Ancient storytelling methods

A theoretical summary of Huang Tingjian's book "Using Pen"

The beauty of the ancients lies in the desire to enter the array like a horse, and the grass method wants to control it. Although the handwriting seems clumsy to people, it needs years of mastery and hard work, and the mind is idle, but it is exquisite. -In the book

Heart can turn wrist, hand can turn pen, and writing style is satisfactory. The ancient manual books are no different, except that they can use pen ears. ? -In the book

In the past, Wang Dingguo said that if a librarian didn't work, it was not enough to just care about things, but I was not convinced. From today's perspective, Dingguo's words are sincere and correct. I don't know how to escape with a pen, so there is no pen ear in the word. There is a pen in the word, just as there is an eye in the Zen sentence. If you don't have a deep understanding of zongqu, it's easy to say! -"Yuan You Jianzi's Self-evaluation"

I have tasted storytelling, and there are pens in the words, like eyes in Zen sentences. As good as the right army's book, for example, the Nirvana Sutra says "Chinese characters have three eyes". This matter must be understood by yourself, and it is impossible to argue. -"Interpretation of the Title of this Law Post"

I have tasted the destruction of escape in the calligraphy of Right Army Father and Son by Ou, Yu, Chu, Xue, but it seems that Yan Shangshu and Yang still have it. Compared with Su Zizhan, Su Zizhan's face is close and young, such as Peony Pavilion, which is very similar to the wall of Baijia Temple. More than a hundred years later, this theory is feasible. -"Dongpo Postscript"

I used to go to my father's doctor's office and my grandfather's office to learn "Religious Classics" and Su Lingzhi's "Beiyue Monument". The words are clear and clear, but they can't enter the eyes of laymen. For decades, the literati wrote Shang Hua's ci in a gaudy way, but his pen was not real. He delights in graceful horses and charms flower arranging dancers, but he doesn't know that the ancients used pens. It is too simple to have a palm, so use it to decorate and write ten poems of Bazhong by Lao Du. I quite think that pens are not used for pens. My heart doesn't know hands and my hands don't know pens, so I hate them more than my second dad. Writing happily is the beauty of the ancients. You try to write a book in this world, and you are inseparable for ten years. I feel that I can't write a word without writing it. -"Self-evaluation of the causes of ten book fans"

Every book is more clumsy than clever. In modern times, teenagers write words, such as a bride's makeup comb, dotted with hundreds of kinds, without the attitude of a fierce woman. -"After Li Zhiyao Begging for Books"

At the end of Qiannan, he felt that calligraphy was weak and moved to Rongzhou. I saw how disgusting old books were. There were about three or four differences on the cross. Today, we can understand the old saying "sink into happiness", but it is difficult to understand your friends. Li Qiaocuo's "Wen Fu" written by Chu Suiliang, the right army, is vigorous and pure, which is really a rare book on earth. -"Essays on the Right Army after the Book"

On March 13th of the second year of Fu Yuan, he came from Zhang Yuanqian to see Su Yong's return, and tried Zhuge Fang's lost works by candlelight in Xuancheng. He thinks that the brushwork is similar to the white-headed poem "White-headed Songs" in Guizhou, but there are differences and similarities. If there are other books in the next hundred years, it will be a solution to the rest of the language. Zhang Changshi broke the hairpin, Yan Taishi's family leaked the law, Wang Youjun painted sand with a cone, and Yin Yinni and Huai Su were out of the forest, which surprised the snake. Suo Jing's silver hook is the same: I don't know my hands, but my hands don't know my heart. If you are willing to compete with Almighty God for the immortality of future generations, you will work with calligraphers and historians. -"On Guizhou Dialect"

Huang Tingjian wrote Postscript of Su Shi's Cold Food Poems in Huangzhou.