Before I saw this picture of Ruihe in Liaoning Provincial Museum, I had seen countless copies, exquisite or mediocre, and countless "cultural and creative" derivatives of this work. But at the moment of witnessing it, you can really feel its "gas field": these cranes are really lifelike, as if they had just stopped falling and fluttered their wings. Sure enough, no matter how superb the replica is, it is also a handicraft, and it can only be "not as good as the original".
Song Huizong year
Hui Zong's aesthetic feeling is clear.
Of course, this does not prevent Xu Huixin from becoming an "internet celebrity" on a larger scale today: because he is "good" and does not need to see a "spiritual aura", his "beauty" is clear and even easy to understand. As far as the flower and bird feathers in the "Painting Academy" are concerned, they are "realistic".
Postscript of Song Huizong's Listening to Music
This "eternal man" is really suitable to be a charming and elegant object: his lifestyle, artistic taste, even the wonderful coincidence with the aesthetics of "Mo Landi color", and of course his position in the center of power are all in line with the expectations of the new class for "beauty": if he is as crazy as Xu Wenchang and as weird as Badashan people, he will certainly not be treated like this.
Xu Huixin's "beauty" is as plain and real as his "bony body". How far do you know? I have seen more than once that calligraphy lovers, especially young people, have not yet started. I made up my mind to learn to lose weight as soon as I got started, but I didn't listen to any dissuasion, so I learned calligraphy all the way in the dark.
Comment on Song Huizong's "Rui He Tu"
A scrawny body is not suitable for study.
After reading these, Hui Zong's "loyal fans" may be unbalanced: What qualifications do you have to say that Xu Huixin Gege is perfect, versatile and affectionate?
Indeed, at first glance, it is difficult to turn a blind eye to its "beauty", especially when painting, a few lines, calligraphy and painting complement each other; But this font is too individual to learn. All the brushwork is clearly there, and it is not too complicated. Song Huizong took it to the extreme, and later generations could not surpass it.
Song Huizong's "Rui He Tu"
This is why later calligraphers seldom learn from thin people, and few people are close to "painter's words", such as Fei _ and. In contemporary times, this is not enough.
Furthermore, the scrawny posture itself lacks change because of clear rules, as Teacher Shen Congwen said: "For Emperor Hui Zong, who is particularly interested in art and has a high appreciation ability, writing three or two lines of scrawny books when writing inscriptions for predecessors' scenic spots can also give people a sloppy impression. After writing one or twenty lines, the knot has not changed much, and it is difficult to call it a good system. "
This impression is especially reflected in the regular script Song Huizong Youth Sexual Volume.
Song Huizong's Regular Script Volume "Thousand Characters"
A thousand words are classics of online celebrities.
However, Song Huizong also has a cursive "Thousand Characters", which is vivid and interesting. It is on display in Liaoning Museum. This work is also connected with contemporary aesthetics: 1 1 meter long, which is "big" enough. You can see him at first sight in the exhibition hall.
Song Huizong cursive script "Thousand Characters"
Moreover, this work is made of exquisite materials, which can completely meet all the requirements of "detail control": it was written on almost flawless paper without papermaking technology at that time, on hand-painted Un-yong Kim paper, and there were exquisite fan columns on it.
Song Huizong cursive script "Thousand Characters"
This thousand-character essay can be described as "Dragon and Phoenix Dance", but it still has a strong personal style of Song Huizong, that is, it does not strictly follow the so-called traditional rules and regulations, but is willful and self-sufficient, which is different from Wang Xizhi's traditional "no bullying, no bullying, no going out of the city". Of course, like Hui Zong's other works, this is the "online celebrity punching office" of the exhibition.
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Song Huizong's thousand-character writing
Song Huizong is a special existence in the history of China. When he is not a good emperor, he can be a good artist. His artistic level ranks first among emperors in past dynasties. However, because his calligraphy is too personalized and mature, it is not the object of learning methods.
In this way, with his calligraphy level, Rao can still give us a lot of inspiration. Therefore, here is a history book, Autumn Moon in the Boudoir, which is called mystery, but it is not fiction. It tells the story of Song Huizong's experience and explains why he made such great achievements in painting and calligraphy.