After completing this long scroll praising the era and history of peace and prosperity, Zhang Zeduan first presented it to Song Huizong. Song Huizong became the first collector of this painting. As a master of calligraphy and painting in the history of China, Song Huizong loved this painting very much. He wrote the words "The Riverside Scene at Qingming Festival" in his famous "Shoujin Style" calligraphy, and made a seal script of Shuanglong (now lost). This masterpiece, which is well-known at all times and at home and abroad, has been appreciated by countless collectors and connoisseurs for more than 800 years after its publication, and is the goal of later emperors and dignitaries. It went from one place to another and experienced many wars and disasters ... It entered the palace five times and was stolen from the palace four times. After many disasters, it interpreted many legendary stories. In the third year of Jiajing in Ming Dynasty (1524), the riverside scene in Qingming Festival was transferred to the hand of Changzhou native Lu Wan (Lu Wan was a scholar of Chenghua (1465 ~ 1488), and his rank was as follows: Prince Shao Bao of the Ministry of War, with a heavy name). Li Rihua's Wei Shui Xuan Diary in the Ming Dynasty records that after Lu Wan's death, his wife sewed the Riverside Scene at Qingming Festival into her pillow, never leaving her body, and regarded her as her own life, even her own son could not see her. Mrs. Lu has an unmarried nephew named Wang, who has a clever speech and is very popular with her. Wang is good at painting and prefers celebrity calligraphy and painting, so he tried his best to ask his wife to borrow The Riverside Scene at Qingming Festival. After repeated entreaties, the lady reluctantly agreed, but he was not allowed to bring a pen and inkstone. He is only allowed to enjoy it in the lady's attic and is not allowed to pass it on to others. Wang Xinran did it. After two or three months, he watched it for more than a dozen times, and actually copied a somewhat similar painting. At that time, the treacherous court official Yan Song, who had a high eye but a low hand, was looking around for the Riverside Scene at Qingming Festival. Quan Wang, the independent suggestion, bought a fake from Wang Mai for 800 taels of silver and presented it to Yan Song. Tomson, a framer in Yan Song, recognized the painting as a fake, so he blackmailed Wang Tong and asked him to pay 40 taels of silver to bribe himself, but Wang Tong ignored him. Tomson became angry from embarrassment. When he gave a banquet in Yan Song to celebrate, he washed away the old color in the painting with water. Yan Song was greatly embarrassed in front of everyone, and then he found a way to kill Wang Tuan. Wang, who copied this painting, was also implicated, arrested and starved to death in prison. In fact, after Lu's death, his son was in a hurry to use money, so he sold The Riverside Scene at Qingming Festival to Gu's house in Kunshan, which was forced by Yan Song and his son. Before that, Yan Song did ask Wang Huan to buy a "famous painting", and Wang Huan did buy a painting by Suzhou Wang Biao as a gift for Yan Song, only to find out later. In Qin Long, Yan Song and his son were impeached by Zou Yinglong, and the officialdom finally fell out of power. Yan Shifan was beheaded, Yan Fu was copied, and The Riverside Scene at Qingming Festival was once again included in the palace. The Riverside Scene at Qingming Festival was first written by Lu (a native of Xiangxiang, Anhui Province) in the late Qing Dynasty. Lu Feiyong was a scholar during the Qianlong period. After he got the painting, he also wrote an inscription on it. Bi yuan bought it. Bi Yuan (1730 ~ 1797), a native of Zhenyang (now Taicang, Jiangsu), was a scholar in Qianlong for twenty-five years (1760). Bi Yuan loved epigraphy and calligraphy all his life, and he had a rich collection of books at home. After the painting "The Riverside Scene at Qingming Festival" was won, I learned from it with my brother Bi Long (a connoisseur of collections in Qing Dynasty), and now the painting is marked by two people. When Bi Yuan worked in Guanzhong, he devoted himself to restoring and protecting local cultural relics, but these became his "crimes". Shortly after Bi Yuan's death, Huguang people revolted against the Qing Dynasty. The Qing court believed that during his tenure as governor of Huguang, Bi Yuan not only took Gaby's post, but also killed all his family members, and his property was stolen into the palace. After the Qing court put the Riverside Scene at Qingming Festival into the palace, it was placed in Yingchun Pavilion in the Forbidden City. Emperor Jiaqing cherished it and ordered it to be included in the third edition of Shiqu Baodi. Since then, the Riverside Map on the Qingming Festival has been kept in the Qing Palace. Although the British and French allied forces invaded Beijing twice in 1860 and Eight-Nation Alliance invaded Beijing twice in 1900, they both escaped the disaster and were not damaged. 19 1 1 years later, the Riverside Scene at Qingming Festival, together with other precious paintings and calligraphy, was stolen from the palace by the last emperor of the Qing Dynasty, Puyi, in the name of giving it to Pu Jie, and was first stored in Bird, a concession in Tianjin. 1932, Puyi established the Puppet Manchukuo with the support of the Japanese, so this famous painting was taken to Changchun and stored in the library building of the East Courtyard of Puppet Manchukuo Palace. 1945 In August, the Second World War came to an end, and the end of the Japanese invaders came. Puyi and his Japanese master saw something bad and fled to Dalizigou by plane. The Puppet Manchuria Palace was in a mess because of the fire. In the chaos, many people took the opportunity to enter the palace to "grab foreign fish", and a large number of precious things in the fake palace were scattered to the people in this turmoil, and The Riverside Scene at Qingming Festival was among them. 1949, Changchun was liberated by China People's Liberation Army. Zhang Kewei, a cadre of the People's Liberation Army, collected more than ten volumes of precious calligraphy and paintings scattered from the Puppet Manchuria Palace through local cadres, including The Riverside Scene at Qingming Festival. From 65438 to 0947, Comrade Zhang Kewei was transferred to the Northeast Administrative Committee. Before he left, he handed over more than ten volumes to Comrade LAM Raymond, one of the main leaders who opened up the revolutionary base areas in Northeast China at that time. The Riverside Scene at Qingming Festival entered the Northeast Museum by Lin Feng, and was later transferred to the collection of the Palace Museum in Beijing. However, during the Cultural Revolution, Li Zuopeng, one of Lin Biao's four generals, took advantage of his power to "borrow" the Riverside Scene at Qingming Festival from the Palace Museum and took it for himself. Together with Qiu, Wu and others, he occupies a large number of other precious cultural relics. After the fall of Lin Biao, The Riverside Scene at Qingming Festival was rediscovered, and it is still treasured in the Palace Museum.