Shuishu inherits soul of china, Han Mo, a magical calligrapher.

? Mr. Zhang Zhaolai is currently a member of the Painting and Calligraphy Working Committee of China Cultural Management Association, a member of China Hard Pen Calligraphy Association, a director of Jinan Hard Pen Calligraphers Association, a member of Licheng District Calligraphers Association of Jinan City, a lifelong member of Shandong Old Age Calligraphy and Painting Research Association, an art consultant of China Damin Painting and Calligraphy Institute, and an executive vice president of Qufu Hongru Painting and Calligraphy Institute. At the age of 70, Mr. Zhang Zhaolai volunteered to lay the foundation for the inheritance and development of ancient intangible culture in China. Master De Zhao, the 3rd generation disciple of Songshan Shaolin Temple, once commented that Mr. Zhang Zhaolai's calligraphy is "directed at people's hearts and Ming Che is conscious", and the artist's appeal is the kind of quietness conveyed in his works and personality. The self-nature of Mr. Zhang Zhaoruo's calligraphy is the * * * life of nature and self-nature. Understanding life in the realm of transformation, based on the physical soul, seeks the unity of humanity and humanity. Shuishu embodies the feelings of home and country and inherits a harmonious society without inheritance.

Soul of china is the inheritor of Shuishu? Momo Shenqi Calligraphy Master

Lu Chun, an ink expert, appreciates Mr. Zhang Zhaolai's calligraphy.

? Lu Chun, an expert in water calligraphy, is the third generation inheritor of water calligraphy in Sandu County, Guizhou Province. He is an expert member of China Translators Association, an outstanding scientific and educational talent in Qiannan and an expert in ink calligraphy in Qiannan. In 2006, he was admitted to Sandu County Civil Affairs College to study the translation of water calligraphy as an assistant translator. Up to now, more than 40 million words of Shui Shu have been translated, and translated notes such as Secretary Volume, Nine Planetary Volumes, Nine Pens Volume, Seven Manufactured Volumes, Greedy Huge Volumes, Descending the Virtue Volume, Spring Sound Volume and Zhengqi Monument Yao have been published, and the Notes on Common Words in Shui Shu have been compiled. Co-edited Uncovering Shui Shu —— An Interview with Mr. Shui Shu, Ren Chen Juan and Eight Greedy Juan, co-edited Directory of Inheritors of Mr. Shui Shu, Investigation and Research on Shui Yu, Bilingual Textbooks of Shui Han, etc. , and completed the project of the Ancient Books Office of the Provincial Committee of Religious Affairs, Interpretation of the Spring Sound Volume of Shui Shu. He has published more than 40 articles in domestic newspapers, presided over the custom activities of water calligraphy, and made contributions to the inheritance of water culture.

Shuishu and paper fossils are Chinese translations of ancient Shui characters and books, and they are comprehensive ancient books that combine the belief culture and folk knowledge of Shui people. As early as 1860 (the tenth year of Xianfeng), Mr. Mo Youzhi, a great scholar in Southwest China and a native of Dushan, Guizhou, pointed out in his "Songs Carved on Ancient Cliffs" that the ancient Chinese characters of Shui people were recorded from bamboo slips at the beginning, and "Rhyme" was the simplest ancient Chinese characters before the three generations (referring to Xia, Shang and Zhou Dynasties). Shuishu originated in the Sui River Basin of Xia and Shang culture countries, then moved to Baiyue nationality, and remained in Shuijiashan Township in the upper reaches of Liujiang and Longjiang rivers, the capital of Guizhou-Guangxi border. After thousands of years of long historical time and space, Shuishu still lives in the folk customs of the Shui nationality, which is particularly precious. Therefore, Shuishu is known as the living fossil, encyclopedia and hieroglyphics of the I Ching of the Shui people. Shuishu consists of tangible external forms-ancient Shuishu characters and manuscripts written with these ancient characters mixed with primitive beliefs and folk knowledge; The intangible internal form of Shuishu-that is, a large number of contents that are not recorded in Shuishu characters, but are passed down from mouth to mouth in Mr. Shuishu's mind, as well as many life folk customs closely related to Shuishu. The main contents of Shuishu are: hunting, farming, calendar, marriage, architecture, fate, travel, offensive and defensive, resistance and defense, and many other aspects. As far as the traditional calendar of the Shui nationality is concerned, it adopts a typical rice calendar, which is a very important part of the book. In Xu Shen's Shuo Wen Jie Zi in Han Dynasty, the word "nian" was interpreted as an ancient book leaf. Celebrating grain ripening is called China New Year. Oracle Bone Inscriptions and the full text "Nian" are pictographs of mature and drooping ears of grain. However, the original meaning of "nian" has long since disappeared in modern Chinese, and the Chinese New Year season is not the harvest season. The water calendar recorded in Shui Shu and the festivals arranged by the aquarium according to the water calendar (the "Year Festival" of the aquarium) accurately interpret the original meaning of "Year". Shuishu has a unique character symbol system; Shuishu is a comprehensive record of folk knowledge of Shui people, involving astronomical calendar, primitive beliefs, ethics and so on. Shuishu is practical and operable, widely used in folk weddings, funerals, production and life, and has a far-reaching impact on the Shui society. The unique characters and symbols of Shuishu, the rich memory content and the mystery of folk inheritance reflect the outstanding value and special value of Shuishu's hydration creativity.

? As the inheritor of national intangible cultural heritage, Mr. Zhang is constantly pioneering and innovating on the basis of inheriting tradition. His calligraphy works are stern and vigorous, with the beauty of majesty, masculinity, sculpture and poeticization. They turn thin into hard, plump and vigorous, with broad and vigorous structure, vigorous atmosphere, square and dense, and horizontal strokes and vertical strokes. The structure is rigorous, beautiful and handsome, and the layout of brush strokes is full of Gu Zhuo's interest. Spirituality is excellent, and the realm is natural and magnificent; It is also cast with a strong soul, and the realm is natural and vigorous; With its enrichment, the realm is naturally broad and magnificent. Hydrological calligraphy is the heart trace and the carrier of the spirit of the times.

? Today, after more than 60 years of life experience and artistic accomplishment, Mr. Zhang Zhaolai hopes to continue to do something for the inheritance of national art and China traditional culture in the form of calligraphy with a grateful heart in the years to come. Committed to pleasing works, I also look forward to the famous calligrapher Mr. Zhang Zhaolai's water book as a golden key to open the cultural treasure house handed down from generation to generation by the Shui people. Create your own artistic sky in Shuishu calligraphy, which is outstanding, unique, spread all over the world, carry forward five continents, become famous in the world, and be both virtuous and artistic!