Xu Lanting by the right army is the first in ancient and modern times, and its words are reflected, small or big, and all the things it likes are in the law, so it is also a masterpiece.
"This shows the importance of Zhang Shu in a calligraphy work. When writing, we should deal with the white cloth in the word, the white cloth in the word and the white cloth between lines, so that stippling echoes stippling, words keep pace with emotion, and lines reflect each other. If so, it is self-sufficient, exquisite and harmonious, resulting in the effect of "gold between the lines, jade between the lines".
Generally speaking, there are three forms of cloth white: first, there are ranks, second, there are ranks (or ranks), and third, there are no ranks, which may have the artificial beauty of "picking gold by mistake" or the natural beauty of "hibiscus".
Extended data
Composition characteristics
1, order of guests and guests
Calligraphy creation should start with the main body (text content). With a given theme, objects can grow around the subject, hide or show, or leave immediately. The purpose is always to enrich its space and level, just like the stars arch the moon, making the subject image more prominent and perfect.
2. Balance of palm changes
Dignified and steady, one of the beauty of people, is also one of the beauty of works. If you blindly seek novelty and lose tranquility and stability, people will feel uncomfortable, so the composition of calligraphy will not be balanced. However, it is easy for ordinary people to get it, and it is difficult to find the balance of art.
3. The beauty of rhythm.
Five tones alternate into music, pitch and gyration are for dancing. The beauty of art, whether it is heard in sound, shaped in form or seen in color, always needs the alternating cooperation of length, ups and downs, rigidity, light and shade, late speed and moistening, so as to be pleasing to the eye and touch the soul. The effect of this alternating cooperation is the sense of rhythm, which can be said to be the aesthetic feeling of all arts.
4, understand the density and dispersion
Just as music is in full swing, usually accompanied by the climax of the movement, the concentration of calligraphy lines is often the main body of the work.
There are secrets and secrets, and if you meet each other late, your works will be distinct and hidden. Just keep a good sense of proportion and don't differ too much logically. Otherwise, it is either crowded or scattered, and hidden places can't be blocked. There should be a small leak, and the light in the extremely dense place is the wind blowing from the spiritual point, which can cool the whole body. For example, if a person is in a deep pool and a tube is breathable, he will suck a lot.
5. Know the size and the right and wrong
Big and small, curved and straight, all exist relatively in the works and are one of the necessary components of any form of aesthetic feeling. The images of natural characters, the contrast of size, and the mutual learning of merits and demerits are everywhere. The articles of association are there and naturally come together. It is the embodiment of natural beauty and the need of artistic beauty. People who are good at capturing and using will definitely make their works have a beautiful rhythm.
6. Out of roundness is uneven
This is also the aesthetic feeling produced by contrast. Generally speaking, a work should have a round and uneven level in the overall layout. Pave the road with messy grass-like stones, avoid neat parallel lines or mechanical arcs, and of course, you can't lack anything to avoid dullness or incompleteness. Between the jagged teeth, it also requires change, and the big and the small cannot be equal.
Sometimes we have to seek differences in the whole, and sometimes we have to seek the whole in differences. In short, in the specific image, it also needs to be uneven, so as to be resistant to play and products.
7. Look at the echoes at the beginning and end.
Writing a book is like writing. At the beginning of writing an article, describe the plot and characters one by one, cross it steadily, go back and forth, then collect the outline and summarize it step by step. The plot has a result, the characters have a home, and the article is over. This is the way to open and close. Because the first opening, there can be a plot, there can be changes; After the combination, you can see the meaning and spirit.
The so-called God's satisfaction is probably the case. At the beginning of calligraphy composition, the writing content is exaggerated to occupy the space of the work and express the ideological content, and then the level is gradually enriched, and the image is revised to make the structure complete and the content rich, so as to see the charm and artistic conception. This is the opening and closing of the writing program.
8. Obey nature
For example, architecture, Pingshan, river digging, forest building, roads like practice, cars like running water, and Ma Rulong are full of splendid piles. This is a kind of beauty, a kind of beauty that shines with the light of human wisdom and strength; Mountains of forests and valleys, ancient trees and barren vines, mountains and running water, thin and loose stones, thatched huts and hedges barked by crows and dogs are also a kind of beauty, a kind of natural and simple beauty.
The former acts according to people's wishes, while the latter acts according to nature. Interestingly, the more human civilization develops, the richer the material life of modern people is, but the more aesthetic psychology respects nature. Therefore, it is said that a pond has been specially built in a certain place in Japan to let wild peas grow naturally, and lonely geese and sick gulls live everywhere, never slightly modified and managed, as if it were a real primitive swamp, which attracted tourists to be fascinated.
I'm afraid this is not just nostalgia and rebellion. Perhaps in the simplicity of nature, there is a true and irreplaceable goodness and beauty. It can be seen that calligraphy works are of great significance for maintaining and utilizing the courage of natural beauty as much as possible and eliminating the traces of people's will such as "leakage marks".
9. Know the meaning of blank
The secret of drawing white lies in "counting black with white", that is, when drawing lines, not only the color of lines is considered, but actually when black lines are on white paper, there are black and white, and the effect is different. The other is to pursue the change of white cloth: density, skew, straightness and Fiona Fang.