1, transverse and longitudinal moment: transverse and longitudinal is a relative concept, not absolute. Generally, the short cross will be a little inclined, usually around 5 degrees. As the main pen, the long and horizontal lines must be flat, otherwise the whole word will be unstable. The same is true of vertical painting. As the main pen, the vertical painting must be vertical so that the characters can stand up.
2. Pay attention to length and density: the structure of calligraphy needs to be changed. Length and density are important components of calligraphy changes. With length and density, fonts will not become dull. Length is a relative concept. The density in regular script generally refers to the average, and the stroke spacing is best uniform.
3. Highlight the horizontal painting short: For all characters with apostrophes, apostrophes usually appear as the main pen. If the main pen is an apostrophe, then other strokes must converge to highlight the main pen, so the horizontal painting inside is generally short, such as the word "Spring", the main pen is an apostrophe, and the top three horizontal lines are relatively short.
4, the surrounding structure should be full: the text of the surrounding structure is difficult to write, and it is easy to be abrupt in a work, so the outer frame should not be written too big, and the whole will be more harmonious, but regardless of the size of the outer frame, the content inside must be filled, and there should be no too many gaps, otherwise it will appear empty.
5. The vertical painting in the middle should be straight: generally, the vertical painting in the middle of a word will play a key role, just like the load-bearing wall of a house. Without it, the structure will be unstable Therefore, the vertical painting in the middle must be straight, and the whole word will have spirit. The middle vertical drawing is not correct, and the center of gravity of the whole word is unstable.
6. Oblique change of words: absolute horizontal and vertical words do not exist, and such words are not good-looking. Oblique changes will make the whole character vivid and less rigid, and the combination of horizontal, vertical and oblique strokes can write really good characters, which is also the charm of calligraphy.
7. The left and right sides must be symmetrical: the words with the same parts on the left and right sides are symmetrical, so that the parts on both sides can be related, so that the two parts will not be separated and the left and right sides will be harmonious and unified. If the writing is asymmetrical, Burjai thinks this disorder will make people very uncomfortable.
8, the upper and lower dichotomy should be aligned: the upper and lower dichotomy should also be aligned, otherwise the upper and lower will be separated. In fact, this is a very simple aesthetic common sense. We can't misplace them too much. There are too many dislocations, and the font structure is unstable and unsightly.
9. Giving and receiving: It is difficult to combine words with left and right structures. Writing near will appear crowded, and writing far will spread out. The best way is to connect them, alternate left and right, and avoid each other, so as to form an organic combination. This combination won't make people feel a little discordant.