Mi Fei studied under a scholar at that time, followed by Ou Yangxun and Liu Gongquan, with tight fonts and strong strokes. Later, Wang Xizhi and Wang Xianzhi, with developed figure and vigorous strokes, called themselves "calligraphy", and were called the four great calligraphers in the Song Dynasty with Su Shi, Huang Tingjian and Cai Xiang. His paintings are good at dead wood and bamboo stones, especially ink and wash landscapes. It is very creative to express the changes of mountains and rivers in the south of the Yangtze River with brush strokes, which is called the Yunshan of rice. Mi Fei's calligraphy ink handed down from generation to generation includes Mourning the Empress Dowager, Shu Su Tie, Tiaoxi Iron Stone, Bai Zhong Yue Ming Tie, Hong Xian Shi Juan, Cao Shu Jiu Tie, Duojing Lou Iron Stone and so on, but no paintings have been handed down from generation to generation. The book Mountain Forest Collection has been lost; His theory of calligraphy and painting has been dabbled and recorded in books such as History of Calligraphy, History of Painting and Zhang Bao. Since the Song Dynasty, Mi Fei's calligraphy has been admired by later generations. His calligraphy is called "writing brush", which means that his writing method is different from that of his predecessors. "History of Song Dynasty" says: "When Mi Yuanzhang first saw Hui Zong, he wrote a letter on the royal screen saying" Zhou Guan ". When he finished writing, he threw his pen on the ground and said,' Wash away the bad letters of the two kings and shine on the emperor and the Song Dynasty forever.' Huizong stood behind the screen and sniffed, but he went out to have a look. "1 107, Mi Fei died at the age of 57.
There are scholars behind, and it is rare to have rhymes.