transcendental layer of artistic conception is (C)
A. Ceramics B. Photography C. Chinese calligraphy and painting D. Sculpture
5.23. Among the main types of imagery, the basic characteristics of Xingxiang are (B)
A. Simulation B. Natural C . Main D. Abstraction
5.24. The type of imagery produced by the novel art of Zola, Flaubert and Mérimée is (B)
A. Metaphor B. Simulation C .Image D. Abstraction
5.25. The first step from imagery to the existence of art is (C)
A. Materialization B. Imagination C. Materialization D. Intention
5.26. The main types of images produced by Chinese calligraphy art are (D)
A. Metaphorical image B. Xingxiang C. Imitation D. Abstract
5.27. Aesthetic image is a kind of (C)
A. Virtual existence B. Objective material existence
C. Spiritual existence D. Objective-spiritual existence
5.28. The image of snowflakes in "Yanshan Snowflakes as Big as a Mat" belongs to (A)
A. Metaphorical image B. Xingxiang C. Imitation D. Abstract
5.29. The key to why a work of art is a work of art is (A)
A. The creation of the world of imagery B. The creation of the world of artistic conception
C. The creation of the world of representation D. Creation of content world
5.30. put forward the statement: "Artistic conception is the most central aspect of Chinese culture and has contributions to the world."
(B)
A. Zhu Guangqian B. Zong Baihua C. Li Zehou D. Wang Guowei
5.31. In the formation process of the "artistic conception" category, no one made a direct contribution It is (C)
A. Wang Changling B. Wang Guowei C. Su Shi D. Sikong Tu
5.32. What should be the pursuit and goal of art is (C)
A. Create a world with imagery B. Create a world with imagery
C. Create a world with imagery D. Create a world with imagery
5.33. Art The core task of a product is (A)
A. Create a world of imagery B. Create a world of images
C. Create an abstract world D. Create a world of artistic conception
5.34 ."Homer's Epic" provides a wealth of historical information on ancient Greece, which reflects the (B) function of art
A. Religious influence function B. Cognitive function
C. Aesthetic function Function D. Social intervention function
5.35. The peripheral function of artwork is (B)
A. Religious enlightenment function B. Commercial advertising function
C. Cultural exchange function D. Moral education function
5.36. The primary function of art is (C)
A. Understanding B. Morality C. Aesthetics D. Entertainment
5.37. "Education through fun" is proposed. (C)
A. Plato B. Aristotle C. Horace D. Schiller