As an independent style, running script has its own characteristics in its development.
To learn running script well, we must go through special copying training and master its brushwork and writing rules.
We introduce the technical characteristics of running scripts from two aspects:
In terms of brushwork:
Take advantage of the trend to write: running script is no longer like regular script, which requires going backwards and forwards, hiding the head and protecting the tail. but
When you put pen to paper, you go with the wind, and when you put pen to paper, the center swims. When you receive a pen, you usually take it out with the wind, or participate in writing or hook it up.
Choose the front. Never go back to the front.
Most of these strokes are exposed. The brush gesture is obviously smooth. It also makes more songs in the running script.
Pens and strokes should not be too straight, so as to increase the sense of stippling and make it not stagnant. These paintings
Change will naturally speed up writing.
Pointing echo: It is formed because the running script is no longer a pen tip, but mostly a pen tip.
The hook and hook introduction of stippling means that the last stroke is finished, and the next stroke is naturally taken over, so that stippling can be carried out.
Although seemingly connected, the pen is disconnected from the meaning, resulting in an obvious relationship of looking around and echoing.
Obviously, these condescension and echoes make the font more vivid and interesting.
Tie the thread and lead the tape: the cross-drawing between stippling and painting makes it look around and produce an echo, sometimes this echo is written through the pen tip.
Travel silk, connected to form two or more strokes, is written continuously in one go, making the words appear coherent.
Very handsome.
Generally speaking, the inherent strokes of each character are heavier, and the connection between the two paintings is lighter, but it is not.
You can jump completely, otherwise it will be dull and boring. The effect of binding strings is one of the main features of running scripts, but
But used properly. Blindly involved in winding, when intermittent, but self-defeating, forming a weak float.
This disease is a taboo in running script writing. A calligrapher once said, "Connection and disconnection have different effects. It is easy to connect but difficult to disconnect.
So, you know, break. "Therefore, in order to distinguish their different functions, we should separate the tie from the stippling echo.
This is another important feature of running script.
Abbreviation and ellipsis: As mentioned earlier, Lian can write two or more strokes together, which has actually played a role.
In order to simplify, the writing speed is accelerated, but the original strokes are not reduced, only between strokes.
They are related, but they don't exist in isolation. In the running script, there is a simpler situation, that is, simple combination.
The original stippling has formed a unique writing style in the running script.
The change of collection and interpretation: compared with regular and rigorous fonts such as regular script, official script and seal script, there is a kind of running script that is the same as cursive script.
The characteristics of. That is, it can adjust its font and stroke shape at any time according to the needs of composition and the characteristics of a word.
State. Can restrain, can indulge, can stretch at will, can make it longer, for example.
Go to the party.
Away from the square and avoid the circle: regular script is round, mostly in compromise, that is, Zhao Mengfu's book mainly turns around.
It is undoubtedly necessary to express one's intention when writing, which also adds some strength to the writing. The running script follows the trend.
Turning point, endless changes, Fiona Fang, flexible and vivid. Pay attention to the changes in Fiona Fang, make it blend naturally, and make the writing effect have the power of Fang Bi.
Strength, and the fluency and agility of the round pen. If you fold the square blindly, it will become dull and stiff. If you simply turn it around, it will
Slippery and weak. In short, we should observe more in our study and think more in our creation.
Press it again and mention it gently: some strokes of regular script, such as returning to the front of the pen and reversing the pen, have been used in running script.
Now it is not used or rarely used, but more used is the use of homeopathic lifting and pressing. Where the sun is shining, there is a need for sunshine.
Pick up the pen gently, so it's faster. And the heavy place needs to press the pen again, and the speed is a little slower. Of course, a stroke
The alternation of light and heavy thickness should have a reasonable ups and downs process, and it should not be ups and downs, so it should be self-contained
However. Lifting can be seen almost everywhere in the running script, and the change of lifting in a word should be different in a painting.
As for the light and heavy layout in the article according to the needs of composition, it also appears repeatedly in running script works.
Very rare. Calligraphers of all ages have their own experiences about this, and we can understand it by carefully tasting the works of later generations.
Wonderful use in running script writing.
The wrist is just right: "The beauty of calligraphy is at the end of the pen." Today, it seems that some people think that this theory of predecessors
It is biased. Others, such as composition and ink painting, are also important. But calligraphy is the plastic art of lines.
Improving the expressive force of lines is often the lifelong pursuit of calligraphers. Composition and ink painting are also inseparable.
Open lines to complete the performance, and the expressive force of lines lies in using a pen. Therefore, the previous statement can be
Yes, we can't ignore it.
When it comes to using a pen, you can't help but mention your wrist. The two are inseparable. At this time, beginners of calligraphy often
Easily overlooked or unclear.
As mentioned above, the movements of the pen can combine different styles of works, such as beauty, strength, simplicity and childishness.
Pin, what is the key to using a pen? Of course, it's the brain, but the idea of the brain is to rely on fingers, wrists,
The reasonable coordination of arms means too thin and delicate, but overall it is not enough.
No one can write complete Chinese characters. The arm is too thick, and writing a list may not be satisfactory, but it is necessary.
Perfect but not satisfactory. Then only the wrist is in the middle, which can play two roles. special
The agility and exquisiteness of running script is sometimes accomplished entirely by wrist movement.
Wrist movement means that in the process of writing, the wrist should consciously command the brush to swing left and right, and slowly press it to make it
Change the illusion. So that the writing effect is smart and smooth. For example, when writing a hundred words, if a hundred strokes fall on the paper, you will leave your wrist.
Tilt the pen to the right, and immediately turn your wrist to the right at the end of the cross, take the pen and press it inward into a small vertical fold.
Lift the front end to the right, so that the rotating belt can be put down and the pen can be lifted inward for some collection. This series of actions is pushing the wrist.
Moving and rotating, if you move only by your arm, it is obviously difficult to make the pen write the light and heavy changes accurately.
Lines, some dexterity is more difficult to show accurately, and it is effortless to write words within half a foot.
Please. Of course, if you write Berberis, you need the help of your arm, and the control pen is done by your wrist.
Therefore, wrist movement is a crucial exercise course in cursive writing practice. Of course, the coordination of wrists, arms and fingers is also true.
Can't be ignored.
Post selection and copying:
Some friends practice calligraphy and like to write freely and express freely, which is understandable in terms of creation.
But writing should not be like this. Because practicing calligraphy should be to learn the good words of predecessors and master them.
It, turning it into your own skill and overcoming your own shortcomings, is also what you should take when studying any subject.
Attitude. Why practice? I must be aware of my own shortcomings, but I don't pay attention to methods when practicing.
Still can't reach the goal. I often see some friends holding a post for a long time, and the words haven't changed much.
The reason is nothing more than a temporary learning method. It is common sense to write on the spot. Pro is a comparative word.
The font on the post will know its writing method and law, and collect some words with thin paper to copy if necessary.
Memorize it and apply it to a pen, so as to change your writing habits instead of just copying posts.
Some comrades came again and again, wasted a lot of time and energy, and finally returned.
Just the way I was, without any progress. I'm afraid this is not caused by copying books.
In posting practice, for beginners or comrades who don't have a deep understanding of the original post, appropriately enlarge the number of words.
This can better understand and analyze the brushwork and structure of the original post words. I have mastered some basic knowledge.
For those who learn methods, it is better to use the original whole article, because for them, brushwork and word formation are no longer there.
It is more important to understand the charm, composition, spirit and style of the original post.
For beginners of calligraphy, the appearance, size, convergence, deviation and brushwork of the original post font are studied clinically.
The elevation, retraction, length, angle, Fiona Fang and echo of a painting should be carefully observed, analyzed and experienced.
Yes My experience is to select some words with representative structure and strokes first, and proceed according to the above aspects.
Analysis, with the impression, you can write a lesson, and then compare it with the original words and find it is not.
Compare the original post with the temporary one, repeat it several times, gradually get close to or similar to the original post, and then move away.
Original post, recite it again